This study analyzes and explains the connections between characters and situations in Gone with the Wind and their relationship to events and lived experiences in the life of Margaret Mitchell and her ancestors. The book provides a window into 20th century Atlanta, Georgia which will delight lovers of Southern history. It brings to light a multiple of unpublished documents which deepen our understanding of Margaret Mitchell and her seminal work Gone with the Wind.
This wonderful book has been written for readers of GONE WITH THE WIND in an effort to help them better understand the connections between the novel & Margaret Mitchell's personal life & family relationships. Among its many revelations are: how the character of Scarlett O'Hara is related to Mitchell's grandmother Annie Fitzgerald; & how the seminal theme of impossible love at the age of 16 is derived in part from the life of Mitchell's distant cousin, Martha Anne Holliday, who was unable to marry her first cousin, John Henry "Doc" Holliday, & who later became a nun under the name of Sister Melanie. The book also explores Mitchell's record of philanthropy to Morehouse College School of Medicine for the training of black doctors. Finally, he locates for readers, many sites mentioned in the novel & tells where they can be found. There emerges from O'Connell's discussion of the novel a view of GWTW that is less polarizing & more inclusive than it is usually given credit for. To order: Claves & Petry, Ltd., P.O. Box 3075, Decatur, GA 30031. Phone/FAX 404-370-1761. $15.00 postage paid.
In this #1 bestselling sequel to Gone With The Wind, Scarlett O'Hara's story continues, beautifully capturing the spirit of Margaret Mitchell's timeless tale. Who can forget the most popular, beloved American historical novel ever written? Gone With the Wind is unparalleled in its portrayal the American South during the Civil War era. Now, Alexandra Ripley brings us back to Tara and reintroduces us to the characters we remember so well: Rhett, Ashley, Mammy, Suellen, Aunt Pittypat, and, of course, the unforgettable Scarlett O'Hara. The greatest fictional love affair is reignited as the passion between Scarlett O'Hara and Rhett Butler reaches its startling culmination. Rich with surprises at every turn and new emotional, breathtaking adventures, Scarlett will find an eternal place in our hearts. #1 New York Times bestseller #1 Chicago Tribune bestseller #1 Los Angeles Times bestseller #1 Publishers Weekly bestseller #1 Washington Post bestseller
“Exquisitely imagined, deeply researched . . . brings to the foreground the most enigmatic and fascinating figure in Gone with the Wind. This is a brave work of literary empathy by a writer at the height of his powers, who demonstrates a magisterial understanding of the period, its clashing cultures, and its heartbreaking crises. ” —Geraldine Brooks, author of March The only authorized prequel to Margaret Mitchell’s Gone with the Wind—the unforgettable story of Mammy. On a Caribbean island consumed by the flames of revolution, an infant girl falls under the care of two French émigrés, Henri and Solange Fournier, who take the beautiful child they call Ruth to the bustling American city of Savannah. What follows is the sweeping tale of Ruth’s life as shaped first by her strong-willed mistress, and then by Solange’s daughter Ellen and Gerald O’Hara, the rough Irishman Ellen chooses to marry; the Butler family of Charleston and their unexpected connection to Mammy Ruth; and finally Scarlett O’Hara—the irrepressible Southern belle Mammy raises from birth. As we witness the lives of three generations of women, gifted storyteller Donald McCaig reveals a nuanced portrait of Mammy, at once a proud woman and a captive, a strict disciplinarian who has never experienced freedom herself. Through it all, Mammy endures, a rock in the river of time. Set against the backdrop of the South from the 1820s until the dawn of the Civil War, here is a remarkable story of fortitude, heartbreak, and indomitable will—and a tale that will forever illuminate your reading of Margaret Mitchell’s Gone with the Wind.
Scarlett's not red like a sunset, she's red with rage. She cannot BELIEVE her mum's sunk so low as to pack her off to Ireland to stay with the dad who left them. Surely he's the reason for everything going wrong, her never being able to stay in a school, rules always just, somehow, seeming to get broken? Ha! They won't get round her so easily. But she hasn't reckoned the gorgeous Kian, and he might just find a way to change Scarlett's mind. There's a chance that - this time - things will be different . . .
Fully authorized by the Margaret Mitchell estate, Rhett Butler's People is the astonishing and long-awaited novel that parallels the Great American Novel, Gone With The Wind. Twelve years in the making, the publication of Rhett Butler's People marks a major and historic cultural event. Through the storytelling mastery of award-winning writer Donald McCaig, the life and times of the dashing Rhett Butler unfolds. Through Rhett's eyes we meet the people who shaped his larger than life personality as it sprang from Margaret Mitchell's unforgettable pages: Langston Butler, Rhett's unyielding father; Rosemary his steadfast sister; Tunis Bonneau, Rhett's best friend and a onetime slave; Belle Watling, the woman for whom Rhett cared long before he met Scarlett O'Hara at Twelve Oaks Plantation, on the fateful eve of the Civil War. Of course there is Scarlett. Katie Scarlett O'Hara, the headstrong, passionate woman whose life is inextricably entwined with Rhett's: more like him than she cares to admit; more in love with him than she'll ever know... Brought to vivid and authentic life by the hand of a master, Rhett Butler's People fulfills the dreams of those whose imaginations have been indelibly marked by Gone With The Wind.
Until recently, the odd thought Margaret Mitchell had only one story to tell: Gone With the Wind. Now meet a heroine to match Scarlett: Courtenay Ross, a feisty, independent-minded woman, and the two men -- one a cool-headed, well-heeled gentleman, the other a hot-blooded, pugnacious sailor -- who adore her. A tale of yearning, valor, and devotion, Lost Laysen enthralls from its delightful beginning to its unforgettable end. Equally intriguing is the story behind the story -- the real-life romance that inspired Mitchell: how she gave the original manuscript as a gift to her beau. Henry Love Angel, and how the manuscript, along with Mitchell's intimate letters and treasured photographs, were lovingly safeguarded only to be discovered decades later in a shoebox Lost Laysen is pure magic, a gift for us to cherish from America's most beloved storyteller.
The discipline of American studies was established in the early days of World War II and drew on the myth of American exceptionalism. Now that the so-called American Century has come to an end, what would a truly globalized version of American studies look like? Brian T. Edwards and Dilip Parameshwar Gaonkar offer a new standard for the field’s transnational aspiration with Globalizing American Studies. The essays here offer a comparative, multilingual, or multisited approach to ideas and representations of America. The contributors explore unexpected perspectives on the international circulation of American culture: the traffic of American movies within the British Empire, the reception of the film Gone with the Wind in the Arab world, the parallels between Japanese and American styles of nativism, and new incarnations of American studies itself in the Middle East and South Asia. The essays elicit a forgotten multilateralism long inherent in American history and provide vivid accounts of post–Revolutionary science communities, late-nineteenth century Mexican border crossings, African American internationalism, Cold War womanhood in the United States and Soviet Russia, and the neo-Orientalism of the new obsession with Iran, among others. Bringing together established scholars already associated with the global turn in American studies with contributors who specialize in African studies, East Asian studies, Latin American studies, media studies, anthropology, and other areas, Globalizing American Studies is an original response to an important disciplinary shift in academia.
