A wealthy wanted man attempts to keep a low profile—but an old case may be stirring up new crimes in this British police thriller. After years of exile in St. Lucia, tycoon Kevan de Vries has come back to England’s East Midlands and is hiding out at Sausage Hall. His return is driven by an obsessive desire to find out who his father was—despite the risk that the police may come by seeking answers about the disappearance of Tony Sentance, former De Vries Industries employee and leader of a child trafficking gang. DI Tim Yates and DS Juliet Armstrong are still in the dark about the wealthy fugitive in their midst—but before long, the police are looking into a vanished woman’s possible murder, a Traveller child who may be at risk, and the lingering mysteries surrounding a trafficking ring that could still be operating under their noses . . . Previously published as De Vries
As collections curator for Old World Wisconsin, Chloe Ellefson delights in losing herself in antiques and folk traditions-and forgetting her messy love life. But her peace is destroyed when her ex-boyfriend unexpectedly turns up, followed by a break-in at her friend Dellyn's historic house-a potential treasure trove of priceless antiques. Was the intruder hunting for the missing Eagle Diamond, a legendary gemstone unearthed in 1876? When a grisly murder takes place on the museum grounds, Chloe is further drawn into a mystery involving a rare variety of Swiss cheese, a nearly extinct heirloom flower . . . and plain, old-fashioned murderous greed.
#1 NATIONAL BESTSELLER A shocking exposé of the deadliest killing spree in Canadian history, and how police tragically failed its victims and survivors. As news broke of a killer rampaging across the tiny community of Portapique, Nova Scotia, late on April 18, 2020, details were oddly hard to come by. Who was the killer? Why was he not apprehended? What were police doing? How many were dead? And why was the gunman still on the loose the next morning and killing again? The RCMP was largely silent then, and continued to obscure the actions of denturist Gabriel Wortman after an officer shot and killed him at a gas station during a chance encounter. Though retired as an investigative journalist and author, Paul Palango spent much of his career reporting on Canada’s troubled national police force. Watching the RCMP stumble through the Portapique massacre, only a few hours from his Nova Scotia home, Palango knew the story behind the headlines was more complicated and damning than anyone was willing to admit. With the COVID-19 lockdown sealing off the Maritimes, no journalist in the province knew the RCMP better than Palango did. Within a month, he was back in print and on the radio, peeling away the layers of this murderous episode as only he could, and unearthing the collision of failure and malfeasance that cost a quiet community 22 innocent lives.
Lucie Montgomery is the only member of her family opposed to the sale of the family's vineyard, and therefore the next possible victim of a greedy murderer.
Several strange happenings, followed by the instant death of a master violinist, turn a few days of pleasure with the Boston Symphony Orchestra at Tanglewood into another crackling case for highly cultivated newspaper owner C.B. Greenfield and his sleuthing sidekick, chief reporter Maggie Rome.
Dark Secrets Hidden in Norwegian Traditions For curator Chloe Ellefson, a family bonding trip to Decorah, Iowa, for rosemaling classes seems like a great idea—until the drive begins. Chloe's cop friend Roelke takes her mother's talk of romantic customs good-naturedly, but it inflates Chloe's emotional distress higher with each passing mile. After finally reaching Vesterheim Norwegian-American Museum, Chloe's resolve to remain positive is squashed when she and Roelke find Petra Lekstrom's body in one of the antique immigrant trunks. Everyone is shaken by the instructor's murder, and when Mom volunteers to take over the beginners' class, Chloe is put in the hot seat of motherly criticism. As she investigates, Chloe uncovers dark family secrets that could be deadly for Mom...and even herself. Includes photos of featured artifacts from the real Norwegian-American museum! Praise: "Chloe's fourth...provides a little mystery, a little romance and a little more information about Norwegian folk art and tales."—Kirkus Reviews
Trying to leave painful memories behind her, Chloe Ellefson is making a fresh start. She's the new collections curator at Old World Wisconsin, an outdoor ethnic museum showcasing 1870s settlement life. On her first day, Chloe meets with an elderly woman who begs her to find a priceless eighteenth-century Norwegian ale bowl that had been donated to the museum years ago. But before Chloe can find the heirloom and return it to her, the woman dies in a suspicious car crash. Digging up the history and whereabouts of the rare artifact quickly turns dangerous. Chloe discovers that someone is desperately trying to cover up all traces of the bowl's existence—by any means necessary. Assisting Chloe is police officer Roelke McKenna, whose own haunting past compels him to protect her. To catch the covetous killer, Chloe must solve a decades-old puzzle...before she becomes a part of history herself. Praise: "Clever plot twists and credible characters make this a far from humdrum cozy."