The History of European Jazz

The History of European Jazz

Author: Francesco Martinelli

Publisher: Popular Music History

Published: 2018

Total Pages: 0

ISBN-13: 9781781794463

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As the first organic overview of the history of jazz in Europe and covering the subject from its inception to the present day, the volume provides a unique, authoritative addition to the musicological literature.


Eurojazzland

Eurojazzland

Author: Luca Cerchiari

Publisher: UPNE

Published: 2012

Total Pages: 957

ISBN-13: 1611682983

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The critical role of Europe in the music, personalities, and analysis of jazz


Jazz in Europe

Jazz in Europe

Author: José Dias

Publisher: Bloomsbury Publishing USA

Published: 2019-05-30

Total Pages: 201

ISBN-13: 1501346601

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Should we talk of European jazz or jazz in Europe? What kinds of networks link those who make it happen 'on the ground'? What challenges do they have to face? Jazz is a part of the cultural fabric of many of the European countries. Jazz in Europe: Networking and Negotiating Identities presents jazz in Europe as a complex arena, where the very notions of cultural identity, jazz practices and Europe are continually being negotiated against an ever changing social, cultural, political and economic environment. The book gives voice to musicians, promoters, festival directors, educators and researchers regarding the challenges they are faced with in their everyday practices. Jazz identities in Europe result from the negotiation between discourse and practice and in the interstices between the formal and informal networks that support them, as if 'Jazz' and 'Europe' were blank canvases where diversified notions of what jazz and Europe should or could be are projected.


The Jazz Republic

The Jazz Republic

Author: Jonathan O. Wipplinger

Publisher: University of Michigan Press

Published: 2017-04-14

Total Pages: 325

ISBN-13: 047205340X

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Reveals the wide-ranging influence of American jazz on German discussions of music, race, and culture in the early twentieth century


Early Jazz

Early Jazz

Author: Gunther Schuller

Publisher: History of Jazz

Published: 1986

Total Pages: 422

ISBN-13: 9780195040432

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The first of three volumes on the history and musical contribution of jazz.


Harlem Jazz Adventures

Harlem Jazz Adventures

Author: Timme Rosenkrantz

Publisher: Scarecrow Press

Published: 2012-01-12

Total Pages: 347

ISBN-13: 0810879786

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Timme Rosenkrantz (1911–1969) was a Danish journalist, author, concert and record producer, radio show host, and entrepreneur with a consuming passion for jazz and little head for business. Known in Denmark and New York as the “Jazz Baron” because of his noble lineage, he was the first European journalist to cover the jazz scene in Harlem. Harlem Jazz Adventures: A European Baron’s Memoir, 1934–1969 recounts Rosenkrantz’s happy years in New York City, where he would produce jazz concerts, record top musicians and bands in his midtown apartment, organize a “dream band” for Timme Rosenkrantz and His Barrelhouse Barons, a 1938 RCA Victor recording, (DL) live in Harlem and run a record shop with his life companion, journalist and singer Inez Cavanaugh. A good friend of jazz impresario John Hammond, Rosenkrantz would become the James Boswell of the Harlem jazz scene. Duke Ellington, Art Tatum, Coleman Hawkins, Billie Holiday—there wasn’t a New York jazz musician unknown to “Honeysuckle Rosenkrantz,” as christened by Fats Waller. Drawing on the published Danish-language original Dus med Jazzen, and an unpublished English free translation (DL) by Rosenkrantz and Cavanaugh, translator-adapter Fradley Hamilton Garner gives polish and context to Rosenkrantz’s stories of meetings with Cecile and Louis Armstrong, Benny Carter, Willie “The Lion” Smith, Eddie Condon, Erroll Garner—whom Rosenkrantz discovered and was first to record—and many others. This book is a must-have for jazz lovers. Social historians interested in the intersection of race and the music business will find in Rosenkrantz’s memoir an invaluable primary source on Harlem’s social scene and its musical legacy.


Jazz in Europe

Jazz in Europe

Author: Igor Wasserberger

Publisher: Peter Lang Limited, International Academic Publishers

Published: 2018

Total Pages: 0

ISBN-13: 9781788743181

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Jazz in Europe provides a detailed record of how «new» (American) music evolved on the «old» (European) continent. The «chroniclers» explore the history of jazz in individual European countries from a local perspective, with each author contributing a unique bird's-eye view of their particular context. This comprehensive analysis of the origins and dissemination of jazz on the old continent, produced by an international team of distinguished writers, is the first of its kind. Although members of national jazz communities may not agree with all the views presented in the book, it will undoubtedly provoke lively debate and open up new avenues for research within European jazz scholarship.


A People's Music

A People's Music

Author: Helma Kaldewey

Publisher: Cambridge University Press

Published: 2020

Total Pages: 345

ISBN-13: 1108486185

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Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.


The Return of Jazz

The Return of Jazz

Author: Andrew Wright Hurley

Publisher: Berghahn Books

Published: 2011-02

Total Pages: 320

ISBN-13: 0857451626

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Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922–2000), author of the world’s best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt’s most important writings and record productions. Particular attention is given to the “Jazz Meets the World” encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-“world music” demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt’s powerful role as the West German “Jazz Pope” is explored, as is the groundswell of criticism directed at him in the wake of 1968.


Historical Dictionary of Jazz

Historical Dictionary of Jazz

Author: John S. Davis

Publisher: Rowman & Littlefield

Published: 2020-09-15

Total Pages: 559

ISBN-13: 1538128152

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Jazz is a music born in the United States and formed by a combination of influences. In its infancy, jazz was a melting pot of military brass bands, work songs and field hollers of the United States slaves during the 19th century, European harmonies and forms, and the rhythms of Africa and the Caribbean. Later, the blues and the influence of Spanish and French Creoles with European classical training nudged jazz further along in its development. As it moved through the swing era of the 1930s, bebop of the 1940s, and cool jazz of the 1950s, jazz continued to serve as a reflection of societal changes. During the turbulent 1960s, freedom and unrest were expressed through Free Jazz and the Avant Garde. Popular and world music have been incorporated and continue to expand the impact and reach of jazz. Today, jazz is truly an international art form. This second edition of Historical Dictionary of Jazz contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on musicians, styles of jazz, instruments, recording labels, bands and band leaders, and more. This book is an excellent resource for students, researchers, and anyone wanting to know more about Jazz.