A quirky and darkly comic take on domestic life in southern India. The PEN Open Book Award called Manu Joseph "that rare bird who can wildly entertain his readers as forcefully as he moves them." In The Illicit Happiness of Other People, Joseph brilliantly brings his talents to the story of an Indian Christian family living far afield in south India. It has been three years since seventeen-year-old Unni Chacko mysteriously fell from a balcony to his death. His family—journalist father Ousep, who smokes two cigarettes at once “because three is too much”; mother Mariamma, who fantasizes gleefully about murdering her husband; and twelve-year-old love-struck brother Thoma with zero self-esteem, have coped by not coping. When the post office delivers a comic drawn by Unni that had been lost in the mail, Ousep, shocked out of his stupor, ventures on a quest to understand his son and rewrite his family’s story. Combining family drama with philosophy, social satire with satisfying storytelling, The Illicit Happiness of Other People reminds us that the greatest mystery of all—the one most worth our time and energy—is understanding the people we love.
A poignant, bitingly funny Indian satire and love story set in a scientific institute and in Mumbai’s humid tenements. Ayyan Mani will not be constrained by Indian traditions. Despite working at the Institute of Theory and Research in Mumbai as the lowly personal assistant to a brilliant but insufferable astronomer, he dreams of more for himself and his family. Ever wily and ambitious, Ayyan weaves two plots: the first to cheer up his weary, soap-opera-addicted wife by creating outrageous fictions around their ten-year-old son; the other to sabotage the married director by using his boss’s seeming romance with the institute’s first female—and very attractive—researcher. Meanwhile, as the institute’s Brahmins wage a vicious war over theories about alien life, Ayyan sees his deceptions intertwining and setting in motion a series of extraordinary events he cannot stop. Unfailingly funny and irreverent, Serious Men is at once a hilarious portrayal of runaway egos and ambitions and a moving portrait of love and its strange workings. One of 2010’s “First Novels to Savor.” —Sunday Telegraph
A building collapses in Mumbai. In the debris is a man who is mumbling something in delirium. It appears that he is passing on the real-time movements of a young Muslim couple. Elsewhere, a young intelligence agent is assigned to shadow two terror suspects, one of whom is a teenager and the sweetheart of her street, Laila.Taking up a slice of recent history, the novel glares at the entire system - not just politicians, the bureaucracy, the police and lackeys, but also the good folks. Pervasive in its satire, wicked in its humour and broad-based in its canvas, Miss Laila, Armed and Dangerous is one of the most stylish and honest works of fiction about India ever written.
For the commitment-averse women in these eleven sublime laugh-out-loud stories, falling in love is never easy and always inconvenient. “Single, Carefree, Mellow is a lot like the women who populate it: smart and sexy and a little bit ruthless.” —Entertainment Weekly “Something like Cheever mixed with Ephron.” —The New York Times Book Review Maya is in love with both her boyfriend and her boss. Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Nina is more worried that the Presbyterian minister living above her garage will hear her kids swearing than that he will find out she’s sleeping with her running partner. The women grapple with love amidst everything from unwelcome houseguests to disastrous birthday parties as Katherine Heiny spins a debut that is superbly accomplished and endlessly entertaining.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
Born in Calicut, Kerala, Dr Verghese Kurien graduated in science and engineering from Madras University and Michigan State University, US, respectively. He began his career in dairying at the government's creamery in Anand, Gujarat, later joining the Kaira District Cooperative Milk Producers'Union Limited (now Amul). As chairman of the National Dairy Development Board, he implemented 'Operation Flood'. He has received countless awards, including the Ramon Magsaysay Award (1963), Wateler Peace Prize (1986), World Food Prize (1989) Padma Shri (1965), Padma Bhushan (1966) and Padma Vibhushan (1999). Dr Kurien is currently Chairman of the Institute of Rural Management, Anand; Chairman of the Gujarat Cooperative Milk Marketing Federation; and Chairman of the National Cooperative Dairy Federation of India. Gouri Salvi is a Mumbai-based freelance journalist. She has worked with Onlooker and Sunday magazines, and with the Women's Feature Service. She has written on development and gender issues, has co-edited Beijing! a book on the UN's Fourth World Conference on Women, and edited Development Retold: Voices From the Field, a book on the Indian Cooperative Union.
When Ashwin, a wealthy Delhi boy, meets Lallan, a struggling student from Patna looking to make his fortune, their friendship, with their mutual love for the almond-eyed Mallika, seems to transcend the fault lines of class and privilege. But one night at a party, a fateful incident leads their worlds to unravel with consequences that change both their lives forever, and expose the deep turmoil inherent in the frenetic energy of the new, aspiring India. An audacious debut, Fire Under Ash marks the arrival of Indian fiction’s latest star, who takes a coruscating look at Delhi’s beauty and brutality, writing the city as we’ve never read it before.
