The eccentric household of Aunt Lucy, fourteen-year-old aviatrix Emmaline Cayley, pilot Rubberbones, and Princess Purnah of Chiligrit finds themselves on a remote Scottish island full of experimental scientists while being pursued by the Authorities, the forces of St. Grimelda's School for Young Ladies, and a dangerous Collector.
Budding aviatrix Emmaline and her copilot "Rubberbones" devise a plan to help Princess Purnah, a recent escapee from St. Grimelda's School for Young Ladies, evade capture by both the school and the master criminal known as the "Faceless Fiend."
Semi, Miranda, and Arnie are part of a group of 50 British Young Conservationists on their way to a wildlife conservation station deep in the rain forests of Ecuador. After a terrifying mid-air disaster and subsequent crash, these three are the sole survivors, stranded together on a deserted tropical island. Or so they think. Semi, Miranda, and Arnie stumble into the hands of Dr. Franklin, a mad scientist who’s been waiting for them, eager to use them as specimens for his experiments in genetic engineering.
The six members of the Mad Scientists' Club experiment with new projects which include investigating a strange sea monster and the theft of a valuable dinosaur egg.
Chronicles the rich human, plant, and animal diversity of this Isle off the East Coast of Africa, home to lemurs, unusual reptiles, and other creatures more at home in mythology than natural science.
Since its origin cinema has had an uneasy relationship with science and technology: scientists are almost always impossibly mad or impossibly saintly, and technology is nearly always very bad for you. In Mad, Bad and Dangerous?, Christopher Frayling explores the genealogy of the film scientist in films made in Western Europe, and especially in Hollywood after the 1930s, showing how in film the scientist has often been used to represent the prevailing phobias of the time. In the 1950s, for example, films were dominated by the fear of botched atomic research, and were a showcase of mutated, outsized creatures and radioactive zombies. Since Hitchcock’s The Birds, however, the role of the scientist has been less straightforward, and by the 1970s damage to the environment and the spread of diseases were the predominant consequences of science gone wrong. Scientists – and the corporations that controlled them – became the ‘baddies’. The author also examines in parallel the portrayal of real-life scientists in the movies, noting how they are in the main depicted as misfits, immersed in their work, sacrificing any normal life to the interests of science, yet distrusted by the scientific establishment. Interestingly, the cinematic portrayal of fictional and real-life scientists follow very similar dramatic conventions, and Frayling concludes that the mad scientist and the saintly one are two sides of the same Hollywood coin.
365 days of inventions, discoveries, science, and technology, from the editors of Wired Magazine. On January 30, Rubik applied for a patent on his cube (1975). On the next day, 17 years earlier, the first U.S. Satellite passed through the Van Allen radiation belt. On March 17, the airplane "black box" made its maiden voyage (1953). And what about today? Every day of the year has a rich scientific and technological heritage just waiting to be uncovered, and Wired's top-flight science-trivia book Mad Science collects them chronologically, from New Year's Day to year's end, showing just how entertaining, wonderful, bizarre, and relevant science can be. In 2010, Wired's popular "This Day in Tech" blog peaked with more than 700,000 page views each month, and one story in 2008 drew more than a million unique viewers. This book will collect the most intriguing anecdotes from the blog's run-one for each day of the year-and publish them in a package that will instantly appeal to hardcore techies and curious laypeople alike.
From the author of "Hollywood Gothic" and "The Monster Show" comes the definitive book on the men in white coats who haunt our technological dreams and nightmares: mad scientists. 100 photos. College lectures.
In the spirit of Dr. Strangelove and The Atomic Café, a blackly sardonic people’s history of atomic blunders and near-misses revealing the hushed-up and forgotten episodes in which the great powers gambled with catastrophe Rudolph Herzog, the acclaimed author of Dead Funny, presents a devastating account of history’s most irresponsible uses of nuclear technology. From the rarely-discussed nightmare of “Broken Arrows” (40 nuclear weapons lost during the Cold War) to “Operation Plowshare” (a proposal to use nuclear bombs for large engineering projects, such as a the construction of a second Panama Canal using 300 H-Bombs), Herzog focuses in on long-forgotten nuclear projects that nearly led to disaster. In an unprecedented people’s history, Herzog digs deep into archives, interviews nuclear scientists, and collects dozens of rare photos. He explores the “accidental” drop of a Nagasaki-type bomb on a train conductor’s home, the implanting of plutonium into patients’ hearts, and the invention of wild tactical nukes, including weapons designed to kill enemy astronauts. Told in a riveting narrative voice, Herzog—the son of filmmaker Werner Herzog—also draws on childhood memories of the final period of the Cold War in Germany, the country once seen as the nuclear battleground for NATO and the Warsaw Pact countries, and discusses evidence that Nazi scientists knew how to make atomic weaponry . . . and chose not to.