"King Kohl...has a reputation for loving three things: the ladies, closing on properties, and playing bridge...After receiving a mysterious message to hurry to King's home, Wendy almost collides with the man's real-estate rival, running out the front door insisting he found King dead when he arrived. Not just dead, it turns out, but murdered...With her detective husband Ross and her father Bax Winchester, the chief of police, Wendy is determined to find the offender who dropped the unguarded King"--
Taking place during the first half of the sixteenth century, The Fall of the King tells the story of dreamy, slacking student Mikkel Thøgersen and the entanglements that ultimately bring him into service as a mercenary under King Christian II of Denmark. Moving from the Danish countryside to Stockholm during the execution of Swedish nobility and finally to the imprisonment of Mikkel and Christian, the narrative is a lyrical encapsulation of “the fall”—the fall of country, history, individuals, and nature. Twice voted as the most important Danish novel of the twentieth century, The Fall of the King is both an epic depiction of real events and a complex psychological novel. Half pure narration, half prose poem, its scenes of brute realism mixed with rhapsodical passages make it a work of artistic genius.
The scenario that confronts us in the biblical text of 1 and 2 Kings is a turbulent one. Daniel Berrigan minces no words in his assessment of that biblical era. Prophets, kings, and the gods they worship -- all are found wanting. Berrigan examines the complex terrain of these two biblical books, opening our eyes to the deep flaws of their oft-praised characters. He shows that this dark time in biblical history is in many ways repeating itself today. The wars of these kings, Berrigan says, are our wars now, and we are fashioning our own gods to approve our misdeeds. These two books of Scripture come to vivid -- and sometimes terrifying -- life when we recognize these undeniable similarities. The Kings and Their Gods reveals Berrigan in stunning form. Here this modern-day prophet distills the wisdom gained from his long learning and his remarkable life experiences. The book is both a masterful biblical commentary and a clarion call to action. It balances polemics and poetry, despair and joy. It is truly a midrash for our troubled times -- both an indictment of the horror that is and an invitation to the great goodness that may be.
Three classic plays exploring the absurdity of death and modern complacency by the 20th century master of French avant-garde theatre. Exit the King presents a ritualized death rite unfolding the final hours of the once-great king Berenger the First. As he dies, so does his kingdom. His armies suffer defeat, the young emigrate, and his kingdom’s borders shrink to the outline of his throne. The Killer is a study of pure evil. B’renger, a conscientious citizen, finds himself in a radiantly beautiful city marred only by the presence of a serial killer. B’renger’s determination to find the murderer in the face of official indifference and his final defeat at the hands of impersonal cruelty speak with the power of Kafka’s The Trial. Macbett, inspired by Shakespeare’s MacBeth, is “a grotesque joke . . . [and] a very funny play. . . . Ionecso maliciously undermines sources and traditions, spoofing Shakespeare along with tragedy” (Mel Gussow, The New York Times).
Presents three plays by twentieth-century dramatist Eugene Ionesco, including "Exit the King," which traces the final hours of the once-great King Berenger the First; "The Killer," a study of pure evil; and "Macbett," a spoof of the Shakespearean tragedy.
Who should lead us? Who should we, as a community, look to for guidance? These questions, as old as humankind, followed the Israelite community upon their return from the Exile: Should they return with Davidic kingship or without it? Their answer was King Saul. Reading Israel's first king as a riddle or the epitome of Israel's experience with kingship, King Saul's Asking explores the characterization of the figure Saul, the question of the apparent silence of God, the multiple complexities of responsibility for kingship, and the readers'opportunities for transformation. It provides a new approach to the Old Testament, supplying the reader with not only an in-depth character study but also an interesting, insightful read, and opportunity for transformation. Chapters are "Asking a Child (1 Samuel 1-3)," "Seeking a Refuge (1 Samuel 4-7)," "Request for a King (1 Samuel 8-12)," "Obedience Wanted, Wanting (1 Samuel 13-15)" "Suspecting the Dreaded (1 Samuel 16-19)" "Futile Searching (1 Samuel 20-23)," "Sensing the Silent (1 Samuel 24-26)," and "Final Questions." Receive From Earth's Creation to John's Revelation FREE with the purchase of two or more Interfaces volumes. Mention this offer in the comment section of the order form when placing your order or call 1.800.858.5450. Barbara Green, OP, PhD, is a professor of biblical studies and a member of the core doctoral faculty at the Dominican School of Philosophy and Theology, Graduate Theological Union, Berkeley, California. Editor of the Interfaces series, she also wrote Like a Tree Planted, published by Liturgical Press.
Reveals the sophisticated design of Ruμmiμ’s Mathnawiμ, showing that this seemingly unstructured work both describes and functions as spiritual training.
Confessions of a Failed Southern Lady is Florence King's classic memoir of her upbringing in an eccentric Southern family, told with all the uproarious wit and gusto that has made her one of the most admired writers in the country. Florence may have been a disappointment to her Granny, whose dream of rearing a Perfect Southern Lady would never be quite fulfilled. But after all, as Florence reminds us, "no matter which sex I went to bed with, I never smoked on the street."
