With Booty Green dead and Julius Jr. being framed for his murder, Naje , Devon and Angelica scramble to keep Julius from spending the rest of his life in prison. Yellow Shoes and Rabbit want them dead, the Barrera brothers need them alive and their women just want them safe. But Devon and Julius are making more enemies than friends. Angelica is pregnant with Julius child and all she wants and needs is a normal life, but the Gage family is far from normal. They are a family caught up in lust, wrath, greed, pride, and envy. Five of the seven deadly sins that threaten to tear their family to shreds in this high powered tale of treachery, deceit and murder.
?ÇÿSup, yall? My name is Seven Chantal Monroe and I want yall to sit back, get relaxed as we tell you a story. This is the story about my life and how I grew up with five of my best friends in the world on the west side of the Bronx. West 179th Street. University and Burnside Avenues. The Morris Height section. I was born August 8, 1974 in North Central Bronx hospital to the proud parents of Vester and Mary Monroe. By the young age of 17 both my parents were dead and the street finished raising me. We, Tajima Scareletti, Irene Jimenez, Rebecca Hernandez, Jordan Roberson Ti, Sue Li and I grew up to know all the true Money Boss Playas from drug dealers to car chop shop owners and every kind of hustler in between. Every one of them were niggas or at least a large majority was until me and my team stepped into the game and became the first true female Money Boss Playas . . . Oh yeah, to all my brothers out there, dont hate the hustla, hate the hustle . . .
NEW YORK TIMES BESTSELLER For the first time, Curtis “50 Cent” Jackson opens up about his amazing comeback—from tragic personal loss to thriving businessman and cable’s highest-paid executive—in this unique self-help guide, his first since his blockbuster New York Times bestseller The 50th Law. In his early twenties Curtis Jackson, known as 50 Cent rose to the heights of fame and power in the cutthroat music business. A decade ago the multi-platinum selling rap artist decided to pivot. His ability to adapt to change was demonstrated when he became the executive producer and star of Power, a high-octane, gripping crime drama centered around a drug kingpin’s family. The series quickly became “appointment” television, leading to Jackson inking a four-year, $150 million contract with the Starz network—the most lucrative deal in premium cable history. Now, in his most personal book, Jackson shakes up the self-help category with his unique, cutting-edge lessons and hard-earned advice on embracing change. Where The 50th Law tells readers “fear nothing and you shall succeed,” Hustle Harder, Hustle Smarter builds on this message, combining it with Jackson’s street smarts and hard-learned corporate savvy to help readers successfully achieve their own comeback—and to learn to flow with the changes that disrupt their own lives.
From award-winning writer Billie Livingston, an unsparing novel of loyalty and survival that is fierce, sharp and funny even when it's breaking your heart. The child of two con artists, 16-year-old Sammie Bell always prided herself on knowing the score. But now she finds herself backed into a corner. After a hustle gone dangerously wrong, her mother, Marlene, is sliding into an abyss of alcoholic depression, spending her days fantasizing aloud about death—a goal Sammie is tempted to help her accomplish. Horrified by the appeal of this, Sammie packs a bag and leaves her mother to her own devices. With her father missing in action, she has nowhere else to go but the home of a friend with two parents who seem to actually love their daughter and each other—and who awkwardly try to extend some semblance of family to Sammie. Throughout a long summer of crisis among the normals, Sammie is torn between her longing for the approval of the con-man father she was named for and her desire for the "weird, spearmint-fresh feeling" of life in the straight world. Sammie wants to be normal but fears that where she comes from makes that beyond the realm of possibility. One Good Hustle chronicles two months in Sammie Bell's struggle with her dread that she is somehow doomed genetically to be just another hustler.
Shock jock extraordinaire Wendy Williams lets loose with the first in a series of novels based on her alter ego, the divalicious radio DJ Ritz Harper. Ritz puts the s in shock and the g in gossip, and Drama is her middle name. Ritz is a suburban girl on the outside, but inside she’s a hustler’s hustler who’s masterfully maneuvered her way into the spotlight after ruining the career of a well-respected newswoman (and former college friend). Ritz’s “exclusive” rockets her to the top of the ratings, and she’s rewarded with her very own show. Like a talking Venus flytrap, she verbally seduces her on-air guests, only to have them for lunch as she spews gossip about their lives. Ritz becomes the darling of the station’s afternoon slot. But when Ritz goes from drive-time diva to drive-by victim, all she can think as she struggles to maintain consciousness is “Who did this to me?" Has Ritz bad-mouthed the wrong person? Has her signature cat-and-mouse “bomb drop” been dropped on her instead? Readers will salivate as they try to figure out where the fictional Ritz ends and the real-life Wendy begins.
Award-winning essayist Lance Morrow writes about the partnership of God and Mammon in the New World—about the ways in which Americans have made money and lost money, and about how they have thought and obsessed about this peculiarly American subject. Fascinated by the tracings of theology in the ways of American money Morrow sees a reconciliation of God and Mammon in the working out of the American Dream. This sharp-eyed essay reflects upon American money in a series of individual life stories, including his own. Morrow writes about what he calls “the emotions of money,” which he follows from the catastrophe of the Great Depression to the era of Bill Gates, Oprah Winfrey, and Donald Trump. He considers money’s dual character—functioning both as a hard, substantial reality and as a highly subjective force and shape-shifter, a sort of dream. Is money the root of all evil? Or is it the source of much good? Americans have struggled with the problem of how to square the country’s money and power with its aspiration to virtue. Morrow pursues these themes as they unfold in the lives of Americans both famous and obscure: Here is Thomas Jefferson, the luminous Founder who died broke, his fortune in ruin, his estate and slaves at Monticello to be sold to pay his debts. Here are the Brown brothers of Providence, Rhode Island, members of the family that founded Brown University. John Brown was in the slave trade, while his brother Moses was an ardent abolitionist. With race in America a powerful subtheme throughout the book, Morrow considers Booker T. Washington, who, with a cunning that sometimes went unappreciated among his own people, recognized money as the key to full American citizenship. God and Mammon is a masterly weaving of America’s money myths, from the nation’s beginnings to the present.
