The house at 889 Morgan Road has been empty almost thirty years. Maybe it should have stayed that way. Kevin Taylor is an internet-famous handyman on a mission: Find a house and renovate it in thirty days. By flipping a derelict house in a month's time and chronicling the entire thing on video for his online subscribers, he seeks to impress a handful of network TV producers and become a star. The problems that plague this property will require more than elbow grease to fix, however. Shadows throughout the home are distorted, and an enigmatic trespasser keeps showing up in his footage. Worse still are the hideous voices that issue from otherwise empty rooms in the dead of night. Amid mounting dangers, Kevin is forced to meet the house's shadowed past head-on
Catherine's last job ended badly. Corporate bullying at a top TV network saw her fired and forced to leave London, but she was determined to get her life back. A new job and a few therapists later, things look much brighter. Especially when a challenging new project presents itself — to catalogue the late M. H. Mason's wildly eccentric cache of antique dolls and puppets. Rarest of all, she'll get to examine his elaborate displays of posed, costumed and preserved animals, depicting bloody scenes from the Great War. Catherine can't believe her luck when Mason's elderly niece invites her to stay at Red House itself, where she maintains the collection until his niece exposes her to the dark message behind her uncle's "Art." Catherine tries to concentrate on the job, but Mason's damaged visions begin to raise dark shadows from her own past. Shadows she'd hoped therapy had finally erased. Soon the barriers between reality, sanity and memory start to merge and some truths seem too terrible to be real... in The House of Small Shadows by Adam Nevill.
One of the most urgent issues facing the world today is how countries shape historical memory in the aftermath of calamity, making decisions that cast long shadows into the future. Combining gripping storytelling with sharp observation, Erna Paris takes us on an extraordinary journey through four continents to explore how nations reinvent themselves after cataclysmic events. She travels through the United States, with its long-buried memory of slavery; to South Africa, where the Truth and Reconciliation Commission struggles to heal the wounds left by apartheid; to Japan, France, and Germany, where the unresolved pain of Hiroshima and the Holocaust still resonate; and to the former Yugoslavia, where she exposes the cynical shaping of historical memory. Through its insightful analysis, Long Shadows compels us to question where we stand as individuals in relation to our own collective histories. Erna Paris is the winner of ten national and international writing awards, three for Long Shadows. She is the author of six critically acclaimed books of literary non-fiction, including The End of Days: A Story of Tolerance, Tyranny and the Expulsion of the Jews from Spain, which won the 1996 Canadian National Jewish Book Award for History. She lives in Toronto. Winner of the Pearson Writers' Trust Non-Fiction Award, the inaugural Shaugnessy Cohen Prize for Political Writing, and the Dorothy Shoichet prize for history from the Canadian Jewish Book Awards. 'Long Shadows is magnificent. I would love to see this book taught in every history class in America.' - Iris Chang, author of The Rape of Nanking 'Enlightening...Riveting...Paris raises questions of enormous importance.' - Kirkus 'Paris convincingly demonstrates that memory is not only selective but subject to calculated efforts to serve personal needs and national interests.' - The Christian Science Monitor 'Erna Paris gives us a rich, if p
A volume in the American Sociological Association's Rose Series in Sociology West Baltimore stands out in the popular imagination as the quintessential “inner city”—gritty, run-down, and marred by drugs and gang violence. Indeed, with the collapse of manufacturing jobs in the 1970s, the area experienced a rapid onset of poverty and high unemployment, with few public resources available to alleviate economic distress. But in stark contrast to the image of a perpetual “urban underclass” depicted in television by shows like The Wire, sociologists Karl Alexander, Doris Entwisle, and Linda Olson present a more nuanced portrait of Baltimore’s inner city residents that employs important new research on the significance of early-life opportunities available to low-income populations. The Long Shadow focuses on children who grew up in west Baltimore neighborhoods and others like them throughout the city, tracing how their early lives in the inner city have affected their long-term well-being. Although research for this book was conducted in Baltimore, that city’s struggles with deindustrialization, white flight, and concentrated poverty were characteristic of most East Coast and Midwest manufacturing cities. The experience of Baltimore’s children who came of age during this era is mirrored in the experiences of urban children across the nation. For 25 years, the authors of The Long Shadow tracked the life progress of a group of almost 800 predominantly low-income Baltimore school children through the Beginning School Study Youth Panel (BSSYP). The study monitored the children’s transitions to young adulthood with special attention to how opportunities available to them as early as first grade shaped their socioeconomic status as adults. The authors’ fine-grained analysis confirms that the children who lived in more cohesive neighborhoods, had stronger families, and attended better schools tended to maintain a higher economic status later in life. As young adults, they held higher-income jobs and had achieved more personal milestones (such as marriage) than their lower-status counterparts. Differences in race and gender further stratified life opportunities for the Baltimore children. As one of the first studies to closely examine the outcomes of inner-city whites in addition to African Americans, data from the BSSYP shows that by adulthood, white men of lower status family background, despite attaining less education on average, were more likely to be employed than any other group in part due to family connections and long-standing racial biases in Baltimore’s industrial economy. Gender imbalances were also evident: the women, who were more likely to be working in low-wage service and clerical jobs, earned less than men. African American women were doubly disadvantaged insofar as they were less likely to be in a stable relationship than white women, and therefore less likely to benefit from a second income. Combining original interviews with Baltimore families, teachers, and other community members with the empirical data gathered from the authors’ groundbreaking research, The Long Shadow unravels the complex connections between socioeconomic origins and socioeconomic destinations to reveal a startling and much-needed examination of who succeeds and why.
Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches. Contents Prologue: ‘A Long Terror’ PART I: HAUNTED BY HISTORY 1. Cambria Gothica (1780s–1820s) 2. An Underworld of One’s Own (1830s–1900s). 3. Haunted Communities (1900s–1940s). 4. Land of the Living Dead (1940s–1997). PART II: ‘THINGS THAT GO BUMP IN THE CELTIC TWILIGHT’ 5. Witches, Druids and the Hounds of Annwn. 6. The Sin-eater Epilogue: Post-devolution Gothic Notes Select Bibliography Index
Tom Smiley is a Confederate soldier whose regret for ill-chosen allegiance haunts him not just from enlistment through the horrors of a Union prison but all the way into the afterlife, where he lingers in his ancestral home, unable to shed his shame over fighting to protect slavery--until, one summer afternoon in the early 2000s, two intruders barge into his Virginia house and force him to confront his past.
The wooded hills of Oxfordshire conceal the remains of the aptly named Ashdown House—a wasted pile of cinders and regret. Once home to the daughter of a king, Ashdown and its secrets will unite three women across four centuries in a tangle of intrigue, deceit and destiny… In the winter of 1662, Elizabeth Stuart, the Winter Queen, is on her deathbed. She entrusts an ancient pearl, rumored to have magic power, to her faithful cavalier William Craven for safekeeping. In his grief, William orders the construction of Ashdown Estate in her memory and places the pearl at its center. One hundred and fifty years later, notorious courtesan Lavinia Flyte hears the maids at Ashdown House whisper of a hidden treasure, and bears witness as her protector Lord Evershot—desperate to find it—burns the building to the ground. Now in the present day, a battered mirror and the diary of a Regency courtesan are the only clues Holly Ansell has to finding her brother, who has gone missing researching the mystery of Elizabeth Stuart and her alleged affair with Lord Craven. As she retraces his footsteps, Holly’s quest will soon reveal the truth about Lavinia and compel her to confront the stunning revelation about the legacy of the Winter Queen. Previously published.
Sophie's world is shattered when disaster bankrupts her family. She's still reeling when she's offered an unexpected solution: Mr. Argenton, a wealthy stranger, has asked for her hand in marriage. Marrying Mr. Argenton will save her family, but it condemns Sophie to a life in Northwood, a vast and unnaturally dark mansion situated hours from civilization. Still, she has no choice but accept the offer and hope the darkness won't swallow her whole. It's a struggle to adjust to her new position as mistress over the desolate house. Mr. Argenton's relatives are cold, and Mr. Argenton himself is keeping secrets. Even worse, the house is more than it seems. Doors slam. Inhuman figures slink through the surrounding forest. A piano plays itself in the middle of the night. Blood drips a macabre warning down the walls. Day by day, Sophie is inevitably pulled towards the terrifying truth at the heart of this gothic mystery: Northwood's ancient halls are haunted, and the man she married―the man she's coming to love―is hiding an unforgiveable truth about his ancestral home...and the spirits that now haunt them both.
When fifteen-year-old Xander and his family move into an old, abandoned house in the middle of a dense forest outside of a small California town, they discover that not only are some of the rooms portals into other places, but that malevolent forces are at work.
Long Shadows at Noon is a short collection of poetry and prose that addresses the richness and tragedies of life. Life has its many rewards that are often overshadowed by the pace at which modern life has captured our minds, time and attention. The shortest and darkest day of the year is the winter solstice that occurs on the 21st of December. This dark period often seems to sneak up on us with little notice or warning and we find ourselves longing for more pleasant times. Often we reflect during the deepest days of darkness on how we let another year slip through our fingertips without enjoying the recently departed summer and autumn. Life is similar. During the dark periods of our lives we often look back at happier times and long for their return. During these dark days of the solstice and of life we must remember that each new day is a little brighter and warmer. Better times are ahead and life is far too sweet not to enjoy. Unlike other poetry books Long Shadows proceeds each poem with a short essay as to its nature and motivation for being written. Life, death, love and passion are addressed in various styles and forms. Both the simplicities and entanglements of living from a man´s perspective are brought forth with an emphasis on taking a truthful and deep exploration of the soul.
