Presents a study of political theater in the English Renaissance, discussing the differences between a public playhouse and a private, or court theater, and looking at masques and the role of king in the Renaissance court.
Kariki's political participation dates from 1952, when he pledged an oath to the allegiance of the Gikuyu tribe, the Mau Mau movement and the cause of African unity. Post-independence, he gradually progressed to being a political insider, serving in the Kenyan African National Union (KANU) and the Kenyan Government. In 1983 he was expelled from KANU - the only political party. It is from this outsider-perspective, and in this climate of fear and uncertainty, without the desired freedom of association and access to political colleagues of the period of struggle, that he nevertheless here recounts his experiences of half a century in politics. He holds the belief that political evolution is inexorable; and that knowledge about, and reflection on the past is the only way of preventing the tragedy of yet another generation repeating that which they condemned in their predecessors.
A new collection of stories by the master of humorous science fiction adventure, including: The full-length novel, The Day the Machines Stopped¾and what happens, not just to civilization, but to humanity and its chances of survival when all the machines stop working at once? A man is captured by aliens who are investigating the Earth as a possible target for colonization. The aliens have science and technology far in advance of humans¾but, unfortunately for them, they have never developed the human art of bluffing. For the first time in book form, Anvil's stories of Richard Verner, who is called in to solve apparently insoluble problems, such as explaining why experimental missiles keep failing for no apparent reason, or locating a kidnapped judge, or even solving an inexplicable murder that's interrupting his vacation. And much more, in a generous volume of sardonically humorous science fiction. At the publisher's request, this title is sold without DRM (Digital Rights Management).
An ambitious, accessible mix of history, autobiography, and how-to manual, this anti-manifesto challenges popular concepts of radical activism. A whirlwind tour across decades - through punk and student activism, identity and lifestyle politics, animal rights, armed struggle, patriotism, globalisation and beyond - this book seeks a radicalism that is both rigorously self-critical and genuinely populist. All the Power suggests how the seemingly most idealistic of enterprises - revolution - might be practically accomplished.
"Elegant, deeply learned, and intellectually adventurous, its implications extend far beyond the boundaries of the Stuart and Caroline masque. It is an indispensable, exploration of political art and aestheticized politics. . . . a classic."--Stephen Greenblatt, University of California, Berkeley "A triumph of scholarship, insight, and explication, Oregel's book is truly a classic in the field of Renaissance studies. Anyone interested in Renaissance culture will find here a masterful analysis of its celebration of royal power."--Coppelia Kahn, Brown University "As knowing of art, theatrical and political history as it is sensitive to poetry, Orgel's book is learned, lively, and beautifully clear."--John Hollander, Yale University "A foundational text for the New Historicist Perspective in English Renaissance literary and cultural studies . . . as informative and suggestive as it was when new; in the clarity and grace of its writing, the breadth and precision of its arguments, the aptness and resonance of its examples, it is unsurpassed as an introduction to the dialectic of theatrical illusion and state authority--of play and power--in the culture of Elizabethan and Stuart England."--Louis Montrose, University of California, San Diego
Our modern patterns of thinking and learning are all based on observing a world of 'things', which we think of as separate building blocks. This worldview allows us to count and measure objects without their having any innate value; it provides neat definitions and a sense of control over life. However, this approach also sets humans apart from each other, and from nature.In reality, in nature, everything is connected in a fluid, dynamic way. 'Separateness' is an illusion we have created -- and is fast becoming a dangerous delusion infecting how we relate to business, politi, and other key areas of our daily reality.Giles Hutchins argues that the source of our current social, economic and environmental issues springs from the misguided way we see and construct our world. With its roots in ancient wisdom, this insightful book sets out an accesssible, easy to follow exploration of the causes of our current crises, offering ways to rectify these issues at source and then pointing to a way ahead.
"In a dry Kansas riverbed, a troop of Girl Scouts finds a human hand. This discovery leads Billy Spire, the tough and broken sheriff of Ewing County, to confront the depths of his community. The racism, the dying economy, the lies and truths of friendship, and his own injured marriage. But like any town where people still breathe, there is also love and hope and the possibility of redemption. To flyover people, Ewing County appears nothing more than a handful of empty streets amid crop circles and the meandering, depleted Arkansas River. But the truth of this place - the interwoven lives and stories - is anything but simple"--
A kaleidoscopic tale inspired by a legend from the medieval Persian epic "Book of Kings" follows the coming-of-age of a feral Middle Eastern youth in New York City on the eve of the September 11 attacks. By the award-winning author of Sons and Other Flammable Objects. 25,000 first printing.
Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.