The Confederate Order of Battle: The Army of Northern Virginia
The Confederate Order of Battle: The Army of Northern Virginia

Author: F. Ray Sibley

Publisher:

Published: 1996

Total Pages: 506

ISBN-13:

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The author wanted "to identify the Confederate battalions and regiments that comprised brigades, brigades that made divisions, divisions that made corps, and corps that constituted the Confederate armies which were in major battles or campaigns; and to identify the commanders of each of those organizations in the selected battles or campaigns."--Page viii.

Edgar Degas
Edgar Degas

Author: Richard Thomson

Publisher: Getty Publications

Published: 1995

Total Pages: 112

ISBN-13: 0892362855

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Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.

The Punic Mediterranean
The Punic Mediterranean

Author: Josephine Crawley Quinn

Publisher: Cambridge University Press

Published: 2014-12-04

Total Pages: 413

ISBN-13: 110705527X

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A revisionist exploration of identities and interactions in the 'Punic World' of the western Mediterranean.

A Catalogue of Manuscripts Known to Contain Old English Dry-Point Glosses
A Catalogue of Manuscripts Known to Contain Old English Dry-Point Glosses

Author: Dieter Studer-Joho

Publisher: Narr Francke Attempto Verlag

Published: 2017-11-27

Total Pages: 329

ISBN-13: 3772000304

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While quill and ink were the writing implements of choice in the Anglo-Saxon scriptorium, other colouring and non-colouring writing implements were in active use, too. The stylus, among them, was used on an everyday basis both for taking notes in wax tablets and for several vital steps in the creation of manuscripts. Occasionally, the stylus or perhaps even small knives were used for writing short notes that were scratched in the parchment surface without ink. One particular type of such notes encountered in manuscripts are dry-point glosses, i.e. short explanatory remarks that provide a translation or a clue for a lexical or syntactic difficulty of the Latin text. The present study provides a comprehensive overview of the known corpus of dry-point glosses in Old English by cataloguing the 34 manuscripts that are currently known to contain such glosses. A first general descriptive analysis of the corpus of Old English dry-point glosses is provided and their difficult visual appearance is discussed with respect to the theoretical and practical implications for their future study.

Essays on Art and Language
Essays on Art and Language

Author: Charles Harrison

Publisher: MIT Press

Published: 2003-09-12

Total Pages: 350

ISBN-13: 9780262582414

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Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.

Proceedings of International Conference on Remote Sensing for Disaster Management
Proceedings of International Conference on Remote Sensing for Disaster Management

Author: Peddada Jagadeeswara Rao

Publisher: Springer

Published: 2018-06-23

Total Pages: 851

ISBN-13: 3319772767

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The natural disasters are the killer agents which can/can't be predicted even though we have modern technology. Every year, in one place or another, disasters striking which is devastating the area and surroundings, leading to ecological disruption besides huge loss of life and property. India is vulnerable to cyclones, landslides/avalanches, earthquakes, floods, droughts, forest fires, epidemics, etc. The 5700-km long coast of India, with its dense population is vulnerable to cyclones/low depressions, tsunamis, etc. The 2400-km long rugged Himalayan terrain is vulnerable to landslides, avalanches and earthquakes. India is not only vulnerable to natural disasters, it is also experiencing industrial accidents. The Bhopal Gas tragedy is one of the major man-made disasters in the world. The state of Andhra Pradesh has 970-km long coastline with two major rivers, etc. The conference is conducted in Visakhapatnam, is famous for industries and tourism. Recently, several industrial accidents took place, besides major natural disasters like Hud-Hud, etc. Disaster management shall be implemented from the grass root level in vulnerable areas to improve the capacity building, so as to minimize the losses. The capacity building coupled with technology results in reduction of loss of life and property.

Visible Language
Visible Language

Author: University of Chicago. Oriental Institute

Publisher: Oriental Institute Press

Published: 2010

Total Pages: 0

ISBN-13: 9781885923769

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This unique exhibit is the result of collaborative efforts of more than twenty authors and loans from five museums. It focuses on the independent invention of writing in at least four different places in the Old world and Mesoamerica with the earliest texts of Uruk, Mesopotamia (5,300 BC) shown in the United States for the first time. Visitors to the exhibit and readers of this catalog can see and compare the parallel pathways by which writing came into being and was used by the earliest kingdoms of Mesopotamia, Egypt, China, and the Maya world.