"The photographs and objects featured in the catalogue are drawn largely from the collection of the Cantor Center and are supplemented with a selection of rare stop-action photographs from other private and public collections, including seldom-seen examples from Central and Eastern Europe. Among those represented are Le Gray, Llewelyn, Talbot, Rejlander, Marey, Eakins, Londe, Anschutz, and many more."--Book jacket.
More than 4,000 photographs in series and stopped action of horses, cats, lions, deer, kangaroos, etc. Indispensable for animal artists. Classic of 19th-century photography. "Impressive and valuable collection." — Scientific American.
A New York Times Notable Book Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology “A panoramic vision of cultural change” —The New York Times Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell's Roses explores what it was about California in the late 19th-century that enabled it to become such a center of technological and cultural innovation The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.
There's more to Eadweard Muybridge (1830-1904) than a strange name and the fact that he shot dead his wife's lover. Best known for his sequence photographs of humans and animals in motion, the 'galloping horse photographer' has left a legacy of scientific and artistic work that continues to influence visual media today. A spinoff from the website The Compleat Muybridge, is Muy Blog on Wordpress, keeping Muybridge enthusiasts up to date with what's happening in the wide world of Muybridge and his images. This souvenir selection is from the first four years of news, research and comment. Read about the modern Profilograph bronze sculpture technique that morphs a galloping horse into a four-dimensional artwork, illustrating time as well as space. Follow the 1895 commotion about the hugely expensive folio Animal Locomotion: “not one in twenty thousand would undertand it...” Enjoy the evocative lyrics of “Good Evening, Major” – almost the last words that Flora Muybridge's lover would ever hear – from the engaging video by the band Accordions. Find out what connects Ronald Reagan, Muybridge, and Death Valley. Enjoy the zoöpraxographer's influence on the cartoonists of the late 19th century. Follow the author as he goes “In search of Helios”. Was Eadweard Muybridge really 'The Father of the Motion Picture'? Read about the exhibitions, the controversy, and The Smartest Kid on Earth. Catch up with Muy Blog in this handy printed form.
"196 plates (containing over 4700 individual photographs) from the famous Muybridge collection, chosen for their value to artists, doctors, and researchers"--Jacket.
“A serious chronicle of war and a sympathetic—even moving—portrayal of the soldier’s hopeless stoicism. " — New York Times First published to little notice in 1977, Hitler Moves East is now widely regarded as a groundbreaking classic of modern photography. In this elegant, large-format limited edition, David Levinthal and Garry Trudeau’s seminal book is finally being presented at a scale that does full justice to their haunting vision of war. As the New York Times pointed out ten years after publication, “Levinthal’s war pictures are radically new," and indeed they were. Using cheap, molded plastic toy soldiers and tanks, art school classmates Trudeau and Levinthal conceived a fascinating new narrative form, a “paper movie,” at once deeply evocative and unabashedly fake. Combining selected archival materials with photographs of 1/35-scale toys placed in meticulously constructed miniature settings, the two artists conjured up an astonishing reimagining of World War II’s most epic campaign—the German invasion of the Soviet Union. Traveling precariously between fantasy and reality, Levinthal and Trudeau produced a work now recognized as both a sublime graphic manifesto and a powerful documentary of men at war. David Levinthal and Garry Trudeau began their collaboration on Hitler Moves East shortly after both had graduated from the Yale School of Art and Architecture in 1973. Levinthal has since published numerous book of photographs, including Modern Romance, The Wild West, and Mein Kampf. Trudeau is the Pulitzer Prize-winning creator of the long-running comic strip Doonesbury.
In 1872 an Englishman called Edward Muybridge photographed a horse in California and thereby invented the essentials of motion picture technology. His patron wanted to know if the horse ever lifted all four hooves at once. This is the story of Muybridge and modern technology.
For over a century, a mysterious figure from 1870s California, going by the name of Major Harry Larkyns, has been written off as little more than a liar, seducer and cheat. And he is only remembered at all these days because he was shot dead by the magnificently strange photographer Eadweard Muybridge. A rural court would exonerate the unrepentant murderer, in contravention of all existing laws; and the conduct of the case has barely been questioned since. But was either the killer or the victim quite what he seemed? In the autumn of 2015, Rebecca Gowers uncovered the startling fact that Harry Larkins, lost brother of her own great-great-grandmother, Alice Larkins, was one and the same as the Harry Larkyns coldly executed by Eadweard Muybridge. Provoked by this into extensive researches, Gowers is now able to lay bare the long-concealed and extraordinary truth about this 'brilliant waif'. Part biography, part crime account, The Scoundrel Harry Larkyns shows how, after a catastrophic childhood, Harry grew up handsome, fragile, courageous, and a beguiling reprobate to boot. The exploits of his tragically short life would span three continents, and range from a stint as an adolescent army cadet in India, through a louche spell in Second Empire Paris, to his days as a Bohemian rogue in the American Wild West. He found himself behind bars more than once, won glory in battle, and, hardly less dangerously, had a fondness for chasing notorious women. But what would seal his fate was to fall in love with another man's wife.
