At the turn of the 16th century, Christopher Columbus has just returned from the New World with gold in his pockets and blood on his hands. Maxima Terriblé Segunda, the brilliant adopted sister of dying Her Royal Highness Queen Isabella, is living out her life locked away in a tower…until it is decided that the future of the country is in her nerdy, reclusive hands. In a bitingly funny and madcap take on Spanish history and colonialism, Maxima weaves her way through mountains of prejudice, politics, religion, and the horrors of history.
"The superheroines of the theater are back—and better and bolder than ever."— Backstage "These plays have been developed and vetted for artistic excellence; they just happen to possess the added bonus of representing a voice that's currently being underproduced. It's part of a larger movement to say: There's an embarrassment of riches here."— Sheila Callaghan for the Kilroys Not your typical book of monologues, this new collection embodies the mission of the Kilroys, an advocacy group founded in 2013 to raise awareness for the underutilized work of female and trans* playwrights. The collection is comprised of ninety-nine monologues, each from a different play off "The List" from 2014 and 2015, featuring the most unproduced (or under-produced), yet highest-recommended, plays by women in the United States. The monologues selected for this volume serve to highlight the talents of these writers in a wide array of pieces that vary in genre, style, and gender. As it says on their website, the Kilroys "Make Trouble and Plays." The Kilroys are a gang of playwrights and producers in Los Angeles, California, who advocate for the visibility of women playwrights in theatre. Founded in 2013, the Kilroys are named after the iconic graffiti tag "Kilroy Was Here" that was first left by WWII soldiers in unexpected places, a playfully subversive way of making their presence known. The members include Zakiyyah Alexander, Bekah Brunstetter, Sheila Callaghan, Carla Ching, Annah Feinberg, Sarah Gubbins, Laura Jacqmin, Joy Meads, Kelly Miller, Meg Miroshnik, Daria Polatin, Tanya Saracho, and Marisa Wegrzyn.
A killer robot, grieving socks, a hilariously bad job interview, a stressed mother, delicious… crayons. What do these random things have in common? They are just some of the elements that you’ll find in Ten(ish): Comedies - an anthology of short plays by some of the most exciting playwrights working today. Ten(ish): Comedies is edited by Brendan Conheady, and features the following plays: Some Assembly Required by Ruben Carbajal The Last Cookie by Laura Neill Baby Yoga by Elissa C. Huang The Job Interview by Don Zolidis A Stitch Here of There: A Sock Tragedy in One Act by Aeneas Sagar Hemphill Happy Birthday to Me by Alle Mims A Talkback by Patrick Greene The Bargain by Kathryn Funkhouser Eating Crayons by Ryan M. Bultrowicz Muddy Death and Strudel by Jason Pizzarello
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provides an authoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The Alchemist to The Talking Cure, the Guide is both biographically detailed and critically current, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.
"There was something about Robert Aldrich's artistic temperament that enabled him to transcend the apparent vulgarity of so many of his motion picutres. Besides the great films, such as Kiss Me Deadly which is certainly one of the finest examples of film noir, are several little-seen or underrated later works such as the revisionist Western, Ulzana's Raid, the gangster love story, The Grissom Gang, or the grim cop picture, Hustle. Aldrich's career has long deserved the detailed evaluation which this book provides." - Andrew Sarris
Yet I have often been forced into the reflection that even the acquaintances who are as forgetful of my biography and tenets as they would be if I were a dead philosopher are probably aware of certain points in me which may not be included in my most active suspicion.
