The History of Broadcasting in the United Kingdom

The History of Broadcasting in the United Kingdom

Author: Asa Briggs

Publisher:

Published: 1995

Total Pages: 748

ISBN-13:

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Five-volume history of broadcasting in the UK. Together the volumes give an authoritative account of the rise of broadcasting in this country. Though naturally largely concerned with the BBC it does give a general history of broadcasting, not simply an institutional history of the BBC. Vol 1. - The birth of broadcasting - covers early amateur experiments in wireless telephony in America and in England, the pioneer days at Writtle in Essex and elsewhere, and the coming of organized broadcasting and its rapid growth during the first four years of the BBC's existence as a private Company before it became a public Corporation in January 1927. - Vol 2. - The golden age of wireless - covers the period from the beginning of 1927, when the BBC ceased to be a private company and became a public corporation, up to the outbreak of war in 1939. - Vol 3. - The war of words - covers the period from 1939 to 1945, is concerned not only with the impact of the Second World War on the structure, organization, and programmes of the BBC, it also deals directly with the role of the BBC outside as well as inside Britainches - Vol 4. - Sound and vision - The ten years following the end of the Second World War were critical years in the history of British broadcasting. They witnessed the rise of television and the end of the BBC's monopoly. - Vol 5. - Competition - continues the monumental history of broadcasting in the UK over a period of 20 years, from 1955 to the mid 1970s.


The History of Broadcasting in the United Kingdom: Competition

The History of Broadcasting in the United Kingdom: Competition

Author: Asa Briggs

Publisher:

Published: 1995

Total Pages: 0

ISBN-13:

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Five-volume history of broadcasting in the UK. Together the volumes give an authoritative account of the rise of broadcasting in this country. Though naturally largely concerned with the BBC it does give a general history of broadcasting, not simply an institutional history of the BBC. Vol 1. - The birth of broadcasting - covers early amateur experiments in wireless telephony in America and in England, the pioneer days at Writtle in Essex and elsewhere, and the coming of organized broadcasting and its rapid growth during the first four years of the BBC's existence as a private Company before it became a public Corporation in January 1927. - Vol 2. - The golden age of wireless - covers the period from the beginning of 1927, when the BBC ceased to be a private company and became a public corporation, up to the outbreak of war in 1939. - Vol 3. - The war of words - covers the period from 1939 to 1945, is concerned not only with the impact of the Second World War on the structure, organization, and programmes of the BBC, it also deals directly with the role of the BBC outside as well as inside Britainches - Vol 4. - Sound and vision - The ten years following the end of the Second World War were critical years in the history of British broadcasting. They witnessed the rise of television and the end of the BBC's monopoly. - Vol 5. - Competition - continues the monumental history of broadcasting in the UK over a period of 20 years, from 1955 to the mid 1970s.


Broadcasting in the UK and US in the 1950s

Broadcasting in the UK and US in the 1950s

Author: Jamie Medhurst

Publisher: Cambridge Scholars Publishing

Published: 2016-05-11

Total Pages: 231

ISBN-13: 1443893196

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In an age of digital communications, where radio, satellite, television and computing have come together to allow instant access to information and entertainment from around the globe, it is sometimes easy to overstate the break with the recent past that these developments imply. However, from a historical perspective, it is important to recognise that the national dimensions of communications, including broadcasting, have always been framed within different sets of international political, economic, cultural, and technological relationships. Television, so easily seen as the last technology to succumb to the effects of internationalisation subsequent to the technical and political changes of the late twentieth century, was in fact, from the outset, embedded in international interactions. In recent years, a focus has been placed on the longstanding sets of transnational relationships in place in the years after World War II, when television established itself as the dominant form of mass communication in Europe and America. Recent research has adopted a comparative approach to television history, which has examined the interactions within Europe and between Europe and America from the 1950s onwards. In addition, there has been increasing interest in the idea of television in the Anglophone world, looking at transatlantic interactions from the early phases of the development of the technology, through the growing market for formats in the 1950s and outwards, to connections with Australia and Hong Kong in these years. The essays in this collection contribute to this area by bringing together, in one volume, work which focuses on both national developments in UK and US broadcasting in the 1950s, to allow for reflection on how those systems were developing and being understood within those societies, and raise issues about the ways in which the two systems interacted and can be usefully compared. Some contributions deliberately focus on international issues, while others embed the international dimension within them, and still others offer a critical commentary on developments during the 1950s. The book will appeal primarily to students and researchers in media and communication studies, television studies, radio studies, and history, but will also be of interest to all who have an interest in developments in communication in the post-war period.


John Ormonds Organic Mosaic

John Ormonds Organic Mosaic

Author: Kieron Smith

Publisher: University of Wales Press

Published: 2019-10-15

Total Pages: 215

ISBN-13: 1786834898

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In a uniquely dualistic creative career spanning five decades, John Ormond made major contributions to both English-language poetry and documentary filmmaking. Born in Swansea, he learned to ‘think in terms of pictures’ while working as a journalist in London, where he secured a job at the celebrated photojournalist magazine Picture Post. Employed later by the BBC in Cardiff during the early days of television, Ormond went on to become a pioneer in documentary film. This book is the first in-depth examination of the fascinating correspondences between Ormond’s twin creative channels; viewing his work against the backdrop of a changing Wales, it constitutes an important case study in the history of documentary filmmaking, in the history of British television, and in the cultural history of Wales.