An exuberant, life-affirming novel of taking your chances After a spur-of-the-moment day out with his boss’ daughter in celebration of his 21st birthday, Polycarp Jarvis decides to quit his Bristol-based junior government worker job. Newly emboldened, he embarks on an erratic, engaging and not always strictly legal course through life. Going from bus driver for the Red Dragon Motor Company to co-owner of a flying company, to seller of quack medicines, and eventually to media tycoon, Polycarp makes much of his luck along the way. Through ups and downs, his exuberance and charm carry him through. But what kind of person will he be by the end? This gentle coming-of-age story was hugely popular on first publication in the 1930s and retains a timeless appeal today. Praise for Victor Canning: ‘Quite delightful ... with an atmosphere of quiet contentment and humour that cannot fail to charm.’ Daily Telegraph ‘There is such a gentle humour in the book.’ Daily Sketch ‘What counts for most in the story ... is his mounting pleasure in vagabondage and the English scene.’ The Times ‘A paean to the beauties of the English countryside and the lovable oddities of the English character.’ New York Times ‘His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph ‘A swift-moving novel, joyous, happy and incurably optimistic.’ Evening Standard ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch
On a night of wild storms, two troubled figures escape from captivity. One is a 15-year-old boy, Samuel Miles, a.k.a. ‘Smiler’, wrongly convicted of theft and sent to a young offenders institution. The other is a cheetah, Yarra, a restless resident of Longleat Wildlife Park. Both are in danger from the outside world – and each other – but somehow their lives become inextricably bound up as they fight for survival on the edge of Salisbury Plain. A fast-moving and compassionate adventure story, The Runaways is the first book in Victor Canning's classic children's trilogy.
The Minerva Club might look like any other London gentlemen’s club but behind its respectable and discreet façade, some of the most ambitious schemes for heists, money-making and evasion of the law are being worked out. It’s an exclusive club for criminals. Entry qualification: members must have served a prison sentence of two years minimum. Though the club’s criminal ventures don’t always go as planned... From trying to break into an old prison cell and stealing a stash of jewels hidden during a previous incarceration, love getting in the way during a hideout from the police, a cleverly planned break-in being interrupted by an unexpected guest, to figuring out where to steal a last-minute wedding cake – the club’s amiable criminals somehow always achieve their goal in the most surprising ways. This collection of five short stories follows the Minerva Club’s (mis)adventures and evokes the very best of humorous classic crime fiction. Praise for Victor Canning: ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch ‘Quite delightful ... with an atmosphere of quiet contentment and humour that cannot fail to charm.’ Daily Telegraph ‘A swift-moving novel, joyous, happy and incurably optimistic.’ Evening Standard ‘There is such a gentle humour in the book.’ Daily Sketch ‘What counts for most in the story ... is his mounting pleasure in vagabondage and the English scene.’ The Times ‘A paean to the beauties of the English countryside and the lovable oddities of the English character.’ New York Times
Mr Edgar Finchley, unmarried clerk, aged 45, is told to take a holiday for the first time in his life. He decides to go to the seaside. But Fate has other plans in store... From his abduction by a cheerful crook, to his smuggling escapade off the south coast, the timid but plucky Mr Finchley is plunged into a series of the most astonishing and extraordinary adventures. His rural adventure takes him gradually westward through the English countryside and back, via a smuggling yacht, to London. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: ‘Wonderful character from a kinder slower England between the wars.’ ‘An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.’ ‘An antidote to the rush of the early 21st century.’ ‘A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.’ ‘Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.’ ‘So gentle, it hurts.’ ‘There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.’ ‘A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.’ ‘Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.’ ‘Highly recommended for anyone seeking an entertaining amusing read.’ ‘A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.’ Editorial reviews: ‘Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm ... The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch ‘A paean to the beauties of the English countryside and the lovable oddities of the English character... [Mr Finchley] runs into one astonishing situation after another, sticking gamely to his resolve that he must take things as they come and accept them.’ New York Times ‘What counts for most in the story, as it did for Mr Finchley, is his mounting pleasure in vagabondage and the English scene.’ The Times ‘There is such a gentle humour in the book ... Mr Finchley is the ideal Englishman.’ Daily Sketch
Sam and Dean Winchester know all the secrets their father recorded in his journal. Now you can, too. On November 2, 1983, Sam and Dean Winchester lost their mother to a demonic supernatural force. In the wake of the tragedy, their father, John, set out to learn everything he could about the paranormal evil that lives in the dark corners and on the back roads of America . . . and how to kill it. In his personal journal, he not only compiled folklore, legend, and superstition about all manner of otherworldly enemies but he also recorded his experiences—hunting the creature that killed his wife even as he raised his two sons. Part prequel, part resource guide, John Winchester's Journal finally gives fans the ultimate companion book for Supernatural. It's all here: the exorcism Sam and Dean used in "Phantom Traveler," John's notes on everything from shape-shifters to Samuel Colt, Dean's first hunt, Sam's peewee soccer team . . . and John's single-minded pursuit of a growing and deadly evil.
Young Paul Ashcroft has travelled to the beautiful French Riviera. His goal: to make a lot of money. His methods: more than questionable. Following his motto ‘the world owes me a living’, he steals and swindles – using what he needs for himself and passing on the rest to those less fortunate. After coming across the beautiful Villa Triton, he disguises himself as M. Durobat, a middle-aged Frenchman, to inspect the villa and to pawn the owner’s ornaments and paintings. At the local Casino, he becomes acquainted with the rich ladies of the resort. As he steals their jewellery, he blames the robberies on 'Gringo the Greek', a small crook he knew a long time ago. But just as Paul's schemes and tricks start to be fruitful and he falls in love with the intriguing Elise Benoit, the real Gringo the Greek appears on the scene, ready to take on the cunning thief who has been blaming him all this time...
The Crimson Chalice trilogy, first published between 1976 and 1978, is Victor Canning’s classic retelling of the story of King Arthur. Beginning with the story of his parents, Tia and Baradoc, Canning weaves elements of the Grail myth into a Fifth century setting; a Britain abandoned by the Romans, and gradually descending into tribal conflict. In the second book of the trilogy, The Circle of the Gods, young Arturo, with an unshakeable sense of destiny, establishes a comitatus, a gathering of companions, which will one day grow into an army under the banner of the white horse. In the closing book, The Immortal Wound, Arturo’s story concludes as he ascends to become high king of Britain. Throughout the story, the ever present Merlin appears to guide Arturo, as he fulfils his destiny, alongside the familiar characters of Arthurian legend. “An unusual blend of fairy tale and historical novel . . . vivid, original and gripping.’ Washington Post
Many readers have grown up with Ruskin Bond's stories. Now in an utterly delightful anthology, he introduces you to the stories he grew up with. Part memoir, part anthology, Love among the Bookshelves is a glimpse into Ruskin's life through the books he has loved and an introduction to some forgotten classics.
Does matter matter? The scientific picture of the end of the physical Universe has undergone dramatic changes since the turn of the 21st century, with its future characterized by accelerated expansion and futility. Yet Christian theology has been largely silent on this, despite the interest in eschatology in popular culture and in theology itself. What can Christian theology learn from and contribute to the scientific picture of the future of the Universe? Can the biblical narratives of creation and new creation have a fruitful dialogue with scientific discoveries? David Wilkinson shows what a fruitful dialogue this can be. Critiquing the folk eschatology of the Left Behind series, the misguided faith of the scientific optimists and the lack of scientific engagement of the theologians of hope, Wilkinson argues for a rediscovery of the theological theme of new creation and the centrality of bodily resurrection.
