Historical Imagination

Historical Imagination

Author: David J. Staley

Publisher: Routledge

Published: 2020-12-27

Total Pages: 213

ISBN-13: 100033614X

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Historical Imagination examines the threshold between what historians consider to be proper, imagination-free history and the malpractice of excessive imagination, asking where the boundary between the two sits and the limits of permitted imagination for the historian. We use "imagination" to refer to a mental skill that encompasses two different tasks: the reconstruction of previously experienced parts of the world and the creation of new objects and experiences with no direct connection to the actual world. In history, imagination means using the mind's eye to picture both the actual and inactual at the same time. All historical works employ at least some creative imagination, but an excess is considered "too much". Under what circumstances are historians permitted to cross this boundary into creative imagination and how far can they go? Supporting theory with relatable examples, Staley shows how historical works are a complex combination of mimetic and creative imagination and offers a heuristic for assessing this ratio in any work of history. Setting out complex theoretical concepts in an accessible and understandable manner and encouraging the reader to consider both the nature and limits of historical imagination, this is an ideal volume for students and scholars of the philosophy of history.


Music and the Historical Imagination

Music and the Historical Imagination

Author: Leo Treitler

Publisher: Harvard University Press

Published: 1989

Total Pages: 352

ISBN-13: 9780674591295

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Leo Treitler is a central figure in American musicology, both for his writings on medieval and Renaissance music and for his influential work on historical analysis. In this elegant book he develops a powerful statement of what music analysis and criticism in relation to historical understanding can be. His aim is an understanding of the music of the past not only in its own historical context but also as we apprehend it now, and as we assimilate it to our current interests and concerns. He elucidates his views through unique new interpretations of major works from the fifteenth through the twentieth centuries.


Liberalism, Imperialism, and the Historical Imagination

Liberalism, Imperialism, and the Historical Imagination

Author: Theodore Koditschek

Publisher: Cambridge University Press

Published: 2011-02-10

Total Pages: 367

ISBN-13: 1139494880

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This book examines the ways in which imperial agendas informed the writing of history in nineteenth-century Britain and how historical writing transformed imperial agendas. Using the published writings and personal papers of Walter Scott, J. A. Froude, James Mill, Rammohun Roy, T. B. Macaulay, E. A. Freeman, W. E. Gladstone, and J. R. Seeley among others, Theodore Koditschek sheds light on the role of the historical imagination in the establishment and legitimation of liberal imperialism. He shows how both imperialists and the imperialized were drawn to reflect back on the Empire's past as a result of the need to construct a modern, multi-national British imperial identity for a more economically expansive and enlightened present. By tracing the imperial lives and historical works of these pivotal figures, Theodore Koditschek illuminates the ways in which discourse altered practice, and vice versa, as well as how the history of Empire was continuously written and re-written.


Frontiers of Historical Imagination

Frontiers of Historical Imagination

Author: Kerwin Lee Klein

Publisher: Univ of California Press

Published: 1999-11-10

Total Pages: 391

ISBN-13: 0520221664

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"A thorough and breathtaking review of modern historiography, anthropology, and literary criticism as they relate to the American frontier."—Robert V. Hine, author of Second Sight


Jean Rhys's Historical Imagination

Jean Rhys's Historical Imagination

Author: Veronica Marie Gregg

Publisher: UNC Press Books

Published: 2017-11-01

Total Pages: 314

ISBN-13: 1469617358

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As the foremost white West Indian writer of this century and author of the widely acclaimed novel Wide Sargasso Sea, Jean Rhys (1890-1979) has attracted much critical attention, most often from the perspective of gender analysis. Veronica Gregg extends our critical appreciation of Rhys by analyzing the complex relationship between Rhys's identity and the structures of her fiction, and she reveals the ways in which this relationship is connected to the history of British colonization of the West Indies. Gregg focuses on Rhys as a writer--a Creole woman analyzing the question of identity through literary investigations of race, gender, and colonialism. Arguing that history itself can be a site where different narratives collide and compete, she explores Rhys's rewriting of the historical discourses of the West Indies and of European canonical texts, such as Rhys's treatment of Jane Eyre in Wide Sargasso Sea. Gregg's analysis also reveals the precision with which Rhys crafted her work and her preoccupation with writing as performance.


