Considers the Indian periodical press as a key forum for the production of nationalist rhetoric. It argues that between the 1870s and 1910, the press was the place in which the notion of 'the public' circulated and where an expansive middle class, and even larger reading audience, was persuaded into believing it had force.
Considers the Indian periodical press as a key forum for the production of nationalist rhetoric. It argues that between the 1870s and 1910, the press was the place in which the notion of 'the public' circulated and where an expansive middle class, and even larger reading audience, was persuaded into believing it had force.
This book expands the scope of understanding of the vast, albeit uneven, experience of the 1947 Partition of India by including localities and life stories from and beyond the regions of Punjab and Bengal. Building on existing research on Partition, the chapters present and analyse the consequences of Partition displacement and the resilience of communities in different parts of the nation. Regions discussed include the Chitmahals, Assam, Tripura, Mizoram, Hyderabad, Andaman Islands, and Jammu and Kashmir. The contributors show that the heterogeneity of people’s experiences reside in spaces of the family, home, neighbourhoods, villages, towns and cities refugee settlements, letters, memoirs, biographies, films, fiction, oral histories, and testimonies. The book examines the Partition’s complex effects in regions, localities and contexts and its material and psychological ramifications. This book is a unique and comprehensive contribution in enabling a more complex understanding of how Partition played out and continues to do so for groups and generations across India. It will be of interest to a multidisciplinary audience, including history, literature, comparative literature, colonial and postcolonial studies, modern Asian studies, studies of South Asia, and studies of memory and trauma.
In a period of turmoil when European and international politics were in constant reshaping, immigrants and political exiles living in London set up periodicals which contributed actively to national and international political debates. Reflecting an interdisciplinary and international discussion, this book offers a rare long-term specialist perspective into the cosmopolitan and multilingual world of the foreign political press in London, with an emphasis on periodicals published in European languages. It furthers current research into political exile, the role of print culture and personal networks as intercultural agents and the dynamics of transnational political and cultural exchange in global capitals. Individual chapters deal with Brazilian, French, German, Indian, Italian, Portuguese, Spanish, Spanish American, and Russian periodicals. Overarching themes include a historical survey of foreign political groups present in London throughout the long 19th century and the causes and movements they championed; analyses of the press in local and transnational contexts; and a focus on its actors and on the material conditions in which this press was created and disseminated. The Foreign Political Press in Nineteenth-Century London is a useful volume for students and academics with an interest in 19th-century politics or the history of the press.
Combining insights from imperial studies and transnational book history, this provocative collection opens new vistas on both fields through ten accessible essays, each devoted to a single book. Contributors revisit well-known works associated with the British empire, including Charlotte Brontë's Jane Eyre, Thomas Macaulay's History of England, Charles Pearson's National Life and Character, and Robert Baden-Powell's Scouting for Boys. They explore anticolonial texts in which authors such as C. L. R. James and Mohandas K. Gandhi chipped away at the foundations of imperial authority, and they introduce books that may be less familiar to students of empire. Taken together, the essays reveal the dynamics of what the editors call an "imperial commons," a lively, empire-wide print culture. They show that neither empire nor book were stable, self-evident constructs. Each helped to legitimize the other. Contributors. Tony Ballantyne, Elleke Boehmer, Catherine Hall, Isabel Hofmeyr, Aaron Kamugisha, Marilyn Lake, Charlotte Macdonald, Derek Peterson, Mrinalini Sinha, Tridip Suhrud, André du Toit
Joint winner of the North American Conference on British Studies 2017 Stansky Book Prize for the best book on British Studies since 1800 Communal Violence in the British Empire focuses on how Britons interpreted, policed, and sometimes fostered violence between different ethnic and religious communities in the empire. It also asks what these outbreaks meant for the power and prestige of Britain among subject populations. Alternating between chapters of engaging narrative and chapters of careful, cross-colonial analysis, Mark Doyle uses outbreaks of communal violence in Ireland, the West Indies, and South Asia to uncover the inner workings of British imperialism: it's guiding assumptions, its mechanisms of control, its impact, and its limitations. He explains how Britons used communal violence to justify the imperial project even as that project was creating the conditions for more violence. Above all, this book demonstrates how communal violence exposed the limits of British power and, in time, helped lay the groundwork for the empire's collapse. This book shows how violence, and the British state's handling thereof, was a fundamental part of the imperial experience for colonizer and colonized alike. It offers a new perspective on the workings of empire that will be of interest to any student of imperial or world history.
The essays in Imagining the East explore how Theosophists during the formative period imagined the religions and cultures of the East. The authors examine the relationship of such representations to orientalism, the history of ideas, politics, and culture at large and discuss how these esoteric or theosophical representations mirrored conditions and values current in nineteenth-century mainstream intellectual culture. The essays also look at how the early Theosophical Society's representations of the East differed from mainstream 'orientalism' and how the Theosophical Society's mission in India was distinct from that of British colonialism and Christian missionaries.
This book provides a fresh perspective on the importance of the Hindi media in India's political, social and economic transformation with evidence from the countryside and the cities. Accessed by more than forty percent of the public, it continues to play an important role in building political awareness and mobilising public opinion. Instead of viewing the media as a singular entity, this book highlights its diversity and complexity to understand the changing dynamics of political communication that is shaped by the interactions between the news media, political parties and the public, and how various media forms are being used in a rapidly transforming environment. The book offers insights into how print, television, and digital media work together with, rather than in isolation from, each another to grasp the complexities of the emerging hybrid media environment and the future of mobilisation.
The SAGE International Encyclopedia of Mass Media and Society discusses media around the world in their varied forms—newspapers, magazines, radio, television, film, books, music, websites, social media, mobile media—and describes the role of each in both mirroring and shaping society. This encyclopedia provides a thorough overview of media within social and cultural contexts, exploring the development of the mediated communication industry, mediated communication regulations, and societal interactions and effects. This reference work will look at issues such as free expression and government regulation of media; how people choose what media to watch, listen to, and read; and how the influence of those who control media organizations may be changing as new media empower previously unheard voices. The role of media in society will be explored from international, multidisciplinary perspectives via approximately 700 articles drawing on research from communication and media studies, sociology, anthropology, social psychology, politics, and business.
In the history of Indian cinema, the name of Satyajit Ray needs no introduction. However, what remains unvoiced is the contribution of his forebears and their tryst with Indian modernity. Be it in art, advertising, and printing technology or in nationalism, feminism, and cultural reform, the earlier Rays attempted to create forms of the modern that were uniquely Indian and cosmopolitan at the same time. Some of the Rays, especially Upendrakishore and his son, Sukumar, are iconic figures in Bengal. But even Bengali historiography is almost exclusively concerned with the family’s contributions to children’s literature. However, as this study highlights, the family also played an important role in engaging with new forms of cultural modernity. Apart from producing literary works of enduring significance, they engaged in diverse reformist endeavours. The first comprehensive work in English on the pre-Satyajit generations, The Rays before Satyajit is more than a collective biography of an extraordinary family. It interweaves the Ray saga with the larger history of Indian modernity.
