The Illustrated Beatus: Introduction

The Illustrated Beatus: Introduction

Author: John Williams

Publisher:

Published: 1994

Total Pages: 216

ISBN-13:

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This richly illustrated volume introduces the reader to the textual and visual tradition of the Corpus. The life and work of Beatus are considered in their historical, political and theological background; styles and locations of production are analysed; the sources of the textual commentaries and the evolution of particular iconographical forms are examined; and finally the Mozarabic and Islamic characteristics of the illustrations are assessed. The startling colour plates show the range of style and form in examples from the earliest Beatus manuscript, the Silos Fragment, to the late Arroya Beatus and the Rioseco Fragment. The monochrome illustrations show comparative material covering influences from the Islamic Mediterranean to the Carolingian and Gothic styles of the North. A Table of Apocalypse subjects, Map, Bibliography and Index are also included. This richly illustrated volume introduces the reader to the textual and visual tradition of the Corpus of Illustrations of the Commentary on the Apocalypse, considering the life and work of Beatus in their historical, political and theological background.


The Illustrated Beatus: The 9th and 10th centuries

The Illustrated Beatus: The 9th and 10th centuries

Author: John Williams

Publisher: Harvey Miller

Published: 1994

Total Pages: 328

ISBN-13:

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The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.


Revelation

Revelation

Author:

Publisher: Canongate Books

Published: 1999-01-01

Total Pages: 60

ISBN-13: 0857861018

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The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.


Book of Beasts

Book of Beasts

Author: Elizabeth Morrison

Publisher: Getty Publications

Published: 2019

Total Pages: 356

ISBN-13: 1606065904

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A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.


The Apocalypse in the Middle Ages

The Apocalypse in the Middle Ages

Author: Richard Kenneth Emmerson

Publisher:

Published: 1992

Total Pages: 450

ISBN-13: 9780801422829

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An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.


The Illustrated Beatus

The Illustrated Beatus

Author: John Williams

Publisher:

Published: 1994

Total Pages: 424

ISBN-13:

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The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.


The Illustrated Beatus: Introduction

The Illustrated Beatus: Introduction

Author: John Williams

Publisher: Harvey Miller

Published: 1994

Total Pages: 224

ISBN-13:

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The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.


The Cloisters

The Cloisters

Author: Peter Barnet

Publisher: Yale University Press

Published: 2012-11-27

Total Pages: 217

ISBN-13: 0300187203

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Home to an extraordinary collection of treasured masterworks, including the famed Unicorn Tapestries, The Cloisters is devoted to the art and architecture of medieval Europe. This splendid new guide, published to celebrate The Cloisters' seventy-fifth anniversary, richly illustrates and describes the most important highlights of its collection, from paintings, illuminated manuscripts, and exquisitely carved ivories to its monumental architecture evocative of the grand religious spaces and domestic interiors of the Middle Ages. The Cloisters remains a testament to design innovation—a New York City landmark with sweeping views of the Hudson River—featuring original elements of Romanesque and Gothic architecture dating from the 12th through the 15th century. Three of the structures enclose beautiful gardens cultivated with species known from tapestries, medieval herbals, and other historic sources. These exotic spaces, the art masterpieces, and the fragrant plants offer visitors an oasis of serenity and inspiration. This book both encapsulates and enhances that experience.


Toward a Global Middle Ages

Toward a Global Middle Ages

Author: Bryan C. Keene

Publisher: Getty Publications

Published: 2019-09-03

Total Pages: 300

ISBN-13: 160606598X

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This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.