Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects
Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects

Author: Giovanni Pietro Bellori

Publisher: Cambridge University Press

Published: 2005-11-21

Total Pages: 532

ISBN-13: 9780521781879

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This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.

Picturing the Lame in Italian Art from Antiquity to the Modern Era
Picturing the Lame in Italian Art from Antiquity to the Modern Era

Author: Livio Pestilli

Publisher: Routledge

Published: 2017-07-05

Total Pages: 229

ISBN-13: 1351554115

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The presence of the orthopedically impaired body in art is so pervasive that, paradoxically, it has failed to attract the attention of most art historians. In Picturing the Lame in Italian Art from Antiquity to the Modern Era, Livio Pestilli investigates the changing meaning that images of individuals with limited mobility acquired through the centuries. This study evinces that in distinct opposition to the practice of classical artists, who manifested a lack of interest in the subject of lameness since it was considered 'a defect or a deformity' and deformity a 'want of measure, which is always unsightly,' their Early Christian counterparts depicted them profusely, because images of the miraculous healing of the lame became the reassuring sign of universal acceptance and the promise of a more equitable existence in this life or the next. In the Middle Ages, instead, when voluntary poverty came to be associated with the necessary condition of faithfulness to Christ, the indigent lame, along with others who were forced to beg for a living, became the image of the alter Christus. This view was to change in the Renaissance and Baroque periods, when, with the resurgence of classical and Pauline ideals that condemned the idle, representations of the orthopedically impaired became associated with swindlers, freeloaders and parasites. This fascinating story came basically to an end in the Eighteenth century when, with the revival of the Greek ideal of the Beautiful, the lame gradually left center stage to be relegated again to the margins of the visual arts.

From Rome to Eternity: Catholicism and the Arts in Italy, ca. 1550-1650
From Rome to Eternity: Catholicism and the Arts in Italy, ca. 1550-1650

Author: Pamela M. Jones

Publisher: BRILL

Published: 2021-10-01

Total Pages: 340

ISBN-13: 9004473688

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This book treats Rome, the arts and religious culture in Italy in the century or so after the Council of Trent. In that era, clerical bureaucrats may have sought to impose control and uniformity, but nine original essays in this volume demonstrate continuing vitality of a wide range of creative artistic production. The book is illustrated with more than 50 reproductions. Part I and II explore themes of Italian Artists as Saints and Sinners, and Arts of Sanctity, Suffering, and Sensuality in Italy. Part III, Italy and Beyond: Rome and Global Catholic Culture, acknowledges world-wide dimensions of early modern Catholicism. From Rome to Eternity elucidates the rich and multifaceted character of Catholicism in Italy, ca. 1550-1650. Papal Rome spoke, but even as Italian Catholics listened, they themselves also spoke, and wrote, sang, acted, painted. Contributors include: Michael A. Zampelli, Gauvin Alexander Bailey, Fiora A. Bassanese, Peter Burke, James Clifton, Sheldon Grossman, Pamela Jones, Robert L. Kendrick, David M. Stone, and Thomas Worcester.

Italian Fifteenth- to Seventeenth-century Drawings
Italian Fifteenth- to Seventeenth-century Drawings

Author: Anna Forlani Tempesti

Publisher: Metropolitan Museum of Art

Published: 1991

Total Pages: 401

ISBN-13: 0870996061

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Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.

Sixteenth-century Italian Drawings in New York Collections
Sixteenth-century Italian Drawings in New York Collections

Author: William Griswold

Publisher: Metropolitan Museum of Art

Published: 1994

Total Pages: 284

ISBN-13: 0870996886

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Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR

The Devout Hand
The Devout Hand

Author: Patricia Rocco

Publisher: McGill-Queen's Press - MQUP

Published: 2017-11-29

Total Pages: 307

ISBN-13: 0773552197

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After the Counter-Reformation, the Papal State of Bologna became a hub for the flourishing of female artistic talent. The eighteenth-century biographer Luigi Crespi recorded over twenty-eight women artists working in the city, although many of these, until recently, were ignored by modern art criticism, despite the fame they attained during their lifetimes. What were the factors that contributed to Bologna’s unique confluence of women with art, science, and religion? The Devout Hand explores the work of two generations of Italian women artists in Bologna, from Lavinia Fontana (1552–1614), whose career emerged during the aftermath of the Counter Reformation, to her brilliant successor, Elisabetta Sirani (1638–1665), who organized the first school for women artists. Patricia Rocco further sheds light on Sirani’s students and colleagues, including the little-known engraver Veronica Fontana and the innovative but understudied etcher Giuseppe Maria Mitelli. Combining analysis of iconography, patronage, gender, and reception studies, Rocco integrates painting, popular prints, book illustration, and embroidery to open a wider lens onto the relationship between women, virtue, and the visual arts during a period of religious crisis and reform. A reminder of the lasting power of images, The Devout Hand highlights women’s active role in sixteenth- and seventeenth-century Christian reform and artistic production.