This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland's return to independence. Conceived to address the lack of critical scholarship on Poland's cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland's modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.
This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.
The Routledge World Companion to Polish Literature offers an introduction to Polish literature through thirty-three case studies, covering works from the Middle Ages up to the present day. Each chapter draws on a text or body of work, examining its historical context, as well as its international reception and position within world literature. The book presents a dual perspective on Polish literature, combining original readings of key texts with discussions of their two-way connections with other literatures across the globe. With a detailed introduction offering a narrative overview, the book is divided into six sections offering a chronological pathway through the material. Contributors from around the world examine the various cultural exchanges at play, with each chapter including: Definitions of key terms and brief overviews of historical and political events, literary eras, trends, movements, groups, and institutions for those new to the area Analysis and notes on translations, including their hidden dimensions and potential Textual focus on poetics, such as strategies of composition, style, and genre A range of historical, sociological, political, and economic contexts From medieval song through to the contemporary novel, this book offers an interpretive history of Polish literature, while also positioning its significance within world literature. The detailed introductions make it accessible to beginners in the area, while the original analysis and focused case studies will also be of interest to researchers.
Anna Nasilowska's A History of Polish Literature is a one-volume guide that immerses readers in the rich tapestry of Polish literature and reveals its enduring impact on European identity from the Middle Ages to the late twentieth century. By exploring key themes, writers, and works and grounding her discussion in crucial biographical context, she weaves together the lives of a carefully curated list of Polish writers to paint a vivid literary portrait, elucidating the epochs that these writers shaped. Offering indispensable insights for readers who may be unfamiliar with the world of Polish literature, it is an excellent jumping-off-point for further study and learning.
Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Warsaw is one of the most dynamically developing cities in Europe, and its rich history has marked it as an epicenter of many modes of urbanism: Tzarist, modernist, socialist, and--in the past two decades--aggressively neoliberal. Focusing on Warsaw after 1990, this volume explores the interplay between Warsaw's past urban identities and the intense urban change of the '90s and '00s. Chasing Warsaw departs from the typical narratives of post-socialist cities in Eastern Europe by contextualizing Warsaw's unique transformation in terms of both global change and the shifting geographies of centrality and marginality in contemporary Poland.
A Generic History of Travel Writing in Anglophone and Polish Literature offers a comprehensive, comparative and generic analysis of developments of travel writing in Anglophone and Polish literature from the Late Medieval Period to the twenty-first century. These developments are depicted in a wider context of travel narratives written in other European languages.
This carefully curated collection consists of 16 chapters by leading Polish and world literature scholars from the United States, Canada, Italy, and, of course, Poland. An historical approach gives readers a panoramic view of Polish authors and their explicit or implicit contributions to world literature. Indeed, the volume shows how Polish authors, from Jan Kochanowski in the 16th century to the 2018 Nobel laureate Olga Tokarczuk, have engaged with their foreign counterparts and other traditions, active participants in the global literary network and the conversations of their day. The volume features views of Polish literature and culture within theories of world literature and literary systems, with a particular attention paid to the resurgence of the idea of the physical book as a cultural artifact. This perspective is especially important since so much of today's global literary output stems from Anglophone perceptions of what constitutes literary quality and tastes. The collection also sheds light on specific issues pertaining to Poland, such as the idea of Polishness, and global phenomena, including social and economic advancement as well as ecological degradation. Some of the authors discussed, like the Romantic poet Adam Mickiewicz or the 1980 Nobel laureate Czeslaw Milosz, were renowned far beyond the borders of their country, while others, like the contemporary travel writer and novelist Andrzej Stasiuk, embrace regionalism, seeing as they do in their immediate surroundings a synecdoche of the world at large. Nevertheless, the picture of Polish literature and Polish authors that emerges from these articles is that of a diverse, cosmopolitan cohort engaged in a mutually rewarding relationship with what the late French critic Pascale Casanova has called “the world republic of letters.”