The Imaginative Life Tableau
The Imaginative Life Tableau

Author: Rudolf Steiner

Publisher: Rudolf Steiner Press

Published: 2020-05-07

Total Pages: 156

ISBN-13: 1855845725

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Many will be familiar with the notion that a person at the point of death sees their life flash before them. Rudolf Steiner describes that when the spiritual bodies separate from the physical body, the etheric body of the dying person is revealed, giving a panoramic overview of their earthly life. This etheric body contains everything we have experienced in our consciousness and kept in memory. The etheric not only generates and sustains all life, but encompasses the life forces out of which we shape our existence. Although the revelation of the life tableau belongs to the early period after death, it can also emerge as a result of meditation. Rudolf Steiner speaks of this – through the first level of spiritual experience known as ‘imagination’ – as a conscious self-perception of the soul, taking place in the world of images. Here we are confronted with the harrowing knowledge of our doppelgänger – but we also experience the cosmic forces of childhood that are present in all our life processes. These same forces are described in psychology as the ‘inner child’. In this highly-original anthology of Steiner’s work we are led to a therapeutic, meditative approach that – through working with the imaginative life tableau – can strengthen and heal body, soul and spirit. Chapters include: ‘Experiencing the Inner Child as the Starting Point for a New Philosophy’; ‘Experiencing Life before Birth’; ‘Pain and Sadness When Reliving the Life Tableau’; ‘Intensive Backward Thinking’; ‘Feelings of Happiness When Experiencing the Life Tableau’; ‘Re-experiencing the Inner Child’; ‘Through the Forces of Childhood to the Higher Self and the Christ Experience’.

The Imagination of Pentecost
The Imagination of Pentecost

Author: Richard Leviton

Publisher: SteinerBooks

Published: 1994

Total Pages: 468

ISBN-13: 9780880103794

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Carlo Pietzner speaks, out of his own ego-directed, inner experiences, about several motifs inherent to inner striving: the problem of self in relationship to the world, the disintegration of the three soul forces, the transition from sense perception to spiritual perception, the reality of evil, the condition of loneliness, and more.

Memory
Memory

Author: Rudolf Steiner

Publisher: Rudolf Steiner Press

Published: 2020-05-07

Total Pages: 256

ISBN-13: 1855845741

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What is the meaning of memory in the information age? When all knowledge is seemingly digitised and available for reference at any time, do we actually need human memory? One consequence of the proliferation of digitization is the deterioration of our capacity to remember – a symptom that is apparent in a steady increase in dementia within contemporary society. Rudolf Steiner indicates that memory is the determining factor in awareness of oneself. Even a partial loss of memory leads to loss of self-consciousness and the sense of our ‘I’. Thus, memory is crucial for the development of I-consciousness – not only for the individual, but for humanity as a whole. Rudolf Steiner’s research on memory, recollection and forgetting has many implications for the way we learn, for inner development and spiritual growth. This unique selection of passages from his works offers insights into how consciousness can remain autonomous and creative in a digital environment. It also provides ideas for improving education and emphasizes the importance of life-long learning. Chapters include: ‘The Development of Memory Throughout Human History’; ‘The Formation of Memory, Remembering and Forgetting in the Human Individual’; ‘Remembering and Forgetting in Connection with Education’; ‘How Remembering and Forgetting are Transformed by the Schooling Path – Imagination and Inspiration’; ‘Remembering Backwards (Rückschau) and Memory Exercises’; ‘Subconscious Memories of the Pre-birth Period and of Life Between Death and a New Birth’; ‘Memory and Remembering after Death’; ‘The Development of Memory in the Future’.

Realizations
Realizations

Author: Martin Meisel

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 493

ISBN-13: 1400856094

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In this richly illustrated study of the relationship of art, drama, and fiction in the nineteenth century, Martin Meisel illuminates the collaboration between storytelling and picturemaking that informed narrative painting, pictorial dramaturgy, and serial illustrated fiction. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Living Pictures, Missing Persons
Living Pictures, Missing Persons

Author: Mark B. Sandberg

Publisher: Princeton University Press

Published: 2021-10-12

Total Pages: 349

ISBN-13: 0691238278

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In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the widespread interest in illusionistic scenes and tableaux, in the "portability" of sights, spaces, and entire milieus. Sandberg investigates this transformation of visual culture outside the usual test cases of the largest European metropolises. He argues that Scandinavian spectators desired an unusual degree of authenticity--a cultural preference for naturalism that made its way beyond theater to popular forms of museum display. The Scandinavian wax museums and folk-ethnographic displays of the era helped pre-cinematic spectators work out the social implications of both voyeuristic and immersive display techniques. This careful study thus anticipates some of the central paradoxes of twentieth-century visual culture--but in a time when the mannequin and the physical relic reigned supreme, and in a place where the contrast between tradition and modernity was a high-stakes game.