In a boxy apartment building in an Illinois college town, Romola Mitra, a newly arrived young bride, anxiously awaits her first letter from home in India. When she accidentally opens the wrong letter, it changes her life. Decades later, her son, Amit, back in the U.S., finds the same letter and thinks he has discovered his mother's secret. But secrets carry within them their own secrets sometimes. Amit does not know that Avinash, his devoted father, lurked on gay chat rooms at times, unable to set aside his lifelong attraction to men. Avinash, for his part, had no idea about the memories of a starry romance his dutiful wife kept tucked away among her silk saris. As Amit settles down as a computer engineer in San Francisco, he too is torn between his new life here and his duties toward the one he has left behind in India. Don't Let Him Know sweeps up multiple generations of a family, moving from an illicit encounter in a Calcutta park to an unlikely friendship forged at a Carbondale gay bar, from midnight snacks of a great-grandmother's mango chutney to wayward temptations at a McDonald's drive-thru. Tender, funny, and beautifully told, it is an unforgettable story about the sacrifices we make for those we love.
Armed only with a pomegranate, Sarita ventures into the empty streets of Mumbai, on the eve of its threatened nuclear annihilation. She is looking for her physicist husband Karun, who has been missing for over a fortnight. She is soon joined on her quest by Jaz - cocky, handsome, Muslim, gay, and in search of his own lover. Together they traverse the surreal landscape of a dystopia rife with absurdity, and are inexorably drawn to the patron goddess Devi ma, the supposed saviour of the city. Groundbreaking and multilayered, The City of Devi is a fearlessly provocative tale of three individuals balancing on the sharp edge of fate.
Winner of the Restless Books Prize for New Immigrant Writing "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, starred review In the United Arab Emirates, foreign nationals constitute over 80 percent of the population. Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf. "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, Starred Review "Inventive, vigorously empathetic, and brimming with a sparkling, mordant humor, Deepak Unnikrishnan has written a book of Ovidian metamorphoses for our precarious time. These absurdist fables, fluent in the language of exile, immigration, and bureaucracy, will remind you of the raw pleasure of storytelling and the unsettling nearness of the future." —Alexandra Kleeman, author of You Too Can Have a Body Like Mine “Inaugural winner of the Restless Books Prize for New Immigrant Writing, this debut novel employs its own brand of magical realism to propel readers into an understanding and appreciation of the experience of foreign workers in the Arab Gulf States (and beyond). Through a series of almost 30 loosely linked sections, grouped into three parts, we are thrust into a narrative alternating between visceral realism and fantastic satire.... The alternation between satirical fantasy, depicting such things as intelligent cockroaches and evil elevators, and poignant realism, with regards to necessarily illicit sexuality, forms a contrast that gives rise to a broad critique of the plight of those known euphemistically as ‘guest workers.’ VERDICT: This first novel challenges readers with a singular inventiveness expressed through a lyrical use of language and a laserlike focus that is at once charming and terrifying. Highly recommended.” —Henry Bankhead, Library Journal, Starred Review “Unnikrishnan’s debut novel shines a light on a little known world with compassion and keen insight. The Temporary People are invisible people—but Unnikrishnan brings them to us with compassion, intelligence, and heart. This is why novels matter.” —Susan Hans O’Connor, Penguin Bookshop (Sewickley, PA) “Deepak Unnikrishnan uses linguistic pyrotechnics to tell the story of forced transience in the Arabian Peninsula, where citizenship can never be earned no matter the commitment of blood, sweat, years of life, or brains. The accoutrements of migration—languages, body parts, passports, losses, wounds, communities of strangers—are packed and carried along with ordinary luggage, blurring the real and the unreal with exquisite skill. Unnikrishnan sets before us a feast of absurdity that captures the cruel realities around the borders we cross either by choice or by force. In doing so he has found what most writers miss: the sweet spot between simmering rage at a set of circumstances, and the circumstances themselves.” —Ru Freeman, author of On Sal Mal Lane “Deepak writes brilliant stories with a fresh, passionate energy. Every page feels as if it must have been written, as if the author had no choice. He writes about exile, immigration, deportation, security checks, rage, patience, about the homelessness of living in a foreign land, about historical events so strange that, under his hand, the events become tales, and he writes tales so precisely that they read like history. Important work. Work of the future. This man will not be stopped.” —Deb Olin Unferth, author of Revolution “From the strange Kafka-esque scenarios to the wholly original language, this book is amazing on so many different levels. Unlike anything I've ever read, Temporary People is a powerful work of short stories about foreign nationals who populate the new economy in the United Arab Emirates. With inventive language and darkly satirical plot lines, Unnikrishnan provides an important view of relentless nature of a global economy and its brutal consequences for human lives. Prepare to be wowed by the immensely talented new voice.” —Hilary Gustafson, Literati Bookstore (Ann Arbor, MI) “Absolutely preposterous! As a debut, author Unnikrishnan shares stories of laborers, brought to the United Arab Emirates to do menial and everyday jobs. These people have no rights, no fallback if they have problems or health issues in that land. The laborers in Temporary People are sewn back together when they fall, are abandoned in the desert if they become inconvenient, and are even grown from seeds. As a collection of short stories, this is fantastical, imaginative, funny, and even more so, scary, powerful, and ferocious.” —Becky Milner, Vintage Books (Vancouver WA)
