The Jazz of the Southwest

The Jazz of the Southwest

Author: Jean A. Boyd

Publisher: University of Texas Press

Published: 2010-01-01

Total Pages: 300

ISBN-13: 0292783213

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They may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard. In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California. From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.


Jazz Style in Kansas City and the Southwest

Jazz Style in Kansas City and the Southwest

Author: Ross Russell

Publisher: Univ of California Press

Published: 1971

Total Pages: 348

ISBN-13: 9780520018532

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From the twenties through the forties, Kansas City was the jazz city. Lester Young, Jack Teagarden, Count Basie, Ben Webster, Charlie Christian, Mary Lou Williams, and Charlie Parker are just a few of the jazz luminaries discussed in Jazz Style in Kansas City and the Southwest, the essential account of the evolution of the Kansas City style from its ragtime roots to the birth of bebop. Book jacket.


Dance All Night

Dance All Night

Author: Jean A. Boyd

Publisher:

Published: 2012

Total Pages: 361

ISBN-13: 9780896727090

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"Chronicles western swing bands popular in Texas and Oklahoma during the Great Depression and World War II; also investigates contemporary western swing renaissance. Includes music transcription and analysis"--Provided by publisher.


Texan Jazz

Texan Jazz

Author: Dave Oliphant

Publisher: University of Texas Press

Published: 1996

Total Pages: 500

ISBN-13: 9780292760455

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While Texans Jazz includes Anglo Texan and Latino Texan musicians, its great strength is its record of the historic contributions to jazz made by African-American Texans.


Milton Brown and the Founding of Western Swing

Milton Brown and the Founding of Western Swing

Author: Cary Ginell

Publisher: U of Nebraska Press

Published: 1994

Total Pages: 416

ISBN-13: 9780252020414

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"Milton Brown is one of the great unsung heroes of American music; and one of the true fathers of western swing. Ginell's biography offers a wealth of new information on Brown and his times and paints a marvelously detailed portrait of the rich Texas music scene of the Depression era." -- Charles K. Wolfe, Middle Tennessee State University


Jazz Style in Kansas City and the Southwest

Jazz Style in Kansas City and the Southwest

Author: Ross Russell

Publisher: Univ of California Press

Published: 1983-01-01

Total Pages: 356

ISBN-13: 9780520047853

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From the twenties through the forties, Kansas City was the jazz city. Lester Young, Jack Teagarden, Count Basie, Ben Webster, Charlie Christian, Mary Lou Williams, and Charlie Parker are just a few of the jazz luminaries discussed in Jazz Style in Kansas City and the Southwest, the essential account of the evolution of the Kansas City style from its ragtime roots to the birth of bebop. Book jacket.


West Coast Jazz

West Coast Jazz

Author: Ted Gioia

Publisher: Univ of California Press

Published: 1998-10

Total Pages: 450

ISBN-13: 9780520217294

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Ted Gioia tells the story of jazz as it has never been told before, in a book that brilliantly portrays the legendary players, the breakthrough styles, and the world in which it evolved. Gioia provides readers with lively portraits of great musicians, intertwined with vibrant commentary on the music they created. 9 photos.


Do You Know ... ?

Do You Know ... ?

Author: Robert R. Faulkner

Publisher: ReadHowYouWant.com

Published: 2010-10-21

Total Pages: 394

ISBN-13: 1459606035

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Every night, somewhere in the world, three or four musicians will climb on stage together. Whether the gig is at a jazz club, a bar, or a bar mitzvah, the performance never begins with a note, but with a question. The trumpet player might turn to the bassist and ask, Do you know Body and Soul'? - and from there the subtle craft of playing th...


Big Band Jazz in Black West Virginia, 1930–1942

Big Band Jazz in Black West Virginia, 1930–1942

Author: Christopher Wilkinson

Publisher: Univ. Press of Mississippi

Published: 2012-02-01

Total Pages: 214

ISBN-13: 1617031690

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Association of Recorded Sound Collections Awards for Excellence Best Research in Recorded Jazz Music–Certificate of Merit (2013) The coal fields of West Virginia would seem an unlikely market for big band jazz during the Great Depression. That a prosperous African American audience dominated by those involved with the coal industry was there for jazz tours would seem equally improbable. Big Band Jazz in Black West Virginia, 1930-1942 shows that, contrary to expectations, black Mountaineers flocked to dances by the hundreds, in many instances traveling considerable distances to hear bands led by Count Basie, Duke Ellington, Andy Kirk, Jimmie Lunceford, and Chick Webb, among numerous others. Indeed, as one musician who toured the state would recall, "All the bands were goin' to West Virginia." The comparative prosperity of the coal miners, thanks to New Deal industrial policies, was what attracted the bands to the state. This study discusses that prosperity as well as the larger political environment that provided black Mountaineers with a degree of autonomy not experienced further south. Author Christopher Wilkinson demonstrates the importance of radio and the black press both in introducing this music and in keeping black West Virginians up to date with its latest developments. The book explores connections between local entrepreneurs who staged the dances and the national management of the bands that played those engagements. In analyzing black audiences' aesthetic preferences, the author reveals that many black West Virginians preferred dancing to a variety of music, not just jazz. Finally, the book shows bands now associated almost exclusively with jazz were more than willing to satisfy those audience preferences with arrangements in other styles of dance music.


Jazz Mavericks of the Lone Star State

Jazz Mavericks of the Lone Star State

Author: Dave Oliphant

Publisher: University of Texas Press

Published: 2009-12-03

Total Pages: 257

ISBN-13: 0292778872

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Jazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz. Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism.