Evil lives in the House on South Street, waiting to devour all who live within its walls. Every family who has ever owned the stately Victorian mansion has experienced tragedy and misery, caused by sinister spirits that haunt the House on South Street to this very day. Seekers of the paranormal will not be disappointed in the story of the house. Sometimes, the activities of evil spirits within the premises are so subtle, unbelievers could easily explain away their handiwork, but at other times, ghostly creatures burst upon the scene with inexplicable, supernatural fury; making it nearly impossible to find a rational explanation for the acts of havoc they wreak. In all cases, the spirits within the house are obviously bent on controlling and possessing the very souls and destinies of all the people in their midst. Once you enter The House on South Street, you may look at eerie old houses in a new way and thinking more about that subtle movement of a curtain or the shadow that crosses in front of a window
A book of information about my Book Series: "The House on South Street". Written for avid readers who are searching for more information on the books, the book covers, the sequence of the stories, and a "wee-bit" of insight into "what's going on here"?
Mark Twain said: "...Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't." It's been over a decade since we last visited The House On South Street. More of its background story has been revealed (in dreams), in fact and in confidence. The missing pieces start to fall into place as the real "characters" are unmasked. The house continues to brood in its somber way and yes, it still kills.
One book containing the ENTIRE four books of the House on South Street series in one place! Added insight and comments make this collection a worthwhile addition to your library. Read it again and again...
The finale to the saga of The House on South Street. Protective forces are gathered for a final struggle to seal the veil between the realms of the living and the dead. A witch's banishment to eternal damnation is the goal of the unlikely warriors. (Revenge cannot soothe the loss of loved ones, but it is a necessary instrument.) The funeral pyre, as the result of that struggle, of the once great Victorian house, is the sad conclusion.
During the height of the crack epidemic that decimated the streets of D.C., Ruben Castaneda covered the crime beat for the Washington Post. The first in his family to graduate from college, he had landed a job at one of the country's premier newspapers. But his apparent success masked a devastating secret: he was a crack addict. Even as he covered the drug-fueled violence that was destroying the city, he was prowling S Street, a 24/7 open-air crack market, during his off hours, looking for his next fix. Castaneda's remarkable book, S Street Rising, is more than a memoir; it's a portrait of a city in crisis. It's the adrenalin-infused story of the street where Castaneda quickly became a regular, and where a fledgling church led by a charismatic and streetwise pastorwas protected by the local drug kingpin, a dangerous man who followed an old-school code of honor. It's the story of Castaneda's friendship with an exceptional police homicide commander whose career was derailed when he ran afoul of Mayor Marion Barry and his political cronies. And it's a study of the city itself as it tried to rise above the bloody crack epidemic and the corrosive politics of the Barry era. S Street Rising is The Wire meets the Oscar-winning movie Crash. And it's all true.
Preserving South Street Seaport tells the fascinating story, from the 1960s to the present, of the South Street Seaport District of Lower Manhattan. Home to the original Fulton Fish Market and then the South Street Seaport Museum, it is one of the last neighborhoods of late 18th- and early 19th-century New York City not to be destroyed by urban development. In 1988, South Street Seaport became the city's #1 destination for visitors. Featuring over 40 archival and contemporary black-and-white photographs, this is the first history of a remarkable historic district and maritime museum. Lindgren skillfully tells the complex story of this unique cobblestoned neighborhood. Comprised of deteriorating, 4-5 story buildings in what was known as the Fulton Fish Market, the neighborhood was earmarked for the erection of the World Trade Center until New Jersey forced its placement one mile westward. After Penn Station’s demolition had angered many New York citizens, preservationists mobilized in 1966 to save this last piece of Manhattan’s old port and recreate its fabled 19th-century “Street of Ships.” The South Street Seaport and the World Trade Center became the yin and yang of Lower Manhattan’s rebirth. In an unprecedented move, City Hall designated the museum as developer of the twelve-block urban renewal district. However, the Seaport Museum,whose membership became the largest of any history museum in the city, was never adequately funded, and it suffered with the real estate collapse of 1972. The city, bankers, and state bought the museum’s fifty buildings and leased them back at terms that crippled the museum financially. That led to the controversial construction of the Rouse Company's New Fulton Market (1983) and Pier 17 mall (1985). Lindgren chronicles these years of struggle, as the defenders of the people-oriented museum and historic district tried to save the original streets and buildings and the largest fleet of historic ships in the country from the schemes of developers, bankers, politicians, and even museum administrators. Though the Seaport Museum’s finances were always tenuous, the neighborhood and the museum were improving until the tragedy of 9/11. But the prolonged recovery brought on dysfunctional museum managers and indifference, if not hostility, from City Hall. Superstorm Sandy then dealt a crushing blow. Today, the future of this pioneering museum, designated by Congress as America’s National Maritime Museum, is in doubt, as its waterfront district is eyed by powerful commercial developers. While Preserving South Street Seaport reveals the pitfalls of privatizing urban renewal, developing museum-corporate partnerships, and introducing a professional regimen over a people’s movement, it also tells the story of how a seedy, decrepit piece of waterfront became a wonderful venue for all New Yorkers and visitors from around the world to enjoy. This book will appeal to a wide audience of readers in the history and practice of museums, historic preservation, urban history and urban development, and contemporary New York City. This book is supported by a grant from Furthermore: a program of the J.M. Kaplan Fund.
