2017 INSPY Award winner, general fiction category Before Christ called her daughter . . . Before she stole healing by touching the hem of his garment . . . Elianna is a young girl crushed by guilt. After her only brother is killed while in her care, Elianna tries to earn forgiveness by working for her father’s textile trade and caring for her family. When another tragedy places Elianna in sole charge of the business, her talent for design brings enormous success, but never the absolution she longs for. As her world unravels, she breaks off her betrothal to the only man she will ever love. Then illness strikes, isolating Elianna from everyone, stripping everything she has left. No physician can cure her. No end is in sight. Until she hears whispers of a man whose mere touch can heal. After so many years of suffering and disappointment, is it possible that one man could redeem the wounds of body . . . and soul?
The story of Jursafu, a Bolivian journalist caught up in a revolutionary struggle. The novel traces his development from simple country boy to intellectual, but one who still retains the common touch.
In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.
Hugh Brody is renowned for his work with indigenous peoples. In the 80s he was engaged in a lawsuit brought by the Inuit people of the Arctic against the Canadian government. Brody lived with the Inuit, learned their language, recorded all their stories, which were then used as evidence in the court case - which the Inuit won. In his new book, he returns to the Arctic and is confronted by the deterioration of the situation there. The Inuit now possess the land, but the government has pressured them into living in settlements rather than out on the land. Their children are forced to go to school where they learn to speak English, losing their own language, which is the element that ties them to their land. Sexual abuse by the treachers intimidates the children into a silence that results in widespread suicide among the young. This silence ties in with Brody's own story - a mother hounded out of her home in Vienna by the Nazis, causing her to retreat into the same kind of silence that Tom Stoppard experienced from his mother, who also fled from the Nazis. As a writer and anthropologist, Brody's concern has always been with the human condition, arguing for the need to safeguard the most vulnerable from the depredations of the modern word.
Lilly and Jimmy were traveling through the woods late at night to escape from their hometown. They run into a bloodthirsty fiend, who attacks them within a moments notice. They are scattered, running wild into the night, as Jimmy gets dangerously wounded. They then get separated as Lillys left alone, where she too gets caught by the beast. As her human life ends, a new one startsshe becomes something else as she awakens in a new form. She runs wild as she is set free from her worries, ready to slaughter all who did her wrong in her town.
Written by a young human rights worker, "Silence on the Mountain" is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala's 36-year internal war, a conflict that claimed the lives of more than 200,000 people.
By the author of Planetwalker, The Ragged Edge of Silence takes us to another level of appreciating, through silence, the beauty of the planet and our place in it. John Francis's real and compelling prose forms a tapestry of questions and answers woven from interviews, stories, personal experience, science, and the power of silence through history, including practice by Native American, Hindu, and Buddhist cultures. Through their time-honored traditions and his own experience of communicating silently for 17 years, Francis's practical exercises lay the groundwork for the reader to build constructive silence into everyday life: to learn more about oneself, to set goals and accomplish dreams, to build strong relationships, and to appreciate and be a steward of the Earth. With its amazing human interest element and first-person expertise, this book is energizing and universally instructive.
Winner of the Scott O'Dell Award for Historical Fiction, The Game of Silence is the second novel in the critically acclaimed Birchbark House series by New York Times bestselling author Louise Erdrich. Her name is Omakayas, or Little Frog, because her first step was a hop, and she lives on an island in Lake Superior. One day in 1850, Omakayas’s island is visited by a group of mysterious people. From them, she learns that the chimookomanag, or white people, want Omakayas and her people to leave their island and move farther west. That day, Omakayas realizes that something so valuable, so important that she never knew she had it in the first place, could be in danger: Her way of life. Her home. The Birchbark House Series is the story of one Ojibwe family’s journey through one hundred years in America. The New York Times Book Review raved about The Game of Silence: “Erdrich has created a world, fictional but real: absorbing, funny, serious and convincingly human.”