Musical Architects

Musical Architects

Author: Anna Picard

Publisher: Unicorn

Published: 2021

Total Pages: 0

ISBN-13: 9781912690725

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The Royal Academy of Music is one of the most prestigious conservatoires in the world, training generations of eminent musicians for all parts of the profession. Its alumni include Henry Wood, John Barbirolli, Myra Hess, Felicity Lott, Simon Rattle, Harrison Birtwistle, Elton John, Annie Lennox, Max Richter and Jacob Collier. Royal Academy graduates populate all the great orchestras, opera houses and musical theatre venues of the world, including the London Symphony, Berlin Philharmonic, the Metropolitan Opera and Broadway in New York and the West End. They are players, singers, composers, conductors, curators, animateurs and teachers.Approaching its bicentenary, the Royal Academy is Britain's oldest conservatoire. An international organisation from its foundation, it has just completed a transformative programme of new building at the heart of its Marylebone Road site. Bright ancillary spaces, refurbished studios and two exceptional additions designed by Ian Ritchie Architects, the Susie Sainsbury Theatre and the Angela Burgess Recital Hall, have already won major national and international awards for their breath-taking designs and outstanding acoustics, ideal for talented young singers, instrumentalists and composers.Recent decades have seen the Royal Academy extend its interests to jazz, musical theatre and vital outreach, educational and celebrated collaborative projects to foster future generations of musicians and music lovers. This book reveals how virtuoso architecture and technology have brilliantly fused the Academy's famous Edwardian building with the modern institution's creative values and aspirations as it moves towards its third century.


The Royal College of Music and its Contexts

The Royal College of Music and its Contexts

Author: David C. H. Wright

Publisher: Cambridge University Press

Published: 2019-09-05

Total Pages: 391

ISBN-13: 1107163382

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A rounded portrait of the Royal College of Music, investigating its educational and cultural impact on music and musical life.


The Associated Board of the Royal Schools of Music

The Associated Board of the Royal Schools of Music

Author: David C. H. Wright

Publisher: Boydell Press

Published: 2013

Total Pages: 290

ISBN-13: 184383734X

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Details how the ABRSM became such a formative influence and looks at some of the consequences resulting from its pre-eminent position in British musical life. Its exploration of how the ABRSM negotiated music's changing social, educational and cultural landscape casts fresh light on the challenges facing music education today.


The King's Artists : The Royal Academy of Arts and the Politics of British Culture 1760-1840

The King's Artists : The Royal Academy of Arts and the Politics of British Culture 1760-1840

Author: Holger Hoock

Publisher: Clarendon Press

Published: 2003-11-13

Total Pages: 396

ISBN-13: 9780191556104

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This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. This is the first study of its early years, re-evaluating the Academy's significance in national cultural life and its profile in an international context. Holger Hoock reassesses royal and state patronage of the arts and explores the concepts and practices of cultural patriotism and the politicization of art during the American and French Revolutions. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform.


Music and British Culture, 1785-1914

Music and British Culture, 1785-1914

Author: Christina Bashford

Publisher:

Published: 2000

Total Pages: 430

ISBN-13: 9780198167303

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This collection of sixteen new essays, all commissioned from cultural and musical historians, was inspired by the themes and approaches of Professor Cyril Ehrlich's pathbreaking work on British social history in music. This volume discusses issues such as the music marketplace, piano culture, musicians' work patterns, music institutions, concert history, and national and urban identities - all with a clear focus on art music traditions. The cultural importance of serious music, from Belfast to Calcutta, has long been assumed for the period but rarely demonstrated. Here the issue is interwoven with the social and economic realities confronting music and musicians in Britain across the 19th century.


Art on the Line

Art on the Line

Author: David H. Solkin

Publisher: Paul Mellon Centre for Studies in British Art

Published: 2001

Total Pages: 278

ISBN-13: 9780300090918

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On 1 May 1780, England's Royal Academy of Arts opened its twelfth annual exhibition, the first to be held in the magnificent rooms of William Chambers's newly built Somerset House. For the next fifty-seven years, the Great Room of Somerset House effectively defined the centre of the London art world - the place where viewers had to see and be seen, and where artists fiercely vied for the attention of potential buyers. Such great exhibition performers as Joshua Reynolds, Thomas Lawrence, John Constable, J. M. W. Turner and David Wilkie sharpened their skills during these stimulating decades. In this extensively illustrated book, seventeen renowned experts revisit and assess the Somerset House years, a period of great achievement and central importance in the history of British art. The book's contributors view the Somerset House phenomenon from a broad range of perspectives. They deal with the physical nature of the exhibitions, the audience, the role of the press, the Royal Academy's place within the larger world of urban entertainments, and how the conditions of display shaped and even transformed patterns of art production. In addition, they explore such topics as the tactics of exhibitors in different genres of painting, the exhibition histories of works in other media and the impact on foreign artists and observers of an increasingly self-confident national school of British art.