Duke meets shrew. Taming doesn’t happen. Neville Perceval, the bankrupt Duke of Anglesey, finally accepts that he needs to marry a wealthy, gracious lady who will ease his financial burdens and smooth his political path. Before he can seek this paragon, he’s thrown into the path of the rebellious, untamed cousin of an Irish earl. Fiona MacDermot needs cash to help the starving villagers and orphans left by the long-lost earl. Not trusting another lying aristocrat, she’d rather start her own mill than ask for help. But when the duke is nearly beaten to death on her doorstep, and Fiona’s looms are lost to a murdering thief, their lives are entangled in ways that threaten their futures. Lust shouldn’t factor into their destinies, but it does, and now they have to find their dreams together, or die trying.
"Aboriginal design is of a distinctly cultural nature, based in the Dreaming and in ancient practices grounded in Country. It is visible in the aerodynamic boomerang, the ingenious design of fish traps and the precise layouts of community settlements that strengthen social cohesion. Alison Page and Paul Memmott show how these design principles of sophisticated function, sustainability and storytelling, refined over many millennia, are now being applied to contemporary practices. Design: Building on Country issues a challenge for a new Australian design ethos, one that truly responds to the essence of Country and its people. About the series: Each book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia. Other titles in the series include: Songlines by Margo Neale & Lynne Kelly (2020); Country by Bill Gammage & Bruce Pascoe (2021); Plants by Zena Cumpston, Michael Fletcher & Lesley Head (2022); Astronomy (2022); Innovation (2023)."--
This volume is the first to bring together the entire extant correspondence of one of the most significant women in early modern Ireland, Elizabeth Butler, first Duchess of Ormonde. She was the wife of James Butler, twelfth Earl and first Duke of Ormonde, who, as Ireland's only duke and three times its lord lieutenant, was a figure of considerable importance in seventeenth-century Ireland. But far from being overshadowed by her powerful husband, Butler was a person of significant power and influence in her own right. Descended from the tenth Earl of Ormonde, she brought a hefty portion of the Ormonde estate to the marriage. As Countess, Marchioness, then Duchess of Ormonde, as well as three times vicereine and a high-status courtier, she sat at the pinnacle of Irish and English society, unmatched by any other Irish woman of the period in terms of her wealth, social standing, and power. Her surviving correspondence reveals her importance within the Ormonde-Butler family and in the social, cultural, and political life of seventeenth-century Ireland. The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources.
Blonde and beautiful Lady Anna Blacknall is in the mood for mischief. Entering Dublin's most notorious den of vice, she finds herself in the arms of a mysterious, emerald-eyed Irishman. And although he is masked, his tender kiss is hauntingly familiar. Conlan McTeer, Duke of Adair, has come to Dublin to fight for a free Ireland. But he's suddenly reunited with the young Englishwoman who had once claimed his heart, and his passion turns from politics to pleasure. When their sizzling encounter brings danger to Anna's door, she must decide where her loyalties lie-and quickly. For someone will do whatever it takes to destroy Conlan . . . and anyone he dares to love.
Fans of Sarah MacLean, Vanessa Riley, and Julia London will adore this modern take on the Regency, filled with tough, empowered women meeting their matches in a sexy story from rising star Anabelle Bryant. “Delightful.” —Lenora Bell, USA Today bestselling author From the glittering ballrooms of the ton to the city’s grittiest corners, London has no shortage of wrongs in need of righting—and the Maidens of Mayhem are prepared for the challenge. United by secrecy and sisterhood, these daring woman from all walks of life aim to fight injustice wherever it takes them—even into the arms of unexpected love... Scarlett Wynn’s tragic childhood taught her that life can be cruel to women with little power. So when a local seamstress disappears, Scarlett vows to find out why. Armed with a weapon and her courage, Scarlett scours London for clues—and crosses the unlikely path of Ambrose Cross, the Duke of Aylesford, at an unlikely place: an upscale brothel. The Duke is trying to solve a mystery of his own, and Scarlett is sure they can help each other—if she can resist the attraction that draws them together . . . As Duke of Aylesford, Ambrose is duty-bound to protect his family name from scandal no matter the cost. But Scarlett’s fearless spirit forces him to look beyond his world of privilege. Scarlett is as intoxicating as she is dangerous, igniting a fire in him like no other. But when the pair learn both mysteries they’re trying to solve are tied to a string of missing women, the tangled scheme they uncover may put their lives, and their growing love, in mortal danger—and lead them to search their hearts like never before . . . “A delightful historical romance with a liberal dash of adventure, plenty of sizzling heat, and a heart of pure gold. A superb start to Bryant’s new Maidens of Mayhem series” —Lenora Bell, USA Today bestselling author “Duchess if You Dare is a fantastic read that kept me up late and has me anxiously awaiting the next book in the series.”—USA Today Bestselling Author Renee Ann Miller “Brilliant.” —Publishers Weekly
"In the 1960s, African Americans protested for equal rights in the United States. In the 1970s, Catholics demanded equality in Northern Ireland. Catholics were influenced by the American civil rights movement. But peaceful protests erupted into violence on two fateful days. [This book] explores the legacies of the Bloody Sunday in Alabama and the Bloody Sunday in Northern Ireland"--Amazon.com.
- provides the first comprehensive overview of the critical history of Book of the Duchess - offers for the first time a thorough analysis of Book of the Duchess’s medieval and early modern reception - establishes Book of the Duchess’s structuring investment in the idea of ‘the book’ – its construction, consumption, and transmission - as it contributes to a poetics of intertextuality
The fascinating life of Frances Jennings, elder sister of Sarah, Duchess of Marlborough, charting her marriages and changes of fortune, her exile and return, her ambition, political manoeuvring and sincere piety.Frances Jennings, elder sister of Sarah, duchess of Marlborough, had an interesting and eventful life, most notably as the influential wife of Richard Talbot, earl of Tyrconnell, Catholic viceroy of Ireland under James II. Born circa 1649 into a Hertfordshire gentry family, she was a noted beauty at the Restoration court. There, she met and married George Hamilton, a Catholic officer who, after 1667, served in Louis XIV's army. In Paris, Frances raised three daughters, converted to Catholicism, and became an active member of the English Catholic émigré community. Following Hamilton's death, she remarried to Richard Talbot. As vicereine of Ireland, Frances helped re-establish Catholic hegemony, assisting in the foundation of convents and re-consecration of Christ Church cathedral. During the Williamite-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.te-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.te-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.te-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.achments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.
