A study of Galdós' Jewish characters and what they tell us about the place of Jews in C19th Spanish society and culture. Few Spanish novelists have dealt with the problem of religion and religious commitment more comprehensively than Benito Pérez Galdós. His lifelong preoccupation with man in search of transendence repeatedly led him to evaluate andcriticize the religious institutions that stifled rather than helped man in his search. In the Jews, Galdós saw a people who, though victimized by religious intolerance, managed to survive persecution and affirm an abiding faithin God. He created Jewish characters throughout his long literary career and therefore presents the most comprehensive portrait of Jews as they existed in the culture, the religion and fabric of C19th Spanish society.
A comprehensive exploration of the several subaltern types and social groups that were placed at the margins of national narratives in Spain during the nineteenth century. Una mirada profunda a los diversos tipos y grupos sociales que fueron relegados a los márgenes del relato nacional en la España decimonónica.
At a time when the dull rationality of the money calculus seems to be making ground in every sphere, it is perhaps opportune to reopen the question of literature and its relations with a rationality defined according to the logic of economic exchange: what kinds of value flow from such a rationality and what possibilities of resistance are there if we happen not to like the model and its more rebarbative ideological implications? Historically, attempts to reduce the richness of human exchange to utilitarian or economic paradigms have met with counter-cultural expressions of dissent and defiance. And yet the search for an 'authentic community' outside the reifications and repressions of economic exchange presents its own ambiguities and pitfalls, since the attempt to ground value in other spheres can function ideologically to secure and legitimize the very values it seeks to oppose. This is especially true in literature and other expressions of high culture, where mobilizations of the aesthetic (or the textual) as a site of resistance to economic hegemony are frequently recuperated in advance by the dominant discourse. The essays collected here tend, then, to explore in various ways, not only the ideological implications of literary (or more broadly cultural) representations or constructions of economic exchange, but also the often complex mediations that such constructions enter into with different kinds of oppositional discourse.
Imagined Truths provides a twenty-first-century analysis of stylistic and philosophical manifestations of nineteenth- and twentieth-century Spanish literary realism. Bringing together the work of the foremost specialists in the field of contemporary Spanish letters, this collection offers new approaches to literary and cultural criticism and reveals how Spanish realism, far from imitative of other European movements, engaged in complex and modern concepts of representation and mimesis. Imagined Truths acknowledges the critical importance of women writers and contemporary approaches to questions of gender. The essays address the impact of economics on our perceptions of reality and our constructions of everyday life, and they argue for the importance of emotions in the social construction of individual identity. Most importantly, the essays acknowledge the post-imperial turn in literary studies. Addressing a broad range of authors, works, and topics, including the continued relevance of Cervantes’s Don Quijote and the way Spanish realism moved beyond narrative to inhabit the spaces of both theatre and film, Imagined Truths comprises a series of meditations on new ways of understanding the unique place of realism in Spanish cultural history. Offering insights for specialists in a wide range of disciplines – literature, cultural studies, gender studies, history, philosophy – this collection is equally important for readers just becoming acquainted with realist narrative as a central component of Spanish literary history.
“This is a timely contribution to some of the most pressing debates facing scholars of Jewish Studies today. It forces us to re-think standard approaches to both antisemitism and liberalism. Its geographic scope offers a model for how scholars can “provincialize” Europe and engage in a transnational approach to Jewish history. The book crackles with intellectual energy; it is truly a pleasure to read.”- Jessica M. Marglin, University of Southern California, USA Green and Levis Sullam have assembled a collection of original, and provocative essays that, in illuminating the historic relationship between Jews and liberalism, transform our understanding of liberalism itself. - Derek Penslar, Harvard University, USA “This book offers a strikingly new account of Liberalism’s relationship to Jews. Previous scholarship stressed that Liberalism had to overcome its abivalence in order to achieve a principled stand on granting Jews rights and equality. This volume asserts, through multiple examples, that Liberalism excluded many groups, including Jews, so that the exclusion of Jews was indeed integral to Liberalism and constitutive for it. This is an important volume, with a challenging argument for the present moment.”- David Sorkin, Yale University, USA The emancipatory promise of liberalism – and its exclusionary qualities – shaped the fate of Jews in many parts of the world during the age of empire. Yet historians have mostly understood the relationship between Jews, liberalism and antisemitism as a European story, defined by the collapse of liberalism and the Holocaust. This volume challenges that perspective by taking a global approach. It takes account of recent historical work that explores issues of race, discrimination and hybrid identities in colonial and postcolonial settings, but which has done so without taking much account of Jews. Individual essays explore how liberalism, citizenship, nationality, gender, religion, race functioned differently in European Jewish heartlands, in the Mediterranean peripheries of Spain and the Ottoman empire, and in the North American Atlantic world.
Galdos wrote prolifically in two distinct narrative modes: some twenty major 'contemporary novels' in the realist tradition and a special sort of historical novel he called the episodio nacional. The reign of Isabella II (1843-68) and the revolutionary period which followed until 1875 was a time of exceptional volatility in Spain, and Geoffrey Ribbans's comprehensive study shows how each of Galdos's two narrative modes adopts a particular technique in its treatment of Spanish history and politics. The episodio is tightly bound to historical events and timescale, though it skilfully incorporates its fictional characters into this framework; the novel on the other hand is embedded in historical reality in a constant but less systematic manner.
This book contains the most recent research in the intrinsically interdisciplinary field of Sephardic Studies. It provides new insights into Sephardic history, culture, folklore, languages, music, and literature from both new and established international scholars.