A “profound, sometimes hilarious, often heartbreaking” (The New York Times) view of prison life, as told by currently and formerly incarcerated people, from the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast Ear Hustle “A must-read for fans of the legendary podcast and all those who seek to understand crime, punishment, and mass incarceration in America.”—Piper Kerman, author of Orange Is the New Black When Nigel Poor and Earlonne Woods met, Nigel was a photography professor volunteering with the Prison University Project and Earlonne was serving thirty-one years to life at California’s San Quentin State Prison. Initially drawn to each other by their shared interest in storytelling, neither had podcast production experience when they decided to enter Radiotopia’s contest for new shows . . . and won. Using the prize for seed money, Nigel and Earlonne launched Ear Hustle, named after the prison term for “eavesdropping.” It was the first podcast created and produced entirely within prison and would go on to be heard millions of times worldwide, garner Peabody and Pulitzer award nominations, and help earn Earlonne his freedom when his sentence was commuted in 2018. In This Is Ear Hustle, Nigel and Earlonne share their own stories of how they came to San Quentin, how they created their phenomenally popular podcast amid extreme limitations, and what has kept them collaborating season after season. They present new stories, all with the same insight, balance, and rapport that distinguish the podcast. In an era when more than two million people are incarcerated across the United States—a number that grows by 600,000 annually—Nigel and Earlonne explore the full and often surprising realities of prison life. With characteristic candor and humor, their moving portrayals include unexpected moments of self-discovery, unlikely alliances, inspirational resilience, and ingenious work-arounds. One personal narrative at a time, framed by Nigel’s and Earlonne’s distinct perspectives, This Is Ear Hustle reveals the complexity of life for incarcerated and formerly incarcerated people while illuminating the shared experiences of humanity that unite us all.
Two brothers . . . Two different sides of the law . . . One hustle. Derek Fuller and Scar Johnson were separated as young boys in the Baltimore foster care system. When they finally reunited, it didn't matter to them that they were operating on different sides of the law. Derek was a cop, and Scar a notorious drug dealer, but family came first, and these two formed a partnership that was bound to make both of them very rich men—until Scar realized he couldn't keep his hands off Derek's wife. Tiphani Fuller may have been unsatisfied by her husband, but she never expected to fall for her brother-in-law. Now she's in over her head, doing things that make her no better than the criminals she sees in her courtroom. She's using her new position as a circuit court judge to feed information to Scar and his Dirty Money Crew so they can go on a crime spree with no fear of prosecution. Throw in a cast of characters including an ex-convict who'll do anything for love, a detective who's hell-bent on revenge, and a mayor who breaks more laws than the criminals on the streets, and you have a story that could only come from the mind of Treasure Hernandez. In The Baltimore Chronicles Saga, there is no difference between the bad guys and the good guys. Everyone has an agenda, and every page is full of lust, lies, revenge, and murder.
From starry-eyed fans with dreams of fame to cotton entrepreneurs turned movie moguls, the Bombay film industry has historically energized a range of practices and practitioners, playing a crucial and compelling role in the life of modern India. Bombay Hustle presents an ambitious history of Indian cinema as a history of material practice, bringing new insights to studies of media, modernity, and the late colonial city. Drawing on original archival research and an innovative transdisciplinary approach, Debashree Mukherjee offers a panoramic portrait of the consolidation of the Bombay film industry during the talkie transition of the 1920s–1940s. In the decades leading up to independence in 1947, Bombay became synonymous with marketplace thrills, industrial strikes, and modernist experimentation. Its burgeoning film industry embodied Bombay’s spirit of “hustle,” gathering together and spewing out the many different energies and emotions that characterized the city. Bombay Hustle examines diverse sites of film production—finance, pre-production paperwork, casting, screenwriting, acting, stunts—to show how speculative excitement jostled against desires for scientific management in an industry premised on the struggle between contingency and control. Mukherjee develops the concept of a “cine-ecology” in order to examine the bodies, technologies, and environments that collectively shaped the production and circulation of cinematic meaning in this time. The book thus brings into view a range of marginalized film workers, their labor and experiences; forgotten film studios, their technical practices and aesthetic visions; and overlooked connections among media practices, geographical particularities, and historical exigencies.
Welcome to an apartment building where the fun never ends! It’s a special day at 3 Maple Street. It’s Little Rabbit’s birthday, and he’s having a party! His friends are invited, and his mother is baking him a cake. But that’s not the only thing going on here. The Cat family is moving in upstairs. The Fox family is having a new baby. Mr. Owl is trying to sleep. There’s so much happening inside (and outside) this lively building, it’s hard to keep track! Kids will want to get their own apartments at 3 Maple Street — or at least spend loads of time visiting!
