An unlikely souvenir from the American Revolution becomes the unusual focal point of a spur-of-the-moment fly-fishing trip. The coveted relic, an inkwell, spirals from a casual topic of conversation into a wondrous curiosity, a reason for family introspection and a backdrop for a lifelong struggle with faith. Fly fishing is the shared and spirited high ground for four long-time friends. Their playful banter about those differences runs throughout this tale with good-humored purpose, until a surprising event sends their attention in a new direction, The Inkwell celebrates family connections current and ancestral. If Grandfather Reed hadn’t escaped from British captivity in 1777, this 21st-century tale could not be told.
Max Fleischer (1883–1972) was for years considered Walt Disney’s only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscope—a device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen. In the 1920s, Fleischer created a series of “Out of the Inkwell” films, which led to a deal with Paramount. Their character KoKo the Clown introduced new animation effects by growing out of Fleischer’s pen on-screen. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs and with the now-famous bouncing ball that dances across lyrics projected on the screen. Max Fleischer’s story is also one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.
Meet Cuphead, Mugman, and the other characters from The Cuphead Show! in this Step 3 Step into Reading leveled reader perfect for readers ages 5 to 8—and a pull-out poster adds to the fun! The Cuphead Show! follows two lovable brothers—Cuphead and Mugman—through their unique misadventures! But no matter what the trouble is, they’ve always got each other’s backs. Fans of the animated series, or the video game that inspired it, will love this Step into Reading Step 3 leveled reader that introduces the charming pair and their friends and foes on the Inkwell Isles—with a bonus pull-out poster! Step 3 readers feature engaging characters in easy-to-follow plots about popular topics for children who are ready to read on their own.
Whether you’re seeking movie gifts or something for the history buffs in your life, this comprehensive guide to animation and cartoons has it all. In this one-of-a-kind definitive history of American animated cartoons, renowned film critic and historian Leonard Maltin presents the most extensive filmography on cartoons ever compiled. In this revised and updated edition of Of Mice and Magic, Leonard Maltin not only recreates this whole glorious era from the silent days through the Hollywood golden age to Spielberg’s An American Tail, he traces the evolution of the art of animation and vividly portrays the key creative talents and their studios. This definitive history of American animated cartoons also brings Maltin’s many fans up to date on the work being done today at the Walt Disney and Warner Bros. studios, and other developments in the world of animation. Drawing on colorful interviews with many of the American cartoon industry’s principals, Maltin has come up with a gold mine of anecdotes and film history. Behind the scenes were genius animators and entrepreneurs such as Walt Disney, Chuck Jones, Tex Avery, Mel Blanc, and a legion of others. In all, Maltin has put together a glorious celebration of a universally loved segment of Americana.
First published in French in 1943, Jean-Paul Sartre’s L’Être et le Néant is one of the greatest philosophical works of the twentieth century. In it, Sartre offers nothing less than a brilliant and radical account of the human condition. The English philosopher and novelist Iris Murdoch wrote to a friend of "the excitement – I remember nothing like it since the days of discovering Keats and Shelley and Coleridge". This new translation, the first for over sixty years, makes this classic work of philosophy available to a new generation of readers. What gives our lives significance, Sartre argues in Being and Nothingness, is not pre-established for us by God or nature but is something for which we ourselves are responsible. At the heart of this view are Sartre’s radical conceptions of consciousness and freedom. Far from being an internal, passive container for our thoughts and experiences, human consciousness is constantly projecting itself into the outside world and imbuing it with meaning. Combining this with the unsettling view that human existence is characterized by radical freedom and the inescapability of choice, Sartre introduces us to a cast of ideas and characters that are part of philosophical legend: anguish; the "bad faith" of the memorable waiter in the café; sexual desire; and the "look" of the Other, brought to life by Sartre’s famous description of someone looking through a keyhole. Above all, by arguing that we alone create our values and that human relationships are characterized by hopeless conflict, Sartre paints a stark and controversial picture of our moral universe and one that resonates strongly today. This new translation includes a helpful Translator’s Introduction, a comprehensive Index and a Foreword by Richard Moran, Brian D. Young Professor of Philosophy, Harvard University, USA. Translated by Sarah Richmond, University College London, UK.
In The Order of Rituals, Hans-Georg Soeffner aims to answer the question: Through what efforts of order and orientation are loosely organized societies like ours held together? Soeffner focuses on symbolic forms of self-presentation that bring focus and clarity to our lives, such as emblems, fashions, styles, and symbols.
Finally, Season after Season of not being able to secure a wife, Lord Clement’s life is changed for the better when a beautiful stranger kisses him. Now he has a wife who has it all: beauty, passion, and excitement. What more could a gentleman want? Miss Paula Leighton has to do something before her brother marries her off to a drunk duke who wants nothing more than to use her to get an heir. So when she sees Perry Ambrose, the Lord of Clement, she takes the opportunity to escape, causing a scandal that forces his hand. And the scheme works. She no longer has to marry the duke. But it’s not over. Thanks to her tainted past, her newfound love with Perry is threatened when her brother comes back into her life. Can she protect Perry from finding out the truth or will her brother get the upper hand? Books in the Marriage by Scandal Series: Book 1: The Earl's Inconvenient Wife Book 2: A Most Unsuitable Earl Book 3: His Reluctant Lady Book 4: The Earl's Scandalous Wife
