The Jazz Scene
The Jazz Scene

Author: Eric Hobsbawm

Publisher: Faber & Faber

Published: 2014-11-20

Total Pages: 295

ISBN-13: 0571320112

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From 1955-65 the historian Eric Hobsbawm took the pseudonym 'Francis Newton' and wrote a monthly column for the New Statesman on jazz - music he had loved ever since discovering it as a boy in 1933 ('the year Adolf Hitler took power in Germany'). Hobsbawm's column led to his writing a critical history, The Jazz Scene (1959). This enhanced edition from 1993 adds later writings by Hobsbawm in which he meditates further 'on why jazz is not only a marvellous noise but a central concern for anyone concerned with twentieth-century society and the twentieth-century arts.' 'All the greats are covered in passing (Louis Armstrong, Billie Holiday), while further space is given to Duke Ellington, Ray Charles, Thelonious Monk, Mahalia Jackson, and Sidney Bechet ... Perhaps Hobsbawm's tastiest comments are about the business side and work ethics, where his historian's eye strips the jazz scene down to its commercial spine.' Kirkus Reviews

Blowin' the Blues Away
Blowin' the Blues Away

Author: Travis A. Jackson

Publisher: Univ of California Press

Published: 2012-06-12

Total Pages: 318

ISBN-13: 0520951921

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New York City has always been a mecca in the history of jazz, and in many ways the city’s jazz scene is more important now than ever before. Blowin’ the Blues Away examines how jazz has thrived in New York following its popular resurgence in the 1980s. Using interviews, in-person observation, and analysis of live and recorded events, ethnomusicologist Travis A. Jackson explores both the ways in which various participants in the New York City jazz scene interpret and evaluate performance, and the criteria on which those interpretations and evaluations are based. Through the notes and words of its most accomplished performers and most ardent fans, jazz appears not simply as a musical style, but as a cultural form intimately influenced by and influential upon American concepts of race, place, and spirituality.

Harlem of the West
Harlem of the West

Author: Elizabeth Pepin

Publisher: Chronicle Books

Published: 2006

Total Pages: 200

ISBN-13: 9780811845489

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Harlem of the West reveals a forgotten slice of San Francisco history and the African-American experience on the West Coast: the thriving jazz scene of the Fillmore in the 1940s and 1950s. With archival photographs and oral accounts from the residents and musicians who experienced it, this vividly illustrated tour will delight jazz fans and history aficionados.

Central Avenue Sounds
Central Avenue Sounds

Author: Clora Bryant

Publisher: Univ of California Press

Published: 1998

Total Pages: 502

ISBN-13: 9780520220980

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Here too are recollections of Hollywood's effects on local culture, the precedent-setting merger of the black and white musicians' unions, and the repercussions from the racism in the Los Angeles Police Department in the late 1940s and early 1950s.

Jazz
Jazz

Author: Samuel B. Charters

Publisher: Da Capo Press, Incorporated

Published: 1984-08-21

Total Pages: 404

ISBN-13:

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"This unique history of jazz in New York examines its many scenes, stages, styles, and sponsors. With one of the most sophisticated black populations anywhere, a vibrant bohemian subculture, a class of entertainment entrepreneurs, and a 24-hour nightlife, New York has long been home for jazz and jazz musicians. Samuel Charters and Leonard Kunstadt have delved through archives of newspapers and stagebills to provide a wider view of New York's jazz scene than ordinarily reported. Record sales, attendance figures, media trends are included along with assessments of musical importance. Duke Ellington, Fletcher Henderson, Chick Webb, the Savoy Ballroom, the Apollo Theatre, the Cotton Club all get extended treatment, as do less heralded figures and nightspots. Every jazz musician of note eventually plays in New York and will be found in this book, which chronicles not only their lives but the growth of New York as the world's jazz capital." --

Loft Jazz
Loft Jazz

Author: Michael C. Heller

Publisher: Univ of California Press

Published: 2017

Total Pages: 268

ISBN-13: 0520285417

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The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan. Loft Jazz provides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination.

Jazz from Detroit
Jazz from Detroit

Author: Mark Stryker

Publisher: University of Michigan Press

Published: 2019-07-08

Total Pages: 359

ISBN-13: 0472074261

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Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.

The New Orleans Jazz Scene, 1970–2000
The New Orleans Jazz Scene, 1970–2000

Author: Thomas W. Jacobsen

Publisher: LSU Press

Published: 2014-10-06

Total Pages: 256

ISBN-13: 0807157007

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In 1966, journalist Charles Suhor wrote that New Orleans jazz was "ready for its new Golden Age." Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene. Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city's musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans's music business, its jazz media, and the evolution of jazz edu-cation at public schools and universities. With a trove of more than seventy photographs of key players and performances, The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans.

Live at The Cellar
Live at The Cellar

Author: Marian Jago

Publisher: UBC Press

Published: 2018-10-15

Total Pages: 365

ISBN-13: 0774837713

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In the 1950s and ’60s, co‐operative jazz clubs such as Vancouver’s Cellar, Edmonton’s Yardbird Suite, and Halifax’s 777 Barrington Street opened their doors in response to new forms of jazz expression emerging after the war and a lack of available performance spaces outside major urban centres. Operated on a not‐for-profit basis by the musicians themselves, these hip new clubs created spaces where young jazz musicians could practise their art close to home. Live at the Cellar looks at this unique period in the development of jazz in Canada. Centered on Vancouver’s legendary Cellar club, and including co-ops in four other cities, it explores the ways in which these clubs functioned as sites for the performance and exploration of jazz as well as magnets for countercultural expression in other arts, such as literature, theatre, and film. Marian Jago’s deft combination of new, original research with archival evidence, interviews, and photographs allows us to witness the beginnings of a pan-Canadian jazz scene as well as the emergence of key Canadian jazz figures, such as P.J. Perry, Don Thompson, and Terry Clarke, and the rise of jazz icons such as Paul Bley and Ornette Coleman. Although the Cellar and other jazz co-ops are long shuttered, in their day they created a new and infectious energy that still reverberates in Canada’s jazz scene today.