The Story of the Irish Harp

The Story of the Irish Harp

Author: Nora Joan Clark

Publisher: North Creek Press

Published: 2003

Total Pages: 196

ISBN-13: 9780972420204

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Since early times in Ireland and nearby Celtic lands, the Irish harp and its music have captivated musicians and audiences alike. Numerous historical aspects, such as the function of the harper at Tara, the seat of ancient Irish kings, is explored in this comprehensive history of the harp of Ireland. Through the ages, the harp has been a symbol of the lyrical nature of Ireland and the Irish people. This book explores the reawakening of this beautiful instrument in Ireland and around the world in the mid-twentieth century and beyond, touching on the quite recent development of the popular Folk and Celtic harps of today.


The Ancient Music of Ireland

The Ancient Music of Ireland

Author: Edward Bunting

Publisher: Courier Corporation

Published: 2000-01-01

Total Pages: 254

ISBN-13: 9780486413761

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This invaluable collection of Irish song is enriched by a 100-page preface and followed by 151 Irish airs arranged for piano, with songs' Irish names, authors, and dates of composition.


Music for the Netherfield Ball

Music for the Netherfield Ball

Author: Suzanne Guldimann

Publisher:

Published: 2016-06-03

Total Pages: 48

ISBN-13: 9780966766486

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For her ninth book of Celtic harp music, Suzanne Guldimann has researched and arranged 18 historic pieces of music drawn from and inspired by Jane Austen's personal collection of music. As a bonus, the not-quite-period English country dance popularized by the 1995 A&E version of Pride and Prejudice is included. The collection features classical pieces by Mozart, Handel and Gluck; and a haunting and romantic selection of the French, Italian, Scottish and Irish traditional airs that were tremendously popular during the late 18th/early 19th century, including several with lyrics by Robert Burns, and two pieces reported to have been among Jane Austen's personal favorites.All of the pieces in the collection are arranged to fit on a small harp with just three octaves, but can also be played on larger harps or on any melody instrument. Each arrangement includes fingering, chord symbols, lyrics when available and historic notes.


The Celtic Harp

The Celtic Harp

Author: Eliseo Mauas Pinto

Publisher: Eliseo Mauas Pinto

Published: 2012-07-30

Total Pages: 124

ISBN-13: 1476296731

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“The Celtic Harp” is a very interesting quick guide not only approaching to questions regarding the origins of it's name, it's history and revival, but also to the surviving types,suggested Celtic Harpists and a list of related external links. A very useful source indeed for all those interested in getting acquainted with this ancient instrument so related to the enchanting music of airs, songs, and jingling dance tunes.


Tree of Strings

Tree of Strings

Author: Keith Sanger

Publisher: Routledge Library Editions: Folk Music

Published: 2017-09-26

Total Pages: 260

ISBN-13: 9781138124158

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This is the first history of the harp in Scotland to be published. It sets out to trace the development of the instrument from its earliest appearance on the Pictish stones of the 8th century, to the present day. Describing the different harps played in the Highlands and the Lowlands of Scotland, the authors examine the literary and physical evidence for their use within the Royal Courts and "big houses" by professional harpers and aristocratic amateurs. They vividly follow the decline of the wire-strung clarsach from its links with the hereditary bards of the Highland chieftains to its disappearance in the 18th century, and the subsequent attempts at the revival of the small harp during the 19th and 20th centuries. The music played on the harp, and its links with the great families of Scotland are described. The authors present, in this book, material which has never before been brought to light, from unpublished documents, family papers and original manuscripts. They also make suggestions, based on their research, about the development and dissemination of the early Celtic harps and their music. This book, therefore, should be of great interest, not only to harp players but to historians, to all musicians in the fields of traditional and early music, and to any reader who recognises the importance of these beautiful instruments, and their music, throughout a thousand years of Scottish culture.