"Dramatic, heartbreaking and sweeping in scope." —Wall Street Journal The acclaimed author of A Train in Winter returns with the "moving finale" (The Economist) of her Resistance Quartet—the powerful and inspiring true story of the women of the partisan resistance who fought against Italy’s fascist regime during World War II. In the late summer of 1943, when Italy broke with the Germans and joined the Allies after suffering catastrophic military losses, an Italian Resistance was born. Four young Piedmontese women—Ada, Frida, Silvia and Bianca—living secretly in the mountains surrounding Turin, risked their lives to overthrow Italy’s authoritarian government. They were among the thousands of Italians who joined the Partisan effort to help the Allies liberate their country from the German invaders and their Fascist collaborators. What made this partisan war all the more extraordinary was the number of women—like this brave quartet—who swelled its ranks. The bloody civil war that ensued pitted neighbor against neighbor, and revealed the best and worst in Italian society. The courage shown by the partisans was exemplary, and eventually bound them together into a coherent fighting force. But the death rattle of Mussolini’s two decades of Fascist rule—with its corruption, greed, and anti-Semitism—was unrelentingly violent and brutal. Drawing on a rich cache of previously untranslated sources, prize-winning historian Caroline Moorehead illuminates the experiences of Ada, Frida, Silvia, and Bianca to tell the little-known story of the women of the Italian partisan movement fighting for freedom against fascism in all its forms, while Europe collapsed in smoldering ruins around them.
From the entry of the Germans into Turin on September 10, 1943 to the liberation of the city on April 28, 1945, Ada Gobetti, translator, educator, and resistance activist, recorded an almost daily account of her life in the resistance movement against the fascist government and the Nazis. Part diary, part memoir, Gobetti's Diario partigiano (Partisan diary) provides a firsthand account of who the anti-fascist partisans in the Piedmont region of Italy were and how they fought.
While the historical significance of fascism and anti-fascism is still being hotly debated in Europe and around the world, this anthology offers a new look at the many faces of repression and resistance. Stanislao G. Pugliese brings together a wide range of voices that illuminate more than eighty years of fascism and anti-fascism in Italy. Many of the pieces, including letters from women to Mussolini and anti-fascist graffiti from a Nazi prison in Rome, are available in English for the first time. The selections include historical documents, political analysis, stories, songs, and memoirs from a variety of perspectives. Taken together, the documents provide a compelling account of the political, historical, economic, and social impact of fascism and the resistance. Touching on fields as far ranging as political science, history, women's studies, and religion, Fascism, Anti-Fascism, and the Resistance in Italy is immediate, human, and eminently readable.
A study of women's participation in the movement to overthrow the Fascist regime, expel the occupying Germans, and rebuild a progressive and democratic Italy. Between 1943 and 1945, some 50,000 Italian women engaged in resistance activities as military commanders and combatants, saboteurs and couriers, nurses, organizers, demonstrators, and political leaders. Using interviews, the author presents a profile of these Resistance women and examines the motives for their activism and the impact of their contributions. Paper edition (unseen) $22.50. Annotation copyrighted by Book News, Inc., Portland, OR
This book covers all classes and types of small arms, from pistols to heavy machine guns, known to have been used by the Italian partisans during WWII. It provides a brief history of the origin and development of the partisan movement in Italy following the 8 September 1943 armistice between Italy and the Allies and subsequent occupation of the northern portion of the country by Germany. There are many relevant examples of correspondence between partisan units relating to acquisition, distribution, use, maintenance, and problems encountered with the various types of small arms available. The majority of the pages of this book are dedicated to a complete, thorough, and extensive coverage of each individual type of weapon known to have been used by the partisans, including specifications, supported by current as well as vintage photographs showing the weapons in use by the partisans.
This book provides an innovative cultural history of Italian colonialism and its impact on twentieth-century ideas of empire and anti-colonialism. In October 1935, Mussoliniʼs army attacked Ethiopia, defying the League of Nations and other European imperial powers. The book explores the widespread political and literary responses to the invasion, highlighting how Pan-Africanism drew its sustenance from opposition to Italy’s late empire-building, and reading the work of George Padmore, Claude McKay, and CLR James alongside the feminist and socialist anti-colonial campaigner Sylvia Pankhurst’s broadsheet, New Times and Ethiopia News. Extending into the postwar period, the book examines the fertile connections between anti-colonialism and anti-fascism in Italian literature and art, tracing the emergence of a “resistance aesthetics” in works such as The Battle of Algiers and Giovanni Pirelli’s harrowing books of testimony about Algeria’s war of independence, both inspired by Frantz Fanon. This book will interest readers passionate about postcolonial studies, the history of Italian imperialism, Pan-Africanism, print cultures, and Italian postwar culture.
No other Auschwitz survivor has been as literarily powerful and influential as Primo Levi. But Levi was not only a victim or a witness. In the fall of 1943, at the very start of the Italian Resistance, he took part in the first efforts at guerrilla warfare against Nazi forces. Yet those months are strikingly unmentioned in Levi’s writings---aside from one obscure passage hinting that his deportation to Auschwitz was linked directly to an “ugly secret” from that time. What did Levi mean by those dramatic words? His small partisan band, it appears, had turned on itself, committing a brutal act against two of its own members. Using that shocking episode as a starting point, Sergio Luzzatto offers a rich examination of the early days of the Resistance, tracing vivid portraits of both rebels and Nazi collaborators. And he provides profound insight into the origins of the moral complexity that runs through the work of Primo Levi himself.
Margherita Fray has a story of courage, survival, and aptation to a new life in America. The story is example of conquering life's obstacles and challenges.