A popularly written and illustrated history of the Holocaust. Deals with all of the victims of the Nazis' genocidal campaign: communists, Jehovah's Witnesses, homosexuals, Poles and other Slavs, and Soviet POWs, as well as the "racial enemies" - Afro-Germans, the mentally and physically disabled, Gypsies, and Jews. Jews were regarded by the Nazis as the foremost "racial enemy". Pp. 110-156, "The Holocaust", deal specifically with the destruction of the Jews - from the first Nazi anti-Jewish measures in Germany, through the "Kristallnacht" pogrom and murders of Jews in Poland and the USSR, to the total mass murder in the death camps.
In his classic study of the idealogical sources of National Socialism, George L. Mosse explores a unique complex of anti-democratic ideas deeply embedded in German history. He traces these currents of thought though the 19th and 20th centuries to show how a peculiarly Germanic ideology became institutionalized in the schools, youth movements, veterans' groups and political parties, and how the "German revolution" called for by the ideology's exponents was transformed by Hitler into an "anti-Jewish revolution," and an effective political program as the Nazis rose to power.
Nazi ideology drove Hitler's quest for power in 1933, colored everything in the Third Reich, and culminated in the Second World War and the Holocaust. In this book, Gellately addresses often-debated questions about how Führer discovered the ideology and why millions adopted aspects of National Socialism without having laid eyes on the "leader" or reading his work.
This book examines the overlooked topic of the influence of anti-Bolshevik, anti-Semitic Russian exiles on Nazism. White émigrés contributed politically, financially, militarily, and ideologically to National Socialism. This work refutes the notion that Nazism developed as a peculiarly German phenomenon: it arose primarily from the cooperation between völkisch (nationalist/racist) Germans and vengeful White émigrés. From 1920–1923, Adolf Hitler collaborated with a conspiratorial far right German-White émigré organization, Aufbau (Reconstruction). Aufbau allied with Nazis to overthrow the German government and Bolshevik rule through terrorism and military-paramilitary schemes. This organization's warnings of the monstrous 'Jewish Bolshevik' peril helped to inspire Hitler to launch an invasion of the Soviet Union and to initiate the mass murder of European Jews. This book uses extensive archival materials from Germany and Russia, including recently declassified documents, and will prove invaluable reading for anyone interested in the international roots of National Socialism.
Many studies of the origins of National Socialism claim that the vo;lkisch and proto-Nazi movement arose largely as a reaction to the materialistic ideas of nineteenth-century science and especially to the naturalistic philosophy of Ernst Haeckel and the German Monist League. Using hitherto unexplored material, Daniel Gasman calls this generalization into question. Arguing that the importance of science has been relatively neglected in accounts of the intellectual origins of Nazism, he attempts to show that Haeckel's "scientific" Darwinism, and his movement, the German Monist League, were proto-Nazi in character. Contrary to popular belief, Haeckel's type of social Darwinism actually played a critical role in the formation of National Socialist ideology. In his new introduction, Gasman notes that recent research goes far to confirm Haeckel's role as an ideological progenitor of fascist ideology. This is true not only for Germany, but also for the birth of fascist thought in Italy and France. In general, Gasman claims, the history of science plainly reveals how Haeckel's social Darwinism nourished the roots of fascism no less than avant-garde modernism. When The Scientific Origins of National Socialism initially appeared, the Times Literary Supplement called it a "very well-argued thesis... that is completely successful... and leaves the reader to extract his own moral lessons." Medical History, in its review of The Scientific Origins of National Socialism, said, "His book is essential for understanding modern Germany. It has a general message derived from the events in Germany, where scientific data were permitted to take on a mystical signficiance... with ghastly consequences." Bruce Chatwin, in the New York Review of Books, called the book "brilliant." Now available in paperback, with a new introduction by the author, this seminal work will be of interest to intellectual historians, as well as th
Madman, tyrant, animal—history has given Adolf Hitler many names. In Mein Kampf (My Struggle), often called the Nazi bible, Hitler describes his life, frustrations, ideals, and dreams. Born to an impoverished couple in a small town in Austria, the young Adolf grew up with the fervent desire to become a painter. The death of his parents and outright rejection from art schools in Vienna forced him into underpaid work as a laborer. During the First World War, Hitler served in the infantry and was decorated for bravery. After the war, he became actively involved with socialist political groups and quickly rose to power, establishing himself as Chairman of the National Socialist German Worker's party. In 1924, Hitler led a coalition of nationalist groups in a bid to overthrow the Bavarian government in Munich. The infamous Munich "Beer-hall putsch" was unsuccessful, and Hitler was arrested. During the nine months he was in prison, an embittered and frustrated Hitler dictated a personal manifesto to his loyal follower Rudolph Hess. He vented his sentiments against communism and the Jewish people in this document, which was to become Mein Kampf, the controversial book that is seen as the blue-print for Hitler's political and military campaign. In Mein Kampf, Hitler describes his strategy for rebuilding Germany and conquering Europe. It is a glimpse into the mind of a man who destabilized world peace and pursued the genocide now known as the Holocaust.
This “well-researched, clear [and] convincing” historical study examines the ideology and politics of Germanization during the WWII occupation of Poland (Nicholas Stargardt, author of The German War). Following the brutal invasion and occupation of Poland, the Nazis moved swiftly to realize one of their key ideological aims: the expansion of German living space. This involved deporting Jews, bringing in German settlers, and establishing an evaluation process that separated Poles from ethnic Germans. As simple as this might have seemed initially, the various parts of the German occupation machinery were soon embroiled in a bitter fight about the essence of Germanness and how to identify a German. In this illuminating study, Gerhard Wolf reveals an astonishing development in which a more inclusive understanding of Germanness based on the notion of Volk won out against an exclusive definition based on Rasse. As Wolf demonstrates, this decision paved the way for turning three million Poles into German citizens. Parallel to the mass deportation and murder of Christian Poles and the genocide of Jewish Poles, the Nazis paradoxically also presided over the largest (forced) assimilation program in German history. Students and scholars of the Second World War, the Holocaust, and Nazism will find new analysis of German imperialism, ethnic cleansing, and genocide in this important book.
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship