The Ideal Kinema & Studio
Author:
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Published: 1954
Total Pages: 620
ISBN-13:
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Author:
Publisher:
Published: 1954
Total Pages: 620
ISBN-13:
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Publisher:
Published: 1926
Total Pages: 600
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1921
Total Pages: 306
ISBN-13:
DOWNLOAD EBOOKAuthor: Douglas Arthur Spencer
Publisher:
Published: 1951
Total Pages:
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DOWNLOAD EBOOKAuthor: Daisuke Miyao
Publisher: Duke University Press
Published: 2013-03-04
Total Pages: 395
ISBN-13: 0822354225
DOWNLOAD EBOOKIn this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history.
Author:
Publisher:
Published: 1921
Total Pages: 286
ISBN-13:
DOWNLOAD EBOOKAuthor: George Watson
Publisher: CUP Archive
Published: 1972-12-07
Total Pages: 746
ISBN-13:
DOWNLOAD EBOOKMore than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.