The Language of Dance

The Language of Dance

Author: Mary Wigman

Publisher: Middletown, Conn : Wesleyan University Press

Published: 1966

Total Pages: 118

ISBN-13: 9780819560377

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A noted German dancer and choreographer reveals the personal states of mind and soul that accompanied the creation of her major works


Shawn's Fundamentals of Dance

Shawn's Fundamentals of Dance

Author: Ted Shawn

Publisher: Taylor & Francis

Published: 1988

Total Pages: 148

ISBN-13: 9782881242199

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First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.


Motif Notation

Motif Notation

Author: Ann Hutchinson Guest

Publisher:

Published: 1992

Total Pages:

ISBN-13: 9781942404217

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An ideal tool to learn about Motif symbols and their usage at an introductory level. This spiral-bound booklet will be a welcome guide for those newly interested in Motif Notation.


The Praeger Handbook of Education and Psychology

The Praeger Handbook of Education and Psychology

Author: Raymond Horn

Publisher: Bloomsbury Publishing USA

Published: 2006-12-30

Total Pages: 1065

ISBN-13: 0313014809

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Cognition, mind, counseling psychology, lesson plans, learning styles, and Vygotsky are just a few of the many subjects discussed in this exciting work. Educators, students, counselors, parents, and others will find new understanding as they read and browse. How does the immigrant experience affect student outcomes? What are the effects of poverty on standardized testing? How can a teacher or parent develop study skills in the special needs learner? What is the effect of the school environment on students? What are the larger issues at work in educating students of diverse races, cultures, and classes. This work, a rethinking of school psychology, will be an essential resource for anyone who is interested in teaching and learning. It combines effective, traditional knowledge with contemporary insights into the nature of today's schools and students.


Understanding Dance

Understanding Dance

Author: Graham McFee

Publisher: Routledge

Published: 2003-09-02

Total Pages: 319

ISBN-13: 1134899467

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Understanding Dance is a comprehensive introduction to the aestethetics of dance, and will be an essential text for all those interested in dance as an object of study. Focusing on the work of a number of major choreographers, companies and critics Graham McFee explores the nature of our understanding of Dance by considering the practice of understanding dance-works themselves. He concludes with a validation of the place of dance in society and in education. Troughout he provides detailed insights into the nature and appreciation of art as well as a general grouding in philosophy.


Mary Wigman

Mary Wigman

Author: Mary Anne Santos Newhall

Publisher: Routledge

Published: 2008-11-19

Total Pages: 198

ISBN-13: 113418736X

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Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth and twenty-first-century performance. A dancer, teacher and choreographer, Mary Wigman was a leading innovator in expressionist dance. Her radical explorations of movement and dance theory are credited with expanding the scope of dance as a theatrical art in her native Germany and beyond. This book combines for the first time: a full account of Wigman’s life and work detailed discussion of her aesthetic theories, including the use of space as an ‘invisible partner’ and the transcendent nature of performance a commentary on her key works, including Hexentanz and The Seven Dances of Life an extensive collection of practical exercises designed to provide an understanding of Wigman’s choreographic principles and her uniquely immersive approach to dance. As a first step towards critical understanding, and as an initial exploration before going on to further primary research, Routledge Performance Practitioners are unbeatable value for today's student.


Shawn's Fundamentals of Dance

Shawn's Fundamentals of Dance

Author: Anne Hutchinson Guest

Publisher: Routledge

Published: 2014-03-18

Total Pages: 152

ISBN-13: 1134288492

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How do conscious experience, subjectivity, and free will arise from the brain and the body? Even in the late 20th century, consciousness was considered to be beyond the reach of science. Now, understanding the neural mechanisms underlying consciousness is recognized as a key objective for 21st century science. The cognitive neuroscience of consciousness is a fundamentally multidisciplinary enterprise, involving powerful new combinations of functional brain imaging, computational modelling, theoretical innovation, and basic neurobiology. Its progress will be marked by new insights not only into the complex brain mechanisms underlying consciousness, but also by novel clinical approaches to a wide range of neurological and psychiatric disorders. These innovations are well represented by the contents of the present volume. A target article by Victor Lamme puts forward the contentious position that neural evidence should trump evidence from behaviour and introspection, in any theory of consciousness. This article and its several commentaries advance one of the fundamental debates in consciousness science, namely whether there exists non-reportable phenomenal consciousness, perhaps dependent on local rather than global neural processes. Other articles explore the wider terrain of the new science of consciousness. For example, Maniscalco and colleagues use theta-burst transcranial magnetic stimulation to selectively impair metacognitive awareness; Massimini and coworkers examine changes in functional connectivity during anesthesi, and Vanhaudenhuyse et al describe innovations in detecting residual awareness following traumatic brain injury. Together, then contents of this volume exemplify the `grand challenge of consciousness' in combining transformative questions about the human condition with a tractable programme of experimental and theoretical research.


Performance in the Texts of Mallarmé

Performance in the Texts of Mallarmé

Author: Mary Lewis Shaw

Publisher: Penn State Press

Published: 1993-03-01

Total Pages: 293

ISBN-13: 0271041587

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Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts. Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.