A guide to the unique collection of Telfair's paintings, drawings, and prints donated by twenty-two artists who either were friends with or were admired by the renowned curator and Savannah native Kirk Varnedoe (1946-2003). Each piece is reproduced alongside a remembrance of Varnedoe by the artist.
He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop.
Based on a symposium held in 1999 during The Museum of Modern Art's retrospective, this volume presents nine critical essays offering dramatically different ways of understanding Pollock's art and influence. The essays reveal not just the richness of Pollock's work, but also the vitality and diversity of contemporary criticism. The essays were written by Robert Storr, Pepe Karmel, James Coddington and Carol Mancusi-Ungaro, Kirk Varnedoe, T. J. Clark, Jeremy Lewison, Rosalind Krauss, and Anne Wagner.
This volume focuses on the architect Philip Johnson's long association with The Museum of Modern Art, with essays examining his roles as patron, as curator, and as the institution's unofficial architect from the late 1940s to the early 1970s.
This volume celebrates the scholarly and curatorial vision of Kirk Varnedoe (1946-2003). As Chief Curator of Painting and Sculpture at The Museum of Modern Art, N.Y. Varnedoe was one of the most distinguished curators in the United States, and as Professor of Fine Arts at New York University's Institute of Fine Arts, a famously dynamic teacher. The nineteen essays, written by Varnedoe's most distinguished doctoral students (now noted art historians in their own right), highlight the wide range of subjects in 19th- and 20th-century art introduced in his pedagogy. Several derive from the collaboration of their authors with Dr. Varnedoe on major exhibitions at the Museum of Modern Art and elsewhere and offer new insight into these projects. The volume includes introductory essays by the editors and by Varnedoe's colleagues Robert Storr and Robert Rosenblum as well as a full bibliography of Varnedoe's writings.
For the past 30 years, American artist Chuck Close (b. 1940) has concentrated on essentially one subject: the human face. This volume, the most comprehensive assessment of Close's work yet published, includes portraits of Robert Rauschenberg, Roy Lichtenstein, Alex Katz, Lucas Samaras, and others. It accompanies a mid-career retrospective opening at The Museum of Modern Art, New York in February 1998. 178 illustrations, 113 in color.