The Land Without Color

The Land Without Color

Author: Benjamin Ellefson

Publisher: Beaver's Pond Press

Published: 2015-12-15

Total Pages: 0

ISBN-13: 9781592988440

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"Floating into the air with an enormous gum bubble, Alvin lands in a strange world where everything is gray. The trees, the flowers, the dirt, the sky, the animals, and even the people are all missing their color..." --


The Color of the Land

The Color of the Land

Author: David A. Chang

Publisher: Univ of North Carolina Press

Published: 2010-02-01

Total Pages: 308

ISBN-13: 0807895768

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The Color of the Land brings the histories of Creek Indians, African Americans, and whites in Oklahoma together into one story that explores the way races and nations were made and remade in conflicts over who would own land, who would farm it, and who would rule it. This story disrupts expected narratives of the American past, revealing how identities--race, nation, and class--took new forms in struggles over the creation of different systems of property. Conflicts were unleashed by a series of sweeping changes: the forced "removal" of the Creeks from their homeland to Oklahoma in the 1830s, the transformation of the Creeks' enslaved black population into landed black Creek citizens after the Civil War, the imposition of statehood and private landownership at the turn of the twentieth century, and the entrenchment of a sharecropping economy and white supremacy in the following decades. In struggles over land, wealth, and power, Oklahomans actively defined and redefined what it meant to be Native American, African American, or white. By telling this story, David Chang contributes to the history of racial construction and nationalism as well as to southern, western, and Native American history.


Modernism and the Materiality of Texts

Modernism and the Materiality of Texts

Author: Eyal Amiran

Publisher: Cambridge University Press

Published: 2016-07-27

Total Pages: 195

ISBN-13: 1316710378

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Modernism and the Materiality of Texts argues that elements of modernist texts that are meaningless in themselves are motivated by their authors' psychic crises. Physical features of texts that interest modernist writers, such as sound patterns and anagrams, cannot be dissociated from abstraction or made a refuge from social crisis; instead, they reflect colonial and racial anxieties of the period. Rudyard Kipling's fear that he is indistinguishable from empire subjects, J. M. Barrie's object-relations theater of infantile separation, and Virginia Woolf's dismembered anagram self are performed by the physical text and produce a new understanding of textuality. In readings that also include diverse works by Gertrude Stein and Alice Toklas, P. G. Wodehouse and Conan Doyle, J. M. Barrie, George Herriman, and Sigmund Freud, this study produces a new reading of modernism's psychological text and of literary constructions of materiality in the period.