—Publishers Weekly "This series debut by an author of children's mysteries rolls out nicely for readers who like a cozy with a dab of antique lore. Jeanne M. Dams fans will like the ethnic background."—Library Journal "Information on how to conduct historical research, background on Norwegian culture, and details about running an outdoor museum frame the engaging story of a woman devastated by a failed romantic relationship whose sleuthing helps her heal."—Booklist "Old World Murder is strongest in its charming local color and genuine love for Wisconsin's rolling hills, pastures, and woodlands...a delightful distraction for an evening or two."—New York Journal of Books "A wonderfully-woven tale that winds in and out of modern and historical Wisconsin with plenty of mysteries—both past and present. In curator Chloe Ellefson, Ernst has created a captivating character with humor, grit, and a tangled history of her own that needs unraveling. Enchanting!"—Sandi Ault, author of the WILD Mystery Series and recipient of the Mary Higgins Clark Award "Propulsive and superbly written, this first entry in a dynamite new series from accomplished author Kathleen Ernst seamlessly melds the 1980's and the 19th century. Character-driven, with mystery aplenty, Old World Murder is a sensational read. Think Sue Grafton meets Earlene Fowler, with a dash of Elizabeth Peters."—Julia Spencer-Fleming, Anthony and Agatha Award-winning author of I Shall Not Want and One Was A Soldier "Museum masterpiece."—Rosebud Book Reviews "A real find...5 stars."—Once Upon a Romance
In the exhilarating penultimate thriller of the New York Times and #1 internationally bestselling Department Q series, the team must hunt for a nefarious criminal who has slipped under the radar for decades. On her sixtieth birthday, a woman takes her own life. When the case lands on Detective Carl Mørck’s desk, he can’t imagine what this has to do with Department Q, Copenhagen’s cold cases division since the cause of death seems apparent. However, his superior, Marcus Jacobsen, is convinced that this is related to an unsolved case that has been plaguing him since 1988. At Marcus's behest, Carl and the Department Q gang—Rose, Assad, and Gordon—reluctantly begin to investigate. And they quickly discover that Marcus is onto something: Every two years for the past three decades, there have been unusual, impeccably timed deaths with connections between them that cannot be ignored, including mysterious piles of salt at the scenes. As the investigation goes deeper, it emerges that these "accidents" are in fact part of a sinister murder scheme. Faced with their toughest case yet, made only more difficult by COVID-19 restrictions and the challenges of their personal lives, the Department Q team must race to find the culprit before the next murder is committed, as it is becoming increasingly clear that the killer is far from finished.
In 1939, four brutal murders occurred at three separate locations on a single day in “Cache Creek country,” a remote Alaska gold-mining region near Talkeetna. Two of the victims, Dick Francis and Frank Jenkins, had mined there for almost three decades, but disputes over mining claims in the 1930s launched the two men into protracted court battles and an arena of antagonism. By 1938, when Francis' claims were auctioned to satisfy courtordered damages awarded to Jenkins, everyone in the scattered but close-knit mining community of Cache Creek country was aware of the bitter feud. At the end of the 1939 mining season Jenkins and one of his young employees were bludgeoned to death in Wonder Gulch; three miles away, Helen Jenkins was murdered near the Jenkinses' cabin along Little Willow Creek; and, in his Ruby Creek cabin, Francis was found shot in the head with a revolver in his hand — an apparent suicide. He was thought to have first vengefully murdered the others. But an autopsy revealed that Dick Francis had been shot twice in the head. The shocked and outraged mining community began to suspect that the Jenkins/Francis feud had been ruthlessly exploited for caches of gold long rumored to be hidden on the Jenkinses' property. The case assumed sensational proportions in Alaska and, because law enforcement was minimal in this remote region, angry Alaskans clamored for a full-blown investigation by the FBI. More than sixty years later, the evidence—never made public before—whispers that justice may not have been served.
On October 15, 1985, two pipe bombs shook the calm of Salt Lake City, Utah, killing two people. The only link-both victims belonged to the Mormon Church. The next day, a third bomb was detonated in the parked car of church-going family man, Mark Hoffman. Incredibly, he survived. It wasn't until authorities questioned the strangely evasive Hoffman that another, more shocking link between the victims emerged... It was the appearance of an alleged historic document that challenged the very bedrock of Mormon teaching, questioned the legitimacy of its founder, and threatened to disillusion millions of its faithful-unless the Mormon hierarchy buried the evidence.