Wordsworth's Historical Imagination (Routledge Revivals)

Wordsworth's Historical Imagination (Routledge Revivals)

Author: David Simpson

Publisher: Routledge

Published: 2014-08-07

Total Pages: 252

ISBN-13: 1317620321

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Traditionally, Wordsworth’s greatness is founded on his identity as the poet of nature and solitude. The Wordsworthian imagination is seen as an essentially private faculty, its very existence premised on the absence of other people. In this title, first published in 1987, David Simpson challenges this established view of Wordsworth, arguing that it fails to recognize and explain the importance of the context of the public sphere and the social environment to the authentic experience of the imagination. Wordsworth’s preoccupation with the metaphors of property and labour shows him to be acutely anxious about the value of his art in a world that he regarded as corrupted. Through close examination of a few important poems, both well-known and relatively unknown, Simpson shows that there is no unitary, public Wordsworth, nor is there a conflict or tension between the private and the public. The absence of any clear kind of authority in the voice that speaks the poems makes Wordsworth’s poetry, in Simpson’s phrase, a ‘poetry of displacement’.


Pieter Bruegel’s Historical Imagination

Pieter Bruegel’s Historical Imagination

Author: Stephanie Porras

Publisher: Penn State Press

Published: 2016-02-23

Total Pages: 217

ISBN-13: 027108457X

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The question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular traditions, and proto-ethnographer. Stephanie Porras reorients these apparently contradictory accounts, arguing that the debate about how to read Bruegel has obscured his pictures’ complex relation to time and history. Rather than viewing Bruegel’s art as simply illustrating the social realities of his day, Porras asserts that Bruegel was an artist deeply concerned with the past. In playing with the boundaries of the familiar and the foreign, history and the present, Bruegel’s images engaged with the fraught question of Netherlandish history in the years just prior to the Dutch Revolt, when imperial, religious, and national identities were increasingly drawn into tension. His pictorial style and his manipulation of traditional iconographies reveal the complex relations, unique to this moment, among classical antiquity, local history, and art history. An important reassessment of Renaissance attitudes toward history and of Renaissance humanism in the Low Countries, this volume traces the emergence of archaeological and anthropological practices in historical thinking, their intersections with artistic production, and the developing concept of local art history.


Clio's Laws

Clio's Laws

Author: Mauricio Tenorio-Trillo

Publisher: University of Texas Press

Published: 2019-12-16

Total Pages: 271

ISBN-13: 1477319263

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Offering a unique perspective on the very notions and practices of storytelling, history, memory, and language, Clio’s Laws collects ten essays (some new and some previously published in Spanish) by a revered voice in global history. Taking its title from the Greek muse of history, this opus considers issues related to the historian’s craft, including nationalism and identity, and draws on Tenorio-Trillo’s own lifetime of experiences as a historian with deep roots in both Mexico and the United States. By turns deeply ironic, provocative, and experimental, and covering topics both lowbrow and highbrow, the essays form a dialogue with Clio about idiosyncratic yet profound matters. Tenorio-Trillo presents his own version of an ars historica (what history is, why we write it, and how we abuse it) alongside a very personal essay on the relationship between poetry and history. Other selections include an exploration of the effects of a historian’s autobiography, a critique of history’s celebratory obsession, and a guide to reading history in an era of internet searches and too many books. A self-described exile, Tenorio-Trillo has produced a singular tour of the historical imagination and its universal traits.


Liberalism and Republicanism in the Historical Imagination

Liberalism and Republicanism in the Historical Imagination

Author: Joyce Appleby

Publisher: Harvard University Press

Published: 1992

Total Pages: 370

ISBN-13: 9780674530133

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The author claims that liberal assumptions color everything American, from ideas about human nature to fears about big government. Not the dreaded "L" word of the 1988 presidential campaign; liberalism in its historical context emerged from the modern faith in free inquiry, natural rights, economic liberty, and democratic government. The author contrasts this view with classical republicanism--ornate, aristocratic, prescriptive, and concerned with the common good. The two concepts, as the author shows, posed choices in their day and in ours, specifically in addressing the complex relations between individual and community, personal liberty and the common good, aspiration and practical wisdom.