This 80-page adaptation has been painstakingly edited to retain the integrity of the original work, and to convey a sense of the author's style and the novel's theme. A low reading level assures success and stimulates a desire for further exploration
Sir Charles Baskerville has been found dead in his garden. Is it from natural causes or is it something to do with the family curse? Is there really a Huge Hound that roams the moors beyond the borders of Baskerville Hall? Come and watch./ read Sherlock Holmes unravel the mystery in this elegant, atmospheric, and gripping adaptation from Conan Doyles' defining tale.
“A well-told, powerful story. Backderf is quite skilled in using comics to tell this tale of a truly weird and sinister 1970s adolescent world.â€? —R. Crumb NATIONAL BESTSELLER Named a BEST OF 2012 by Time, The Village Voice, A.V. Club, comiXology, Boing Boing, Publishers Weekly, MTV Geek, and more! “ASTOUNDING.â€? —Lev Grossman, Time You only think you know this story. In 1991, Jeffrey Dahmer—the most notorious serial killer since Jack the Ripper—seared himself into the American consciousness. To the public, Dahmer was a monster who committed unthinkable atrocities. To Derf Backderf, Dahmer was a much more complex figure: a high school friend with whom he had shared classrooms, hallways, and car rides. In My Friend Dahmer, a haunting and original graphic novel, writer-artist Backderf creates a surprisingly sympathetic portrait of a disturbed young man struggling against the morbid urges emanating from the deep recesses of his psyche—a shy kid, a teenage alcoholic, and a goofball who never quite fit in with his classmates. With profound insight, what emerges is a Jeffrey Dahmer that few ever really knew, and readers will never forget. This new paperback edition will coincide with the release of the movie adaptation of My Friend Dahmer and will include additional bonus content from the author archives.
Katherine Addison, author of The Goblin Emperor, returns with The Angel of the Crows, a fantasy novel of alternate 1880s London, where killers stalk the night and the ultimate power is naming. This is not the story you think it is. These are not the characters you think they are. This is not the book you are expecting. In an alternate 1880s London, angels inhabit every public building, and vampires and werewolves walk the streets with human beings in a well-regulated truce. A fantastic utopia, except for a few things: Angels can Fall, and that Fall is like a nuclear bomb in both the physical and metaphysical worlds. And human beings remain human, with all their kindness and greed and passions and murderous intent. Jack the Ripper stalks the streets of this London too. But this London has an Angel. The Angel of the Crows. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book investigates the development of Sherlock Holmes adaptations in British theatre since the turn of the millennium. Sherlock Holmes has become a cultural phenomenon all over again in the twenty-first century, as a result of the television series Sherlock and Elementary, and films like Mr Holmes and the Guy Ritchie franchise starring Robert Downey Jr. In the light of these new interpretations, British theatre has produced timely and topical responses to developments in the screen Sherlocks’ stories. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. This study traces the recent history of Sherlock Holmes in the theatre, about which very little has been written for an academic readership. It argues that the world of Sherlock Holmes is conveyed in theatre by a variety of games that activate new modes of audience engagement.
A bloodcurdling howl is heard across a cold, moonlit moor; the spectral hound has claimed another victim. Sherlock Holmes, the world famous detective of Baker Street, and the ever-reliable Watson are called upon to investigate the legendary plague of Baskerville Manor. This modern adaptation of the hound on the moor was commissioned by Nottingham and Salisbury Playhouses and Clive worked alongside Tim Bird (who created an ingenious projection design) and the director Richard Baron. Subsequent to this initial production, this adaptation has just completed its third UK tour in seven years.