This ambitious three-volume biography on Gissing examines both his life and writing chronologically and in close detail. Part I covers Gissing’s early life up until his establishment as a writer of moderate critical success.
This ambitious three-volume biography on Gissing examines both his life and writing both chronologically and in close detail. This final volume in Coustillas’s prodigious biography examines the turbulent last years of the author’s life and his literary afterlife.
This ambitious three-volume biography on Gissing examines both his life and writing both chronologically and in close detail. Part II assesses the period of Gissing’s greatest authorial triumphs. His most critically acclaimed works, The Nether World (1889), New Grub Street (1891) and The Odd Women (1893) date from this time.
This biography on Gissing examines both his life and writing both chronologically and in close detail. Part II assesses the period of Gissing's greatest authorial triumphs.
This biography on Gissing examines both his life and writing both chronologically and in close detail. Part III covers the turbulent years of the author's life and his literary afterlife.
This collection explores Gissing’s place in the narrative of fin-de-siècle literature. Together, chapters here theorise how late-Victorian spatial and generic norms are confronted, explored and performed in Gissing’s works. In addition to presenting new readings of the major novels and introducing readers to lesser-known works, the collection advocates Gissing’s importance as a journalist, short story, and travel writer. It also recognises Gissing as a central proponent in the late-Victorian realism debate. The book, like today’s nineteenth-century studies, is interdisciplinary. It includes familiar interpretive approaches—biographical, historicist, and comparative—together with fresh perspectives informed by ecocriticism, materiality, and cultural performance. In addition, it is markedly comparative in scope. Gissing is read alongside familiar authors like Dickens, Ruskin, and Hardy, but also, and more unusually, Nietzsche, Besant, Freud and Foucault. Collectively, these chapters illustrate that Gissing, though attentive to contemporary issues, is neither uncomplicatedly realist nor are his writings uncomplicated historical records of place.
An historical and political reading of late-nineteenth-century British novels by Olive Schreiner, Thomas Hardy, George Gissing, Arthur Conan Doyle, G. A. Henty, and Sarah Grand. Examines how these novels represent the emergence of a fantasy of the state as a heroic actor.
George Gissing (1857-1903) lived a life worthy of the plot from one of his own novels. An exceptionally gifted man, born into relatively genteel comfort, he nonetheless managed to enter into two disastrous marriages with working-class women, got thrown out of university for stealing, spent a month doing hard labour in prison and died before the age of fifty. It is all the more surprising then, that he still managed to write twenty-three novels, over a hundred short stories, as well as works of literary criticism and a travelogue. This ambitious three-volume biography on Gissing examines both his life and writing both chronologically and in close detail. Coustillas's exhaustive research is based on all the known surviving Gissing correspondence, Gissing's works and every piece of literary criticism on Gissing from 1880 onwards. Press archives from England, America, the former Colonies, France and Germany have all been consulted. This approach, by the foremost authority on Gissing, allows new insights into his life and work.--From publisher website.