The Electric Guitar

The Electric Guitar

Author: André Millard

Publisher: JHU Press

Published: 2004-07-20

Total Pages: 262

ISBN-13: 9780801878626

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"In The Electric Guitar, scholars working in American studies, business history, the history of technology, and musicology come together to explore the instrument's importance as an invention and its peculiar place in American culture. Documenting the critical and evolving relationship among inventors, craftsmen, musicians, businessmen, music writers, and fans, the contributors look at the guitar not just as an instrument but as a mass produced consumer good that changed the sound of popular music and the self-image of musicians."--BOOK JACKET.


The Guitar and the New World

The Guitar and the New World

Author: Joe Gioia

Publisher: State University of New York Press

Published: 2014-03-12

Total Pages: 265

ISBN-13: 1438455038

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The American guitar, that lightweight wooden box with a long neck, hourglass figure, and six metal strings, has evolved over five hundred years of social turmoil to become a nearly magical object—the most popular musical instrument in the world. In The Guitar and the New World, Joe Gioia offers a many-limbed social history that is as entertaining as it is informative. After uncovering the immigrant experience of his guitar-making Sicilian great uncle, Gioia's investigation stretches from the ancient world to the fateful events of the 1901 Buffalo Pan American Exposition, across Sioux Ghost Dancers and circus Indians, to the lives and works of such celebrated American musicians as Jimmy Rodgers, Charlie Patton, Eddie Lang, and the Carter Family. At the heart of the book's portrait of wanderings and legacies is the proposition that America's idiomatic harmonic forms—mountain music and the blues—share a single root, and that the source of the sad and lonesome sounds central to both is neither Celtic nor African, but truly indigenous—Native American. The case is presented through a wide examination of cultural histories, academic works, and government documents, as well as a close appreciation of recordings made by key rural musicians, black and white, in the 1920s and '30s. The guitar in its many forms has cheered humanity through centuries of upheaval, and The Guitar and the New World offers a new account of this old friend, as well as a transformative look at a hidden chapter of American history.


History of the American Guitar

History of the American Guitar

Author: Tony Bacon

Publisher: Backbeat Books

Published: 2012-03-01

Total Pages: 439

ISBN-13: 1476856370

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(Book). First published in 2001 and now updated and expanded, History of the American Guitar begins in New York City in the 1830s with the arrival of Christian Martin, from Germany, to set up the Martin company. From that historic moment, the book takes readers on a fascinating and comprehensive visual tour of U.S. guitar history. Over 75 brand names are represented, with more than 300 guitars photographed in stunning detail, including Bigsby, Danelectro, D'Angelico, D'Aquisto, Ditson, Dobro, Dyer, Epiphone, Fender, Gibson, Gretsch, James Trussart, Kay, Maccaferri, Martin, Micro-Frets, Mosrite, Oahu, Ovation, Regal, Rickenbacker, Stella, Stromberg, Suhr, Taylor, Vega, Washburn, Wilkanowski, and many more. The interrelated stories of the guitar, mandolin, and banjo are mixed seamlessly with the history of the diverse American music that grew and prospered with these instruments, from country to blues, from jazz to rock. The bulk of the instruments illustrated were part of the celebrated collection of Scott Chinery, photographed before Chinery's untimely death and the subsequent break-up of his unique collection. The book presents every important episode in the story of the American luthier's art and is an unparalleled resource for every musician, collector, and music fan.


Gibson Guitars

Gibson Guitars

Author: Walter Carter

Publisher: Alfred Music

Published: 2003-03

Total Pages: 328

ISBN-13:

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A collectively authored work, although Carter, one of the contributors, is inexplicably given full credit for authorship on the title page and in the jacket copy and CIP (perhaps he's the editor). The history of Gibson guitars and the famous people who have played them is documented with abundant photos accompanied by explanatory text and captions. A splashy, flashy-looking book for the guitar and rock music enthusiast; over-exuberant page design makes for poor readability in some sections (e.g. text on top of not-quite-faded- enough maps). Published by General Publishing Group, 3100 Airport Ave., Santa Monica, CA 90403. Annotation copyright by Book News, Inc., Portland, OR


Guitar: an American life

Guitar: an American life

Author: Tim Brookes

Publisher: Grove Press

Published: 1979

Total Pages: 374

ISBN-13: 9780802142580

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Reunion is the awkward, tender meeting between a father and daughter after nearly twenty years separation. Dark Pony is the telling of a mythical story by a father to his young daughter as they drive home in the evening.


The Guitar in America

The Guitar in America

Author: Jeffrey Noonan

Publisher: Univ. Press of Mississippi

Published: 2008

Total Pages: 239

ISBN-13: 1604733020

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The Guitar in America offers a history of the instrument from America\'s late Victorian period to the Jazz Age. The narrative traces America\'s BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and com-mercial movement dedicated to introducing these instru-ments into America\'s elite musical establishments. Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement\'s heyday, tracing the guitar\'s transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement\'s impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America\'s musicians. This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America\'s larger musical scene, examining its efforts as manifestations of this country\'s uneasy coupling of musical art and commerce. Jeffrey J. Noonan, associate professor of music at Southeast Missouri State University, has performed professionally on classical guitar, Renaissance lute, Baroque guitar, and theorbo for over twenty-five years. His articles have appeared in Soundboard and NYlon Review .


The Guitar

The Guitar

Author: Tennessee State Museum Foundation

Publisher:

Published: 2012-12-30

Total Pages: 0

ISBN-13: 9780986242946

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catalog on the exhibition The Guitar: An American Love Story displayed by the Tennessee State Museum from November 8, 2012 through December 30, 2012.


American Guitar

American Guitar

Author: Tom Wheeler

Publisher: Collins

Published: 1991-04-10

Total Pages: 384

ISBN-13: 9780062730961

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American Guitars details the year-to-year development of scores of individual models and covers the stories of all major U.S. manufacturers. Encyclopedic in form, it is extensively cross-referenced and highly readable and brims with tales of accidental discoveries, partnerships, rivalries, and feuds. Color and black-and-white photographs.


Guitar Makers

Guitar Makers

Author: Kathryn Marie Dudley

Publisher: University of Chicago Press

Published: 2014-11-10

Total Pages: 375

ISBN-13: 022609541X

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It whispers, it sings, it rocks, and it howls. It expresses the voice of the folk—the open road, freedom, protest and rebellion, youth and love. It is the acoustic guitar. And over the last five decades it has become a quintessential American icon. Because this musical instrument is significant to so many—in ways that are emotional, cultural, and economic—guitar making has experienced a renaissance in North America, both as a popular hobby and, for some, a way of life. In Guitar Makers, Kathryn Marie Dudley introduces us to builders of artisanal guitars, their place in the art world, and the specialized knowledge they’ve developed. Drawing on in-depth interviews with members of the lutherie community, she finds that guitar making is a social movement with political implications. Guitars are not simply made—they are born. Artisans listen to their wood, respond to its liveliness, and strive to endow each instrument with an unforgettable tone. Although professional luthiers work within a market society, Dudley observes that their overriding sentiment is passion and love of the craft. Guitar makers are not aiming for quick turnover or the low-cost reproduction of commodities but the creation of singular instruments with unique qualities, and face-to-face transactions between makers, buyers, and dealers are commonplace. In an era when technological change has pushed skilled artisanship to the margins of the global economy, and in the midst of a capitalist system that places a premium on ever faster and more efficient modes of commerce, Dudley shows us how artisanal guitar makers have carved out a unique world that operates on alternative, more humane, and ecologically sustainable terms.