DigiCat Publishing presents to you this special edition of "The Iron Man & The Tin Woman: A Book of Little Sketches of To-Day and To-Morrow" by Stephen Butler Leacock. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
“Do you know the characteristic wine of Madeira?... I do not know whether Leacock ever drank Madeira himself—he was very much a Scotch-whisky man—but I enjoy Madeira greatly, and I never drink it without thinking of Leacock, who was sometimes dry, sometimes sweet, but who always leaves upon the tongue a hint of brimstone..." In his witty and illuminating introduction, which takes up the first third of the book, Robertson Davies invites us to join him in a Feast of Stephen. Davies’ selection of fifteen pieces from Leacock’s less familiar works presents the humorist as a true, broad, and sympathetic interpreter of Canadian life, as a man who may have lacked self-knowledge and sensitive insight into the feelings of others, but “whose best work was the outpouring of genius.” All shades of Leacock’s writing are represented here, from the “brilliant nonsense which made some critics liken him to Lewis Carroll,” to his occasional attacks of “aggressive Lowbrowism.” Together in all their diversity, Davies’ selections pay tribute to the gifts of exuberance, originality, and slightly malicious truth with which Leacock so entertainingly extends our vision.
When the Great War ended in 1918, the West was broken. Religious faith, patriotism, and the belief in human progress had all been called into question by the mass carnage experienced by both sides. Shell shocked and traumatized, the West faced a world it no longer recognized: the old order had collapsed, replaced by an age of machines. The world hurtled forward on gears and crankshafts, and terrifying new ideologies arose from the wreckage of past belief. In Fracture, critically acclaimed historian Philipp Blom argues that in the aftermath of World War I, citizens of the West directed their energies inwards, launching into hedonistic, aesthetic, and intellectual adventures of self-discovery. It was a period of both bitter disillusionment and visionary progress. From Surrealism to Oswald Spengler's The Decline of the West; from Fritz Lang's Metropolis to theoretical physics, and from Art Deco to Jazz and the Charleston dance, artists, scientists, and philosophers grappled with the question of how to live and what to believe in a broken age. Morbid symptoms emerged simultaneously from the decay of World War I: progress and innovation were everywhere met with increasing racism and xenophobia. America closed its borders to European refugees and turned away from the desperate poverty caused by the Great Depression. On both sides of the Atlantic, disenchanted voters flocked to Communism and fascism, forming political parties based on violence and revenge that presaged the horror of a new World War. Vividly recreating this era of unparalleled ambition, artistry, and innovation, Blom captures the seismic shifts that defined the interwar period and continue to shape our world today.
This study introduces the history, themes, and critical responses to Canadian fantastic literature. Taking a chronological approach, this volume covers the main periods of Canadian science fiction and fantasy from the early nineteenth century to the first decades of the twenty-first century. The book examines both the texts and the contexts of Canadian writing in the fantastic, analyzing themes and techniques in novels and short stories, and looking at both national and international contexts of the literature’s history. This introduction will offer a coherent narrative of Canadian fantastic literature through analysis of the major texts and authors in the field and through relating the authors’ work to the world around them.
Stephen Leacock's satiric masterpiece Sunshine Sketches of a Little Town captures "the Empire forever" mentality that marked Anglo-Canadian life in the early decades of the twentieth century. Historian Margaret Macmillan—whose books Women of the Raj and Paris 1919 cast fresh light on the colonial legacy—has great affection for Leacock's gentle wit and sharp-eyed insight. The renowned historian examines Leacock's life as a poor but ambitious student who rose to become an economist, celebrated academic, and, most importantly, the beloved humorist who taught Canadians to laugh at themselves.
This collection of essays explores the many dimensions of the writings of Stephen Leacock, the well-loved Canadian author of Sunshine Sketches of a Little Town. Published in English.
Did he ever play Hamlet? Has she worked in television? What was the title of his first novel? Under whom did she study? How many children has he? Answers to such questions about contemporary Canadian artists have often been difficult, even impossible, to find. This series has been created to provide the answers; it covers creative and performing artists who have contributed as individuals to the culture of Canada in the twentieth century. Each volume in the series presents a cross-section of many different kinds of artists: authors of imaginative works, artists and sculptors, musicians (performers, composers, conductors, and directors), and performing artists in ballet, modern dance, radio, theatre, television, and motion pictures; directors, designers, and producers in theatre, cinema, radio, television, and the dance; choreographers and, for cinema, cartoonists and animators. Within each category of art is included a selection of those who have achieved national and international recognition; those who have been recognized locally, and some, now deceased, who markedly influenced their contemporaries locally, nationally, or internationally. This is not a critical compilation; rather it is an objective and factual reference work for those interested in contemporary Canadian culture. Information was collected by painstaking research in a wide variety of sources, and wherever possible it has been verified by the artist to make each entry as accurate and comprehensive as possible.
