This urban and architectural study of Aleppo reconstructs the city's evolution over the first two centuries of Ottoman rule and proposes a new model for the understanding of the reception and adaptation of imperial forms, institutions and norms in a provincial setting.
Examines the cities of Algeria and Tunisia under French colonial rule and those of the Ottoman Arab provinces, providing a nuanced look at cross-cultural exchanges.
Architecture and urban planning have always been used by political regimes to stamp their ideologies upon cities, and this is especially the case in the modern Turkish Republic. By exploring Istanbul's modern architectural and urban history, Murat Gul highlights the dynamics of political and social change in Turkey from the late-Ottoman period until today. Looking beyond pure architectural styles or the physical manifestations of Istanbul's cultural landscape, he offers critical insight into how Turkish attempts to modernise have affected both the city and its population. Charting the diverse forces evident in Istanbul's urban fabric, the book examines late Ottoman reforms, the Turkish Republic's turn westward for inspiration, Cold War alliances and the AK Party's reaffirmation of cultural ties with the Middle East and the Balkans. Telltale signs of these moments - revivalist architecture drawing on Ottoman and Seljuk styles, 1930s Art Deco, post-war International Style buildings and the proliferation of shopping malls, luxurious gated residences and high-rise towers, for example - are analysed and illustrated in extensive detail.Connecting this rich history to present-day Istanbul, whose urban development is characterised anew by intense social stratification, the book will appeal to researchers of Turkey, its architecture and urban planning.
Zeynep elik examines the changing face of Istanbul during the period when European cultural and economic influence intensified, integrating architectural analysis with discussion of broader issues of urban design and historical change. Zeynep elik examines the changing face of Istanbul during the period when European cultural and economic influence intensified, integrating architectural analysis with discussion of broader issues of urban design and historical change.
Combining the vivid and colorful detail of a micro-history with a wider historical perspective, this groundbreaking study looks at the urban and social history of a small neighborhood community (a mahalle) of Ottoman Istanbul, the Kasap İlyas. Drawing on exceptionally rich historical documentation starting in the early sixteenth century, Cem Behar focuses on how the Kasap İlyas mahalle came to mirror some of the overarching issues of the capital city of the Ottoman Empire. Also considered are other issues central to the historiography of cities, such as rural migration and urban integration of migrants, including avenues for professional integration and the solidarity networks migrants formed, and the role of historical guilds and non-guild labor, the ancestor of the "informal" or "marginal" sector found today in less developed countries.
"Studies the reconstruction of Byzantine Constantinople as the capital city of the Ottoman empire following its capture in 1453, delineating the complex interplay of socio-political, architectural, visual, and literary processes that underlay the city's transformation"--Provided by publisher.
In his huge travel account, Evliya Çelebi provides materials for getting at Ottoman perceptions of the world, not only in areas like geography, topography, administration, urban institutions, and social and economic systems, but also in such domains as religion, folklore, sexual relations, dream interpretation, and conceptions of the self. In six chapters the author examines: Evliya’s treatment of Istanbul and Cairo as the two capital cities of the Ottoman world; his geographical horizons and notions of tolerance; his attitudes toward government, justice and specific Ottoman institutions; his social status as gentleman, character type as dervish, office as caller-to-prayer and avocation as traveller; his use of various narrative styles; and his relation with his audience in the two registers of persuasion and amusement. An Afterword situates Evliya in relation to other intellectual trends in the Ottoman world of the seventeenth century.
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
The phrase “The Black Legend” was coined in 1912 by a Spanish journalist in protest of the characterization of Spain by other Europeans as a backward country defined by ignorance, superstition, and religious fanaticism, whose history could never recover from the black mark of its violent conquest of the Americas. Challenging this stereotype, Rereading the Black Legend contextualizes Spain’s uniquely tarnished reputation by exposing the colonial efforts of other nations whose interests were served by propagating the “Black Legend.” A distinguished group of contributors here examine early modern imperialisms including the Ottomans in Eastern Europe, the Portuguese in East India, and the cases of Mughal India and China, to historicize the charge of unique Spanish brutality in encounters with indigenous peoples during the Age of Exploration. The geographic reach and linguistic breadth of this ambitious collection will make it a valuable resource for any discussion of race, national identity, and religious belief in the European Renaissance.