In Ancient Sparta, where imperfect babies were thrown to their deaths from Mount Taygetus, and naked Spartan youths cut the throats of Helot slaves as they slept, a Spartan man about to graduate from history’s most brutal military academy is caught in a triangle of lust, love and jealousy from which death or rebellion can be the only escape. This is book one of the series, "Sunset on Sparta".
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: he could remember. This was her Lacedaemon. At last they stood upon its sacred soil. All that afternoon, as they followed the road south down the bed of the river Oinous, Makaria seemed in a dream. No roughness of the way, no pools left by the rain through which they waded ankle deep, no tangle of fallen trees across the path ? nothing could stay her. She put the branches away with a mighty hand. She strode the loose, slippery stones unpausing. Her long ten years of married exile were drawing to a close, and she would fain have crushed the last few hours into moments of time. At last the road emerged. They clambered up a little hillside, and there, before them in the sunset light, lay the whole circle of hollow Lacedaemon, and Sparta in the midst, Sparta, breeder of men. Makaria gave a little sharp cry, then stood in seeming quiet. .It was indeed a view to contemplate. Beyond the narrow plain Taygetos rose. First, lesser hills with shadow-purple gorges and Sash of leaping streams, then the mighty slope, soft with its forest multitudes. Above, on the vast, bare cliffs hung the tired battalions of the storm, heavily purple in the golden light, casting shadows broad as counties over uplands and ravines. And above the clouds, at the sheer zenith edge, gleamed the perennial snows, peak upon peak, billowing away and away in upper air like a visible god-place unsullied by mortal tread. In such fashion do the awful hills o'ershadow Lacedaemon, and close her in from the world. But it was not at the hills that the Spartan woman looked, not even at the plain with golden harvest breasthigh, where olives here and there flung lengthened shadows across the grain. She saw only the town itself. It looked to Aristodemos small and mean enough. But to her eyes its every roof was dear. ...
For millennia, men have told the legend of the woman whose face launched a thousand ships—but now it's time to hear her side of the story. Daughters of Sparta is a tale of secrets, love, and tragedy from the women behind mythology's most devastating war, the infamous Helen and her sister Klytemnestra. As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivaled beauty, they are the envy of all of Greece. But such privilege comes at a cost. While still only girls, the sisters are separated and married to foreign kings of their father's choosing— Helen remains in Sparta to be betrothed to Menelaos, and Klytemnestra is sent alone to an unfamiliar land to become the wife of the powerful Agamemnon. Yet even as Queens, each is only expected to do two things: birth an heir and embody the meek, demure nature that is expected of women. But when the weight of their husbands' neglect, cruelty, and ambition becomes too heavy to bear, Helen and Klytemnestra must push against the constraints of their society to carve new lives for themselves, and in doing so, make waves that will ripple throughout the next three thousand years. Daughters of Sparta is a vivid and illuminating reimagining of the Siege of Troy, told through the perspectives of two women whose voices have been ignored for far too long.
What determined the choices of the Greeks on the battlefield? Were their tactics defined by unwritten moral rules, or was all considered fair in war? In Classical Greek Tactics: A Cultural History, Roel Konijnendijk re-examines the literary evidence for the battle tactics and tactical thought of the Greeks during the 5th and 4th centuries BC. Rejecting the traditional image of limited, ritualised battle, Konijnendijk sketches a world of brutally destructive engagements, restricted only by the stubborn amateurism of the men who fought. The resulting model of hoplite battle does away with most received wisdom about the nature of Greek battle tactics, and redefines the way they reflected the values of Greek culture as a whole.
Traces the history of the ancient Greek city-state of Sparta, describes its distinctive military society and the unusual freedom of Spartan women, and discusses the influence which its culture has had on later civilizations.
WARS CHANGE, WARRIORS DON'T We are all warriors. Each of us struggles every day to define and defend our sense of purpose and integrity, to justify our existence on the planet and to understand, if only within our own hearts, who we are and what we believe in. Do we fight by a code? If so, what is it? What is the Warrior Ethos? Where did it come from? What form does it take today? How do we (and how can we) use it and be true to it in our internal and external lives? The Warrior Ethos is intended not only for men and women in uniform, but artists, entrepreneurs and other warriors in other walks of life. The book examines the evolution of the warrior code of honor and "mental toughness." It goes back to the ancient Spartans and Athenians, to Caesar's Romans, Alexander's Macedonians and the Persians of Cyrus the Great (not excluding the Garden of Eden and the primitive hunting band). Sources include Herodotus, Thucydides, Plutarch, Xenophon, Vegetius, Arrian and Curtius--and on down to Gen. George Patton, Field Marshal Erwin Rommel, and Israeli Minister of Defense, Moshe Dayan.
Plutarch's vivid and engaging portraits of the Spartans and their customs are a major source of our knowledge about the rise and fall of this remarkable Greek city-state between the sixth and third centuries BC. Through his Lives of Sparta's leaders and his recording of memorable Spartan Sayings he depicts a people who lived frugally and mastered their emotions in all aspects of life, who also disposed of unhealthy babies in a deep chasm, introduced a gruelling regime of military training for boys, and treated their serfs brutally. Rich in anecdote and detail, Plutarch's writing brings to life the personalities and achievements of Sparta with unparalleled flair and humanity.
"This is a book that scholars will read with pleasure, and a book from which advanced undergraduates and graduates will gain a sense of what Sparta was like as a culture, and (just as important) the nature and state of play of contemporary Spartan studies. And it will be accessible for the well informed lay reader as well."—Josiah Ober, author of Political Dissent in Democratic Athens "Paul Cartledge's aim, in this powerful collection of essays, is to shed light in dark places, to demythicize... Cartledge is shrewd, realistic, and far from starry-eyed. Over a quarter-century's exhaustive research, now updated, has gone into these densely documented and tightly argued essays. These Spartans, in the last resort, are exploitative slave-drivers, obsessed with keeping their serfs down (by annually killing off any resisters, among other things)... Modern idealizers of cold baths, black broth, mindless discipline and long route marches should read this book and, hopefully, have second thoughts."—Peter Green, author of Alexander to Actium
Albert Rijksbaron is internationally known as one of the leading scholars of the Ancient Greek language, whose work has exerted a strong and lasting influence on the scholarly debate concerning many aspects of Greek linguistics. This volume brings together twenty of his papers, two of which have been translated into English and some which are not easily accessible elsewhere. The selection represents the full range of Rijksbaron’s research, including papers on central topics in Greek linguistics such as tense-aspect, mood, voice, particles, negation, the article, questions, discourse analysis, as well as on the views of ancient grammarians and modern commentators. As a whole, the volume shows how much linguistic analysis can contribute to our understanding of Greek literary texts.
