Committed to Memory

Committed to Memory

Author: Cheryl Finley

Publisher: Princeton University Press

Published: 2022-08-30

Total Pages: 320

ISBN-13: 0691241066

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How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film—and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.


Africa in Europe: Antiquity into the age of global expansion

Africa in Europe: Antiquity into the age of global expansion

Author: Stefan Goodwin

Publisher: Lexington Books

Published: 2009

Total Pages: 264

ISBN-13: 9780739117262

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Africa in Europe, in two volumes, is an interdisciplinary work about Europeans that demonstrates fluid boundaries and connections between them and Africans from antiquity until the present. Written by a scholar with expertise that includes anthropology, social history, and international relations, the subject matter of this fascinating work ranges from science to art and invites much new thinking about racism, territoriality, citizenship, and frontiers in a world that is increasingly globalized.


Africa in Europe: Interdependencies, relocations, and globalization

Africa in Europe: Interdependencies, relocations, and globalization

Author: Stefan Goodwin

Publisher: Lexington Books

Published: 2009

Total Pages: 436

ISBN-13: 9780739127667

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Africa in Europe, in two volumes, is an interdisciplinary work about Europeans that demonstrates fluid boundaries and connections between them and Africans from antiquity until the present. Written by a scholar with expertise that includes anthropology, social history, and international relations, the subject matter of this fascinating work ranges from science to art and invites much new thinking about racism, territoriality, citizenship, and frontiers in a world that is increasingly globalized.


The Image of the Black in Western Art

The Image of the Black in Western Art

Author: Hugh Honour

Publisher:

Published: 1989

Total Pages: 388

ISBN-13: 9780939594177

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Earlier volumes of Honour's monumental study are cited in BCL3. Volume four, in two books, studies the images of blacks by white American and European visual artists from the American revolution to World War I. Part one focuses on slavery and its aftermath; part two covers other themes during the same period. Excellent reproductions, most in color, on nearly every page. The text draws on contemporary literature about subjects depicted in the paintings. No subject index. 111/4x101/4". Even the most impoverished must have Images to fulfill pretensions to an adequate black studies collection. The price is very modest for such size and quality of scholarship and bookmaking elegance.


The Mind of the Master Class

The Mind of the Master Class

Author: Elizabeth Fox-Genovese

Publisher: Cambridge University Press

Published: 2005-10-17

Total Pages: 843

ISBN-13: 0521850657

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Presenting America's slaveholders as men and women who were intelligent, honourable, and pious, this text asks how people who were admirable in so many ways could have presided over a social system that proved itself and enormity and inflicted horrors on their slaves.


Slave Portraiture in the Atlantic World

Slave Portraiture in the Atlantic World

Author: Agnes Lugo-Ortiz

Publisher: Cambridge University Press

Published: 2013-09-30

Total Pages: 489

ISBN-13: 1107354781

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Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.


Image of the Black in Western Art

Image of the Black in Western Art

Author: Hugh Honour

Publisher:

Published: 1989-07-01

Total Pages: 306

ISBN-13: 9780674444034

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Earlier volumes of Honour's monumental study are cited in BCL3 . Volume four, in two books, studies the images of blacks by white American and European visual artists from the American revolution to World War I. Part one focuses on slavery and its aftermath; part two covers other themes during the s