A horrible accident stirs up trouble for a millionaire race car driver and his lover in this classic contemporary romance. Italian millionaire Gabriel Danti was renowned for his prowess in the bedroom—and Bella Scott was unable to resist the temptation of the night he was offering. . . . Five years on, Bella is living alone, carving out a life for herself and her little boy. She never thought she’d see Gabriel again! Gabriel has changed. His dark, dangerous looks are marred by scars. But his desire for Bella hasn’t waned—he wants her more than ever now that he knows he has a son. . . . Originally published in 2009.
Harlequin Presents® offers you another chance to enjoy these sensational stories set in the majestic Mediterranean from Entertainment Weekly’s Top 10 Romance Authors Penny Jordan and Carole Mortimer. Passion and the Prince by Penny Jordan Just who is Lily Wrightington—cynical fashion photographer or studious art historian? Prince Marco di Lucchesi can't hide his haughty disdain for this Englishwoman—or his strong attraction to her! A Stormy Spanish Summer by Penny Jordan The last time Vidal saw Fliss, he hated and wanted her with equal measure. Now, as the truth about Fliss comes flooding out, and the power of their stormy attraction takes hold, can Vidal admit how wrong he's been about her? The Infamous Italian’s Secret Baby by Carole Mortimer Gabriel Danti was renowned for his prowess in the bedroom—and Bella Scott was unable to resist the temptation of the night he was offering. Bella never thought she'd see Gabriel again so has never told him that he has a son! Bedded for the Spaniard’s Pleasure by Carole Mortimer Wealthy, powerful and handsome, Rafe Montero has it all. All except the one thing he really wants: fiery Cairo Vaughn, the woman who abruptly ended their short but intensely passionate affair years before. Now Rafe is determined to have Cairo once more!
“A complex love story filled with betrayals, misunderstandings and secrets” from the USA Today–bestselling author of The Christmas Love-Child (CataRomance). American beauty Eve Craig fell under the spell of powerful Talos Xenakis in a hot-blooded Athens encounter . . . Three months later Eve has lost her innocence—and her memory! But she has aroused Talos’s desire and his anger—she has betrayed him. So what better way to punish the woman who nearly ruined him, than marry—and destroy—her? Only she’s now carrying his love-child . . . “Once this entertaining tale begins, Lucas does a terrific job of keeping the reader off-balance right to the end.” —Romantic Times
One of Italy's best-known writers takes a Grand Tour through her cities, history, and literature in search of the true character of this contradictory nation. There is Michelangelo, but also the mafia. Pavarotti, but also Berlusconi. The debonair Milanese, but also the infamous captain of the Costa Concordia cruise ship. This is Italy, admired and reviled, a country that has guarded her secrets and confounded outsiders. Now, when this "Italian paradox" is more evident than ever, cultural authority Corrado Augias poses the puzzling questions: how did it get this way? How can this peninsula be simultaneously the home of geniuses and criminals, the cradle of beauty and the butt of jokes? An instant #1 bestseller in Italy, Augias's latest sets out to rediscover the story-different from the history-of this country. Beginning with how Italy is seen from the outside and from the inside, he weaves a geo-historical narrative, passing through principal cities and rereading the classics and the biographies of the people that have, for better or worse, made Italians who they are. From the gloomy atmosphere of Cagliostro's Palermo to the elegant court of Maria Luigia in Parma, from the ghetto of Venice to the heroic Neapolitan uprising against the Nazis, Augias sheds light on the Italian character, explaining it to outsiders and to Italians themselves. The result is a "novel of a nation," whose protagonists are both the figures we know from history and literature and characters long hidden between the cracks of historical narrative and memory.
Kain Gerrard—mesmerizing, sexy and filthy rich—can have any woman he wants! So taming Sable Martin shouldn't be a problem. The scandalous gold digger has used her sensual charms to blackmail his cousin, and Kain is set on revenge. His plan is perfect—until he comes face-to-face with Sable. The scheming temptress is in his sights, but as she looks up at him with those enchanting doe eyes, he realizes she isn't quite the seductress he thought—he's blackmailed an innocent into his bed!
Four old friends confront their darkest secrets in this fantasy steeped in nostalgia, folklore, religion, and the seductive landscape of Southern Italy—by the Italian Neil Gaiman. “A tale of adventure, mystery, friendship and heart-wrenching beauty that will make you re-examine what is holy, what is true, and what is beyond the realm of possibility.” —BookPage Four old school friends have a pact: to meet up every year in the small town in Puglia they grew up in. Art, the charismatic leader of the group and creator of the pact, insists that the agreement must remain unshakable and enduring. But this year, he never shows up. A visit to his house increases the friends’ worry: Art is farming marijuana. In Southern Italy doing that kind of thing can be very dangerous. They can’t go to the Carabinieri so must make enquiries of their own. This is how they come across the rumors about Art—bizarre and unbelievable rumors that he miraculously cured the local mafia boss’ daughter of terminal leukemia. And among the chaos of his house, they find a document written by Art, “The Book of Hidden Things”, that promises to reveal dark secrets and wonders beyond anything previously known. Set in the beguiling and seductive world of Southern Italy, Francesco Dimitri’s first novel in English is a story friendship, landscape, love, betrayal, and mystery that will entrance fans of Elena Ferrante, Neil Gaiman, and Donna Tartt.
Society knows Lucian St. Claire to be one of the wickedest rakes around. His heart is out of reach, but he can certainly charm a lady. Now the time has come for Lucian to produce an heir—so first he must choose a wife! Young, vivacious and high-spirited, Grace Hetherington is definitely not the kind of woman he's looking for. Yet there's something irresistible about her—and when they're caught in a rather compromising situation, he has no choice but to make her his convenient bride….
Society gossip has kept Lady Juliet Boyd out of the public eye since the suspicious death of her husband. Although she's been persuaded to accept an invitation to a summer house party, all she really wants is a quiet life, free from the attentions of any man. But there she meets the scandalous Sebastian St. Claire, who makes her feel things, want things, need things she's never experienced before. Starved of affection, Juliet finds his lovemaking irresistible. But does he really want her—or just the truth behind her disgrace?
Part-time hotel receptionist Phoebe and Greek multimillionaire Jed were crazy about each other. He embraced Phoebe and wrapped her in love and happiness. One day Phoebe discovers she’s pregnant and joyfully reveals the news to Jed. But his reply is unexpectedly cruel?he says there’s no man in the world who would want a pregnant mistress! In shock, Phoebe has a miscarriage and vanishes from Jed’s life. But five years later, he suddenly reappears!
Saving the Children analyzes the intersection of liberal internationalism and imperialism through the history of the humanitarian organization Save the Children, from its formation during the First World War through the era of decolonization. Whereas Save the Children claimed that it was "saving children to save the world," the vision of the world it sought to save was strictly delimited, characterized by international capitalism and colonial rule. Emily Baughan's groundbreaking analysis, across fifty years and eighteen countries, shows that Britain's desire to create an international order favorable to its imperial rule shaped international humanitarianism. In revealing that modern humanitarianism and its conception of childhood are products of the early twentieth-century imperial economy, Saving the Children argues that the contemporary aid sector must reckon with its past if it is to forge a new future.
