No one said life on the road would be easy. Navigating the rails, mapping bus lines, and hitching rides. Dealing with hunger when you don't have a nickel to chew on. Picking up an odd job here and making a few bucks there. But that's why it's exciting. It's one hell of an adventure. It's a thrilling road to follow if you're up to the challenge. And this book's your back-pocket saving grace. As you flip to the next flop, you'll need to know how to get by in order to stay one step ahead. Realize: a hobo isn't some bum looking for a handout. You need to be ready to put in the effort. If you want to make your way in the Jungle and along your route, you need the know-how provided within. This is the textbook to your open-road education.
With an arresting mix of homespun wisdom, gritty realism, and poignant self-examination, and set against the backdrop of a young man's coming of age, Hobo is a modern examination of one of America's oldest and most revered folk heroes. A free spirit, Zebu Recchia's mother set out on her own when her son was only two years old. Left behind, the tight family unit of father and son grew up to be more like brothers than parent and child. Such an intense relationship created struggles and pain--but also a form of independence that gave both men the mettle to face life alone when necessary. When Zebu was nineteen, he left behind his "hippie on a Harley" father in a brickyard on a cold winter day in Denver, Colorado, and set out with three things he knew he could rely on: strong boots, a warm coat, and a will to roam. He took off down the road at sunset with his thumb out and a keen desire to see the world on his own terms. His goal was to end up in Mexico. It had always been his father's mecca of personal freedom and absolute beauty, and so it became his, too. When Zebu jumped his first train, he was forever changed. His passion for the rails and the hobo way of life transformed him into Eddy Joe Cotton, a young hobo-in-training. Crisscrossing the countryside with a motley band of companions and mentors, Eddy Joe learns both the dark and the beautiful sides of life on the road. Always headed vaguely toward Mexico, Eddy Joe slowly realizes that the experience of the journey is far more important than the thrill of reaching the destination. Hobo is a celebration of the cultural and historical significance of the hobo in American society. It's also the story of what Eddy Joe learned on the rails, and of the fascinating, worldly-wise men who became his teachers. Eddy Joe Cotton paints a multilayered portrait of this strangely enduring lifestyle--of the men who ride the trains, the tricks of the trade, the vocabulary they use, the places they camp, the train yards they avoid, the gear they are sure to carry, and the stories and lessons each one imparts. Told in Eddy Joe's infectious and original voice, Hobo is a heartfelt exploration of a fascinating subculture, and of one man's place in a world that has all but been forgotten.
"Reefer Charlie" Fox rode the rails from 1928 to 1939; from 1939 to 1965 he hitched rides in automobiles and traveled by foot. From Indiana to British Columbia, from Arkansas to Texas, from Utah to Mexico, he was part of the grand hobo tradition that has all but passed away from American life. He camped in hobo jungles, slept under bridges and in sand houses at railroad yards, ate rattlesnake meat, fresh California grapes, and fish speared by the Indians of the Northwest. He quickly learned both the beauty and the dangers of his chosen way of life. One lesson learned early on was that there are distinct differences among hoboes, tramps, and bums. As the all-time king of hoboes, Jeff Davis, used to say, "Hoboes will work, tramps won't, and bums can't." Tales of an American Hobo is a lasting legacy to conventional society, teaching about a bygone era of American history and a rare breed of humanity who chose to live by the rails and on the road.
In the years following the Civil War, a veritable army of homeless men swept across America's "wageworkers' frontier" and forged a beguiling and bedeviling counterculture known as "hobohemia." Celebrating unfettered masculinity and jealously guarding the American road as the preserve of white manhood, hoboes took command of downtown districts and swaggered onto center stage of the new urban culture. Less obviously, perhaps, they also staked their own claims on the American polity, claims that would in fact transform the very entitlements of American citizenship. In this eye-opening work of American history, Todd DePastino tells the epic story of hobohemia's rise and fall, and crafts a stunning new interpretation of the "American century" in the process. Drawing on sources ranging from diaries, letters, and police reports to movies and memoirs, Citizen Hobo breathes life into the largely forgotten world of the road, but it also, crucially, shows how the hobo army so haunted the American body politic that it prompted the creation of an entirely new social order and political economy. DePastino shows how hoboes—with their reputation as dangers to civilization, sexual savages, and professional idlers—became a cultural and political force, influencing the creation of welfare state measures, the promotion of mass consumption, and the suburbanization of America. Citizen Hobo's sweeping retelling of American nationhood in light of enduring struggles over "home" does more than chart the change from "homelessness" to "houselessness." In its breadth and scope, the book offers nothing less than an essential new context for thinking about Americans' struggles against inequality and alienation.
Nels Anderson was a pioneer in the study of the homeless. In the early 1920s Anderson combined his own experience "on the bummery," with his keen sociological insight to give voice to a largely ignored underclass. He remains an extraordinary and underrated figure in the history of American sociology. On Hobos and Homelessness includes Anderson's rich and vibrant ethnographic work of a world of homeless men. He conducted his study on Madison street in Chicago, and we come to intimately know this portion of the 1920s hobo underworld—the harshness of vagrant life and the adventures of young hobos who come to the big city. This selection also includes Anderson's later work on the juvenile and the tramp, the unattached migrant, and the family. Like John Steinbeck's Depression-era observations, Anderson's writings express the memory of those who do not seem entitled to have memory, whose lives were expressed in temporary labor.
When her plush and comfy life suddenly and unexpectedly fell apart, Brooke and her dog Cloud set out to defy the odds. She put on a knapsack and started walking. If this is a man's world as they say, living on the streets is no place for a young woman. She was able to navigate her way through challenges and obstacles, getting odd jobs along the way, and hopping freight trains as a main mode of transport, until one day she awoke in the Red Wood forest, looked around the make shift camp built upon mounds of dirty kid trash and hidden back into the trees, and realized she had become... a hobo... and would ultimately come to know exactly what it means to survive.
When her father kills himself after losing his money in the stock market crash of 1929, twelve-year-old Frances, now a penniless orphan decides to hop abroad a freight train and live the life of a hobo.
Examines the life of Blackie, a hobo for sixty years, as he chooses to defend his life on the banks of the Sacramento and fight America's changing attitude toward the homeless.
