Allesandro di Vincenzo is a perfect male specimen. There's no woman he can't have—until Laura Stowe crosses his path. Laura is plain, poor and hides behind her homely appearance to avoid getting close to people. But Allesandro needs her family connections to open the door to ultimate corporate power. So he must woo the ugly duckling into his bed—where she will learn what it is to be a beautiful, desired swan.
He hadn't known the name of the woman he danced with at the masquerade ball. Not even after their one night of passion. For millionaire Jack Cartwright never expected to see her again. Then he received a letter informing him of his "secret" lover's name and threatening to expose the fact that working-class Lilly Miller was expecting Jack's child. He was not going to submit to blackmail. And if that meant marrying Lilly, a virtual stranger...let the wedding bells ring.
Allesandro di Vincenzo is a perfect male specimen. There's no woman he can't have–until Laura Stowe crosses his path. Laura is plain, poor and hides behind her homely appearance to avoid getting close to people. But Allesandro needs her family connections to open the door to ultimate corporate power.
One convenient download. One bargain price. Get all April Harlequin Presents with one click! Love and pride, jealously and betrayal, misunderstandings and redemption...these are the elements which give Harlequin Presents the kind of sexual tension that crackles with electricity, and make it one of the most popular romance series in history. Now get twelve new sizzling stories with one simple click of the mouse. Bundle includes The Martinez Marriage Revenge by Helen Bianchin, The Italian's Rags-to-Riches Wife by Julia James, The Sheikh's Chosen Queen by Jane Porter, Accidentally Pregnant, Conveniently Wed by Sharon Kendrick, Innocent Wife, Baby of Shame by Melanie Milburne, The Billionaire's Virgin Mistress by Sandra Field, Bought for the Frenchman's Pleasure by Abby Green, The Greek Tycoon's Convenient Bride by Kate Hewitt, Mistress in Private by Julie Cohen, In Bed with Her Italian Boss by Kate Hardy, My Tall Dark Greek Boss by Anna Cleary and Housekeeper to the Millionaire by Lucy Monroe.
TONI MASCOLO was a happy one-year-old toddler in the sleepy Italian town of Scafati, near Pompeii, when, in September 1943, the Allied landings at Salerno brought war to his family's doorstep. More than seventy years later, he is the distinguished head of Toni & Guy, a Knight of the Italian Republic, an Officer of the Order of the British Empire, and a Papal Knight. What happened in the years between forms the core of his fascinating autobiography.The author became the head of his hard-working, yet often hard-up, Italian hairdressing family when his mother died, aged just forty-five, in December 1962. Toni's father, who had brought the whole family to live in London in the 1950s, was devastated by his wife's death, and it was left to Toni and his brother Guy to feed and care for their younger brothers. The first Toni & Guy salon opened in London's Clapham Park Road in 1963 and now, after over half a century of extraordinary expansion, there are more than 500 salons all over the globe. Yet it remains at heart a family business, infused with the spirit of family closeness and strength that permeates every part of this book.In this lively, informative, sometimes tragic and often moving memoir, Toni Mascolo explains how he became 'Hairdresser to the World', and Chairman and Chief Executive of the largest hairdressing chain on the planet, one of the most famous and recognisable brands in countless countries.
Her exaggerated coiffure, with its imitation curls and soaped curves that stick out at the side of the head like fantastic gargoyles, is an offense to the eye. Her plated gold jewelry with paste stones reveals its cheapness by its very extravagance. This description of a "ghetto girl" was printed in the American Jewish News in 1918, but with slight variation it might easily be mistaken for a description of our current pernicious and pejorative stereotype of Jewish womanhood, the "JAP." What are the origins of these stereotypes? And even more important, why would an American ethnic group use racist terms to describe itself? Riv-Ellen Prell asks these compelling questions as she observes how deeply anti-Semitic stereotypes infuse Jewish men's and women's views of one another in this history of Jewish acculturation in the twentieth century.
MULTICULTURAL STUDIES. AUSTRALIAN. Vite Italiane documents the migration flow of Italian immigrants from the late 1800s to the present day. This work integrates the history of the largest non-English-speaking migrant group in Western Australia into the mainstream historical record and in so doing shows how the Italian-speaking community has become an integral part of Western Australias, and indeed the nations, social, economic and cultural fabric.
A thought-provoking study of how knowledge of provenance was not transferred with enslaved people and goods from the Portuguese trading empire to Renaissance Italy In the fifteenth and sixteenth centuries, Renaissance Italy received a bounty of "goods" from Portuguese trading voyages—fruits of empire that included luxury goods, exotic animals and even enslaved people. Many historians hold that this imperial "opening up" of the world transformed the way Europeans understood the global. In this book, K.J.P. Lowe challenges such an assumption, showing that Italians of this era cared more about the possession than the provenance of their newly acquired global goods. With three detailed case studies involving Florence and Rome, and drawing on unpublished archival material, Lowe documents the myriad occasions on which global knowledge became dissociated from overseas objects, animals and people. Fundamental aspects of these imperial imports, including place of origin and provenance, she shows, failed to survive the voyage and make landfall in Europe. Lowe suggests that there were compelling reasons for not knowing or caring about provenance, and concludes that geographical knowledge, like all knowledge, was often restricted and not valued. Examining such documents as ledger entries, journals and public and private correspondence as well as extant objects, and asking previously unasked questions, Lowe meticulously reconstructs the backstories of Portuguese imperial acquisitions, painstakingly supplying the context. She chronicles the phenomenon of mixed-ancestry children at Florence’s foundling hospital; the ownership of inanimate luxury goods, notably those possessed by the Medicis; and the acquisition of enslaved people and animals. How and where goods were acquired, Lowe argues, were of no interest to fifteenth- and sixteenth-century Italians; possession was paramount.
Discusses renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. The author examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. He illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, the author recreates the world of Italian cinema.
