James Oliver Curwood was an early 20th century writer who lived in Michigan, where he published several novels a year. Curwood loved the outdoors and is known for his conservation efforts. This adventurous story of a woman in peril begins "It was all new - most of it singularly dramatic and even appalling to the woman who sat with the pearl-gray veil drawn closely about her face. For eighteen hours she had been a keenly attentive, wide-eyed, and partly frightened bit of humanity in this onrush of "the horde." She had heard a voice behind her speak of it as "the horde" - a deep, thick, gruff voice which she knew without looking had filtered its way through a beard.
James Oliver Curwood was an early 20th century writer who lived in Michigan, where he published several novels a year. Curwood loved the outdoors and is known for his conservation efforts. This adventurous story of a woman in peril begins "It was all new - most of it singularly dramatic and even appalling to the woman who sat with the pearl-gray veil drawn closely about her face. For eighteen hours she had been a keenly attentive, wide-eyed, and partly frightened bit of humanity in this onrush of "the horde." She had heard a voice behind her speak of it as "the horde" - a deep, thick, gruff voice which she knew without looking had filtered its way through a beard." (less)
James Oliver Curwood was an early 20th century writer who lived in Michigan, where he published several novels a year. Curwood loved the outdoors and is known for his conservation efforts. This adventurous story of a woman in peril begins "It was all new - most of it singularly dramatic and even appalling to the woman who sat with the pearl-gray veil drawn closely about her face. For eighteen hours she had been a keenly attentive, wide-eyed, and partly frightened bit of humanity in this onrush of "the horde." She had heard a voice behind her speak of it as "the horde" - a deep, thick, gruff voice which she knew without looking had filtered its way through a beard." (less)
James Oliver Curwood was an early 20th century writer who lived in Michigan, where he published several novels a year. Curwood loved the outdoors and is known for his conservation efforts. This adventurous story of a woman in peril begins "It was all new - most of it singularly dramatic and even appalling to the woman who sat with the pearl-gray veil drawn closely about her face. For eighteen hours she had been a keenly attentive, wide-eyed, and partly frightened bit of humanity in this onrush of "the horde." She had heard a voice behind her speak of it as "the horde" - a deep, thick, gruff voice which she knew without looking had filtered its way through a beard.
A tale of a great fight in the "valley of gold" for a woman. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public.
It was all new--most of it singularly dramatic and even appalling to the woman who sat with the pearl-gray veil drawn closely about her face. For eighteen hours she had been a keenly attentive, wide-eyed, and partly frightened bit of humanity in this onrush of "the horde." She had heard a voice behind her speak of it as "the horde"--a deep, thick, gruff voice which she knew without looking had filtered its way through a beard. She agreed with the voice. It was the Horde--that horde which has always beaten the trails ahead for civilization and made of its own flesh and blood the foundation of nations. For months it had been pouring steadily into the mountains--always in and never out, a laughing, shouting, singing, blaspheming Horde, every ounce of it toughened sinew and red brawn, except the Straying Angels. One of these sat opposite her, a dark-eyed girl with over-red lips and hollowed cheeks, and she heard the bearded man say something to his companions about "dizzy dolls" and "the little angel in the other seat." This same voice, gruffened in its beard, had told her that ten thousand of the Horde had gone up ahead of them. Then it whispered something that made her hands suddenly tighten and a hot flush sweep through her. She lifted her veil and rose slowly from her seat, as if to rearrange her dress. Casually she looked straight into the faces of the bearded man and his companion in the seat behind. They stared. After that she heard nothing more of the Straying Angels, but only a wildly mysterious confabulation about "rock hogs," and "coyotes" that blew up whole mountains, and a hundred and one things about the "rail end." She learned that it was taking five hundred steers a week to feed the Horde that lay along the Grand Trunk Pacific between Hogan's Camp and the sea, and that there were two thousand souls at Tête Jaune Cache, which until a few months before had slumbered in a century-old quiet broken only by the Indian and his trade. Then the train stopped in its twisting trail, and the bearded man and his companion left the car. As they passed her they glanced down. Again the veil was drawn close. A shimmering tress of hair had escaped its bondage; that was all they saw.
It was all new--most of it singularly dramatic and even appalling to the woman who sat with the pearl-gray veil drawn closely about her face. For eighteen hours she had been a keenly attentive, wide-eyed, and partly frightened bit of humanity in this onrush of "the horde." She had heard a voice behind her speak of it as "the horde"--a deep, thick, gruff voice which she knew without looking had filtered its way through a beard. She agreed with the voice. It was the Horde--that horde which has always beaten the trails ahead for civilization and made of its own flesh and blood the foundation of nations. For months it had been pouring steadily into the mountains--always in and never out, a laughing, shouting, singing, blaspheming Horde, every ounce of it toughened sinew and red brawn, except the Straying Angels. One of these sat opposite her, a dark-eyed girl with over-red lips and hollowed cheeks, and she heard the bearded man say something to his companions about "dizzy dolls" and "the little angel in the other seat." This same voice, gruffened in its beard, had told her that ten thousand of the Horde had gone up ahead of them. Then it whispered something that made her hands suddenly tighten and a hot flush sweep through her. She lifted her veil and rose slowly from her seat, as if to rearrange her dress. Casually she looked straight into the faces of the bearded man and his companion in the seat behind. They stared. After that she heard nothing more of the Straying Angels, but only a wildly mysterious confabulation about "rock hogs," and "coyotes" that blew up whole mountains, and a hundred and one things about the "rail end." She learned that it was taking five hundred steers a week to feed the Horde that lay along the Grand Trunk Pacific between Hogan's Camp and the sea, and that there were two thousand souls at Tête Jaune Cache, which until a few months before had slumbered in a century-old quiet broken only by the Indian and his trade. Then the train stopped in its twisting trail, and the bearded man and his companion left the car. As they passed her they glanced down. Again the veil was drawn close. A shimmering tress of hair had escaped its bondage; that was all they saw.
A tale of a great fight in the "valley of gold" for a woman. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public.
Women's writing in any period remains of critical concern, both at undergraduate and postgraduate level. Alexandra Barratt's edition offers a wide range of texts from the period 1300-1500, including: Original texts written by women in the Middle Ages Texts translated by women in the Middle Ages Prayers, meditations, scriptural comment, and accounts of religious experiences Educational writings Romance, poetry Each poem is given a headnote, giving details of composition, manuscript and sources. Full on-page annotation is provided giving details of allusions to contemporary religious, historical and social issues. A general introduction gives context to all the pieces and provides a penetrating account of the role of women in a burgeoning society of literary and cultural transmission.
