This catalog details the journey of the academic realism and colonial influence that impacted Raja Ravi Varma’s works and his contemporaries like Rustom Siodia, Pestonji Bomanji, Abalal Rahiman, M V Dhurandhar, A X Trindade, M F Pithawalla, Fyzee Rahamin, Ravi Shankar Raval, Ghasiram Sharma and many others.
Returning to 1960s' India after decades beyond its borders, Ved Mehta explores his native country with two sets of eyes: those of the man educated in the West, and those of the child raised under the Raj. Travelling from the Himalayas in the east to Kerala in the west, Ved Mehta's observations and insights into India and some of its most interesting figures - including Indira Gandhi, Jaya Prakash Narayan and Satyajit Ray - create one of the twentieth century's most thought-provoking travel memoirs.
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
Patrick French brings one of the globe's most dynamic nations springing to life. He has an encyclopaedic knowledge of the country, sensitivity to its subtler nuances and a wealth of research.
A Compelling Work On The Cultural Character Of The Indian People&Both Provocative And Revealing -Shyam Benegal In Outlook A Remarkably Perceptive Analysis Of Indian Character -Khushwant Singh In This Bold, Illuminating And Superbly Readable Study, India S Foremost Psychoanalyst And Cultural Commentator Sudhir Kakar And Anthropologist Katharina Kakar Investigate The Nature Of Indian-Ness . What Makes An Indian Recognizably So To The Rest Of The World, And, More Importantly, To His Or Her Fellow Indians? For, As The Authors Point Out, Despite Ethnic Differences That Are Characteristic More Of Past Empires Than Modern Nation States, There Is An Underlying Unity In The Great Diversity Of India That Needs To Be Recognized. Looking At What Constitutes A Common Indian Identity, The Authors Examine In Detail The Predominance Of Family, Community And Caste In Our Everyday Lives, Our Attitudes To Sex And Marriage, Our Prejudices, Our Ideas Of The Other (Explored In A Brilliant Chapter On Hindu-Muslim Conflict), And Our Understanding Of Health, Right And Wrong, And Death. In The Final Chapter, They Provide Fascinating Insights Into The Indian Mind, Shaped Largely By The Culture S Dominant, Hindu World View. Drawing Upon Three Decades Of Original Research And Sources As Varied As The Mahabharata, The Kamasutra, The Writings Of Mahatma Gandhi, Bollywood Movies And Popular Folklore, Sudhir And Katharina Kakar Have Produced A Rich And Revealing Portrait Of The Indian People. An Important Book&A Readable And Carefully Considered Statement On The Issue Of Identity Pavan Varma In India Today
Reversing his parents immigrant path, a young writer returns to India and discovers an old country making itself new. Anand Giridharadas sensed something was afoot as his plane prepared to land in Bombay. An elderly passenger looked at him and said, Were all trying to go that way, pointing to the rear. You, youre going this way. Giridharadas was...
A catalogue showcasing the artistic journey of portraits from miniature to modern art. It starts with the miniature paintings done by different schools like Pahadi, Rajasthani, Central Province, Deccan, Company period, Bengal, Colonial Influence and goes all the way up to modern art. The catalogue has 37 portraits which were exhibited in October 2010.
The tenth exhibition in the series will showcase classical paintings from all across India. The exhibition will cover 300 years and a vast geographic region from Jammu to Thanjavur, allowing viewers to compare how different patrons wished to be remembered and observe how historical events shaped India’s painting traditions.