The Language of Art History
The Language of Art History

Author: Salim Kemal

Publisher: Cambridge University Press

Published: 1991

Total Pages: 264

ISBN-13: 9780521445986

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The first volume in the series Cambridge Studies in Philosophy and the Arts offers a range of responses by distinguished philosophers and art historians to some crucial issues generated by the relationship between the art object and language in art history. Each of the chapters in this volume is a searching response to theoretical and practical questions in terms accessible to readers of all human science disciplines. The editors, one a philosopher and one an art historian, provide an introductory chapter which outlines the themes of the volume and explicates the terms in which they are discussed. The contributors open new avenues of enquiry involving concepts of 'presence', 'projective properties', visual conventions and syntax, and the appropriateness of figurative language in accounting for visual art. The issues they discuss will challenge the boundaries to thought that some contemporary theorising sustains.

The Language of Art
The Language of Art

Author: Moshe Barasch

Publisher: NYU Press

Published: 1997-04

Total Pages: 388

ISBN-13: 9780814712559

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The argument moves from the art and civilization of ancient Egypt to that of modern Europe and effortlessly reveals a full and surprising range of language in art - from the magical to the impious, from the ambiguous to the didactic, scientific, and propagandistic.

The Language of Art and Cultural Heritage
The Language of Art and Cultural Heritage

Author: Ana Pano Alamán

Publisher: Cambridge Scholars Publishing

Published: 2020-03-04

Total Pages: 292

ISBN-13: 1527547981

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Communicating art and cultural heritage has become a crucial and challenging task, since these sectors, together with tourism heritage, represent a key economic resource worldwide. In order to activate this economic and social potential, art and cultural heritage need to be disseminated through effective communicative strategies. Adopting a wide variety of digital humanities approaches and a plurilingual perspective, the essays gathered in this book provide an extensive and up-to-date overview of digital linguistic resources and research methods that will contribute to the design and implementation of such strategies. Cultural and artistic content curators, specialised translators in the fields of art, architecture, tourism and web documentaries, researchers in art history and tourism communication, and cultural heritage management professionals, among others, will find this book extremely useful due to its provision of some concrete applications of innovative methods and tools for the study and dissemination of art and heritage knowledge.

Art & Language International
Art & Language International

Author: Robert Bailey

Publisher: Duke University Press

Published: 2016-05-19

Total Pages: 223

ISBN-13: 0822374129

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In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.

Art History's History
Art History's History

Author: Vernon Hyde Minor

Publisher:

Published: 1994

Total Pages: 211

ISBN-13: 9780131946064

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This undergraduate text covers the standard (old and new) methodological approaches to art history, in a clear, direct and understandable way.

History of Art
History of Art

Author: Horst Woldemar Janson

Publisher: Prentice Hall

Published: 1986

Total Pages: 824

ISBN-13:

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This classic book uses an exceptional art program, featuring impeccable accurate five-color illustrations, to introduce readers to the vast world of painting, sculpture, architecture, photography, and the minor arts. With its effectively written, balanced, and interesting narrative, this book presents art as a succession of styles--from Prehistory through the 20th century--and enlarges the readers' capacity to appreciate works of art individually. Written more than 40 years ago, this text has been constantly reworked to respond to the needs of this ever-changing field. A reference work suitable for those employed in all art media, including painters, sculptors, photographers, and architects.

The Art History Coloring Book
The Art History Coloring Book

Author: Coloring Concepts Inc.

Publisher: Collins Reference

Published: 2021-08-24

Total Pages: 352

ISBN-13: 9780063009745

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An educational interactive coloring book perfect for students and art enthusiasts, offering a lively tour of the greatest artworks and artists in world history, featuring more than 150 black-and-white line illustrations to color, and information on each work of art with accompanying colored photos. Art History Coloring Book tells the story behind some of the most significant artistic creations from around the world. Whether you're studying for the Art History AP exam, an afficionado of great art, or want to put your own coloring spin on some of the greatest works ever created by masters such as Michelangelo, Monet, and Picasso, this engaging coloring book has something for everyone. Each work of art is accompanied by educational text that uses Coloring Concepts Inc.'s unique methodology for kinesthetic learning, which involves physically interacting with a subject to facilitate understanding. Kinesthetic techniques are used in combination with visual and/or auditory study techniques, producing multi-sensory learning. Art History Coloring Book comes complete with a Table of Contents, Index, Glossary and References, and a full-color photo insert.

The Art of Art History
The Art of Art History

Author: Donald Preziosi

Publisher: Oxford University Press, USA

Published: 2009

Total Pages: 600

ISBN-13: 0199229848

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This anthology is a guide to understanding art history through critical reading of the field's most innovative and influential texts, focusing on the past two centuries.

Essays on Art and Language
Essays on Art and Language

Author: Charles Harrison

Publisher: MIT Press

Published: 2003-09-12

Total Pages: 350

ISBN-13: 9780262582414

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Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.

The Language of Displayed Art
The Language of Displayed Art

Author: Michael O'Toole

Publisher: Fairleigh Dickinson Univ Press

Published: 1994

Total Pages: 328

ISBN-13: 9780838636046

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Drawing on his background as a linguist, O'Toole analyses in detail a number of major works of art to show how the semiotic approach relates a work's immediate impact to other aspects of our response to it: to the scene portrayed, to the social, intellectual and economic world within which the artist and his or her patrons worked, and to our own world. It further provides ways of talking about and interrelating aspects of composition, technique and the material qualities of the work.