Race riots. Labor strikes. Women's battle for the vote. The aftermath of the Great War. The transformative events and harsh realities of the year 1919 still reverberate a century later. Nineteen Nineteen, published to accompany a centennial exhibition of the Huntington Library, Art Collections, and Botanical Gardens in San Marino, California, explores the institution and its founding through the lens of this single, tumultuous year. The fully illustrated catalog features works from The Huntington's vast collections of books, manuscripts, photographs, ephemera, and art, many of them never exhibited or published before.
This edition has 65 new images, making a total of 500. The original configurations were altered so that there is only one species per plate. The text is a revision of the Ornithological Biography, rearranged according to Audubon's Synopsis of the Birds of North America (1839).
The treasures of the Huntington—literary, historic, artistic, and botanical—are captured in this beautiful volume. Lavishly illustrated with nearly 130 full-color photographs and containing a wealth of information about the collections, the book is both a pictorial treat and a fascinating resource for anyone wanting to learn more about the Huntington.
Made in L.A. 2020: a version brings together an intergenerational and interdisciplinary mix of artists, each of whom is contributing to L.A.'s vibrant art scene. Since its inception in 2012, the Hammer Museum's Made in L.A. biennial has brought together local artists from a wide range of discipline. Under the direction of co-curators Myriam Ben Salah and Lauren Mackler, the 2020 iteration will be no exception. The Hammer's Ikechukwu Onyewuenyi, who has previously served with Performa and The Kitchen in New York, will assist in the organization of the 2020 biennial in the role of assistant curator for performance. Drawing inspiration from historical artist magazines, this book is not documentation of the artists' work, but rather serves as an additional venue for the exhibition. It includes images of the artists' studios, art made specifically for the pages of the book, as well as essays and conversations between artists and curators that weave together the conceptual through-lines of the show. This book is published in two different covers. Published with the Hammer Museum
An unprecedented visual exploration of the intertwined histories of art and science, of the old world and the new From the voyages of Christopher Columbus to those of Alexander von Humboldt and Charles Darwin, the depiction of the natural world played a central role in shaping how people on both sides of the Atlantic understood and imaged the region we now know as Latin America. Nature provided incentives for exploration, commodities for trade, specimens for scientific investigation, and manifestations of divine forces. It also yielded a rich trove of representations, created both by natives to the region and visitors, which are the subject of this lushly illustrated book. Author Daniela Bleichmar shows that these images were not only works of art but also instruments for the production of knowledge, with scientific, social, and political repercussions. Early depictions of Latin American nature introduced European audiences to native medicines and religious practices. By the 17th century, revelatory accounts of tobacco, chocolate, and cochineal reshaped science, trade, and empire around the globe. In the 18th and 19th centuries, collections and scientific expeditions produced both patriotic and imperial visions of Latin America. Through an interdisciplinary examination of more than 150 maps, illustrated manuscripts, still lifes, and landscape paintings spanning four hundred years, Visual Voyages establishes Latin America as a critical site for scientific and artistic exploration, affirming that region's transformation and the transformation of Europe as vitally connected histories.
Francis-Fallon returns to the origins of the U.S. “Spanish-speaking vote” to understand the history and potential of this political bloc. He finds that individual voters affiliate more with their particular ethnic communities than with the pan-ethnic Latino identity created for them, complicating the notion of a broader Latino constituency.
A legendary book collector, a connoisseur of fine art, a horticulturist, and a philanthropist, Henry Edwards Huntington is perhaps best known as the founder of the world-renowned Huntington Library, Art Gallery, and Botanical Gardens in San Marino, California. James Thorpe's comprehensive biography of Huntington tells the richly human story of the man who became America's greatest book collector and was a leading figure in the development of southern California. Henry Edwards Huntington was born in New York State in 1850. He began working at the age of 17, eventually moved to California, and in later years was hailed for his vision in developing the street railway system that created the structure of the Los Angeles area. Always a lover of books, Huntington acquired many spectacular volumes—among them the complete Gutenberg Bible on vellum and the library of the Earl of Bridgewater. He also built a splendid art collection and established a grand botanical garden on the grounds of the buildings that would house his art and books. Then, in an act of philanthropy seldom equaled, he gave these great treasures to the public. The intimate side of Huntington's life appears in these pages, too. Thorpe has culled a vast trove of private letters, diaries, and other documents that reveal Huntington's exceptional personal qualities. The author's well-rounded biography of this unassuming yet gifted American is also richly evocative of the times in which Henry Edwards Huntington lived.
The Art of Wealth provides a fresh perspective on the complicated mix of public and private motives and models that characterized art collecting and philanthropy in America in the early twentieth-century. The author focuses on four remarkable individuals: Collis Huntington, who started out as a peddler and went on to found a railroad empire; his second wife, Arabella, a woman of great intelligence and taste; her son, Archer, who devoted his life to creating and supporting museums; and Collis's nephew, Henry E. Huntington, who built up an extraordinary foundation and then gave it to the public as an enduring legacy.
