Leading showcase of international domestic design including more than 500 photographs with full technical data for each object and biographies of the designers whose work is featured.
"The editor has grouped together objects in catagories which illuminate current developments in design, such as home-office furniture; the work of leading architects, ranging from Norman Foster and David Chipperfield to Zaha Hadid and Kazuyo Sejima; new treatments of traditional forms like wickerware; minimalist designs; and innovations from leading companies like Apple, Philips, Sharp and Siemens".--BOOKJACKET.
In this, the 20th edition of the leading international showcase of domestic design, guest editor and acclaimed Dutch designer Marcel Wanders surveys the world of design and identifies new, original and interesting work in the areas of furniture, lighting, tableware, textiles and other products.
The Swedish design partnership Claesson Koivisto Rune was founded a little over ten years ago but has already received extraordinary recognition. Like Scandinavian masters before them, such as Aalto or Jacobsen, Claesson Koivisto Rune practise both architecture and design. In 2004 they were among the first Swedish architects to be selected for the international section of the Architecture Biennale in Venice. The architectural projects in this monograph include private houses and interiors from Europe to North and South America, as well as larger buildings like the Sfera Building Culture House in Kyoto, Japan. The furniture and other product designs presented here are manufactured by over 30 international companies. All photographs have been taken anew for this publication, which is a design object in itself, consisting of two books – separate volumes for architecture and design – with introductions by Paola Antonelli (MoMA) and Marcus Fairs (ICON Magazine).
The chair—you’re likely sitting in one right now. Yet, despite its common presence in offices, restaurants, and homes, we very rarely stop to think about the origins of the chair and its place in culture. After all, the human body is actually more suited to sitting on the ground than on a chair; and as a result, chairs often cause back problems. Nonetheless, in Western culture, as Anne Massey explains, the chair is an object that marks our place in the modern world. Massey explores how, particularly in the last hundred years, the chair has become a revered object of design. Certain chairs have become iconic—like the Eames Lounge chair and Verner Panton’s S Chair, which are photographed, exhibited in art museums, and slavishly copied by cheaper models. Other chairs have reached iconic status simply through their everydayness—think of Van Gogh’s chair or the way Shaker chairs have become emblematic of a simpler and purer lifestyle. Massey further examines how chairs have been crafted, from local to global manufacture. In doing so she elucidates the meaning of the chair in contemporary culture, as well as the development, design, and manufacture of this ubiquitous object. Drawing on design, art, popular culture, and personal experience, Chair is an engaging and informative biography of this everyday object and will appeal to anyone interested in why we choose to sit on the chairs we do.